autofocus wrote:
Did it often years ago, using Marshall's Photo Oils. Had to use non resin coated b/w paper if I recall, it was great fun! And, you should know by now that getting respectful answers here is a bit of a stretch, sadly.
That's right.
Of course, you can colorize monochromatic images via computer. You can do that manually or by means of various online programs that do it automatically and color randomly with some kind of algorithm- not too bad!
Yes, hand coloring is an old process, however, if done expertly and correctly, has an entirely differet look. It is not entirely obsolete, that is if you know what you are doing and can acquire the necessary skills and materials. The result can be rather outstanding and very perminante.
The traditional process involved making a print on a high-quality warm tome (chloro-bromide) fiber-based paper with a textured surface and tonging it with sepia or brown toner. Some artists used a pre-color spray to provide a better "tooth" for the paints. The most popular materials were/are Marshalls Transparent Oils which are still available. These paints are not opaque so the original images come through and the colors are applied in various ways with brushes, cotton swabs, paper stomps, and cotton balls. The results depend on your skills. The current distributor of Marshalls Oils is:
https://www.dickblick.com/brands/marshalls/ They probably have books, tutorials, and instructions as well.
Here's the description: "Marshall's Photo Oils are transparent oil colors specifically designed for tinting black-and-white photographs by hand. Highly concentrated and interminable, they offer superior adhesion on photo paper. They're also acid-free and archival to ensure the long-term stability of your artwork".
The attached image has been in my wife's family since 1929. It was made by her grandfather who was a portrat photograher and colored by her aunt who was a photograher, colorist, and retoucher. It has a lovely subtle look. I still prefer that method for authentic photo restorations.
I can't imagine what is so funny about the older, traditional manual method. Many folks on this forum still shoot film, maintain darkrooms, do analog printing and use and collect old cameras and other gear. Why laugh at them or make fun of their questions?