Horseart wrote:
I am in no way a musician. I play the organ and can sit down and play any song I have heard, but I play by ear, couldn't read music if I had to. Same with photography. I'll never be a good musician or a good photographer. I've been an artist since the age of 4. I teach people to paint but as I do, I insist that they create a style of their own and not follow mine after they learn and constantly remind them that, in all things we do in life, there will always be some who are better than us and some who are worse and that every time they paint, they improve.
I do love all kinds of music, unless someone calls Rap music. (I certainly don't) but I think my favorite is easy listening and dance music. That's partly because years ago, I trained instructors for Arthur Murray studios in Memphis and later Fred Astaire Studios in West Palm Beach Fl. Arthur was a great teacher but not a great dancer. Fred was a great dancer but not a good teacher.
Rick Wakeman is a master for sure. I could only wish to ever be that good. In fact I think most pianists would. There's a lot more of Francesco Parrino on You Tube and I love to watch his emotions as he plays. It's obvious he loves it. I'll check out more of Rick Wakeman too. Thank you for calling that to my attention.
I am in no way a musician. I play the organ and ca... (
show quote)
As with most art forms, music has a language. For sound, that is one of time and tones. Musicians in ensembles carry on conversations. In photography, the negative is the score, but the print is a performance. In music, the score is just a fact sheet. The performance is a discussion of what those facts mean. For that reason, I really like jazz, jazz-rock-classical fusion, and musicians who can improvise with each other harmoniously.
Many of the best living players and composers taught themselves to play, purely with sweat equity, grit, determination, thousands of practice hours, and "musical social skills."
One of my favorite life stories is that of Tal Wilkenfeld, an Australian bass player. She first picked up a guitar at 14. When she was 16, she dropped out of high school, moved to Los Angeles on scholarship, and went to a music school. At 17, she switched from guitar to bass. Soon she had played with so many artists there, outside of school, that she left the school and went to NYC to play in various jazz clubs. By the time she was 20, she had a stellar reputation in NYC and L.A. among rock and jazz musicians for bass, and had recorded her first album with several Jazz greats.
She met the Allman brothers at a club where she played. They invited her to a concert, where they surprised her by letting her play a bass solo in front of thousands of people. Soon Jeff Beck, the British guitarist who is known for pioneering rock work with Eric Clapton and Jimmy Page in the Yardbirds, back in the 1960s, saw a tape of that performance, flew her to England, and hired her for his 2007 tour.
There is an extremely well-recorded and well-photographed concert on You Tube, "Jeff Beck Live at Ronnie Scotts." Jeff (guitar), Vinnie Colaiuta (drums), Tal Wilkenfeld (bass) and Jason Rebello (keyboards) performed for over an hour and a half in a 250-seat club. That was self-proclaimed as one of the most magical concerts Jeff Beck ever gave. Tal and Vinnie are probably the best rhythm section Jeff ever had.
Tal spent years playing bass with many other musicians including Herbie Hancock, Prince, Dweezil Zappa, Jackson Brown, and many, many others. In 2016, Tal's own band was the opening act for The Who on the North American part of "The Who Hits 50!" tour. After years of on-off work, she finally self-published her second album of serious original works in 2019. Over the last years of his life, she played on probably two unreleased albums worth of works with Prince that will come out eventually.
I'll go look up more Francesco Parrino...