User ID wrote:
Clearly both.
If they're both "reality" why do they look so different?
Or are you saying that there are two (and maybe more) realities: one at 1/2000 sec. and another at 1/2 second?
And if that's the case, how about a third reality -- one where you shove the "vibrance" slider all the way to the right in Lightroom?
Meadwilliam wrote:
You mean consequence. Artifacts are not naturally occurring.
It would be both. There are no naturally occurring photographs.
SuperflyTNT wrote:
I’m sticking with misguided. He stated that any post processing is a divergence from reality. That is misguided and shows that he knows very little about what goes on within the camera or in post processing. I’m fine with whatever he wants to do but to say that anything not SOOC is farther from reality than that camera generated JPEG is flat wrong.
Can’t be flat wrong, cuz it’s roundly erroneous :-)
DirtFarmer
Loc: Escaped from the NYC area, back to MA
When I started this thread my intent was to generate discussion on postprocessing, since there are two main camps: for and against (with a lot of sub-branches).
It was not my intent to label people in either camp as wrong. I don't believe that is warranted nor effective. I'm all for people stating their opinion on the subject but what I would like to see is reasons why you hold the opinion you do.
Many of the responses above are centered on reality. "Reality" is often presented as the reason for one view or the other on the subject. Reality is subjective. Everyone sees it differently. If our eyes and brain cannot fully grasp reality, what chance does the camera have? On the same basis, what chance does postprocessing have?
I am not a commercial photographer. I have only sold one set of photographs in my recollection (a real estate set for a friend). My main purposes for taking photographs are: (1) documentation; (2) enjoyment. Documentation covers a lot of things, like showing the condition or state of something at a given time, making a photographic copy of something that I want to preserve or distribute, recording scenes that I would like to remember in the future (scenery or family). Enjoyment includes taking photos of things I like the look of, or things that I can use as a challenge to process to meet my recollection of something, or things that I can transmogrify to make a joke. When I try to edit my photos, reality is what my memory says it is.
It's called Freedom of Choice!
Until there is a Police Department of Photo Processing, we can do what we want. I wonder if Adobe is trying to find a way to claim ownership of our photos. It already owns the software we are renting, so shouldn't the resulting images belong to them?
quixdraw wrote:
Whatever, they are your photos / ethos not mine, your reality (and memory!) as well. Have at it, but don't expect me to agree with your premise!
Why is this so important to you? Just curious.
DirtFarmer wrote:
https://media.istockphoto.com/vectors/can-of-worms-vector-id165635287?k=6&m=165635287&s=612x612&w=0&h=fsyAVv2PLHcX9ZPe1EHrfFVT2t97nwcCven9ACsDOUY=
This photo could be greatly improved with just a simple Brightness/Contrast adjustment layer and setting the blend mode to say Hard Light!
DirtFarmer wrote:
There are 10 groups of people in the world. Those who use binary notation and those who don't. In photography, there is a difference of opinion on postprocessing.
Recent threads (and lots of past threads) expose the dichotomy of opinion on postprocessing. "Photoshop is lying". "Photographs are art".
There are reasons for both opinions, but the reasons do not overlap much. I'm in the "art" group and I will let everyone know that my photos are processed, sometimes just a bit, sometimes a lot. It's the difference between a pleasing photo and photojournalism, which eschews changes to the "original" image, whatever that is.
I would like to support the "art" group with an example from a recent wedding I attended. I have a photo that was taken by someone else (since I was in the wedding party I did not take any photos of the ceremony). I am presenting the photo to illustrate a point: it is my opinion that wedding photos are NOT photojournalism (unless there's some unusual newsworthy aspect of the wedding, which does not apply here). Wedding photos are to please the family. I don't have permission of everyone in the photo to post this so I have blurred all the faces, but I think my point can be seen here.
The original photo was taken as the bride and groom (now husband and wife) walked down the aisle away from the officiant. The wedding was outdoors on a sunny day, late in the afternoon. The photo shows most of the family so it is of interest to the family. Since it was late in the afternoon, some trees behind the photographer shaded half of the group. So the original photo shows a bunch of bright faces on the right and dim faces on the left. In my opinion this detracts from the value of the photo to the family (particularly those on the left).
I ran the photo through Photoshop and brightened the faces on the left. I only had a jpg to work with so the dynamic range wasn't really great, but I got something that I believe is better than the original as far as the left group is concerned. The left group is not as bright as the right, but they are not heavily shaded as much as they were.
My version is not reality if you only consider the response of the camera sensor to the available illumination.
My version is reality if you consider that the human eye can adapt to differences in illumination much better than a print of a photo can realize.
My thesis is that Postprocessing, even relatively heavy processing that Photoshop can produce, is a way to approximate the reality of a photo.
There are 10 groups of people in the world. Those ... (
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In my opinion, photography is an art. Those who shoot RAW will always use some amount of post processing to enhance the RAW image. That’s expected. Some of us use more post processing to to create the image we envisioned when we took the photo. It’s still a photo and, in my opinion, still art. I do not view photos that are “straight out of the camera” as a badge of honor. What is important to me is having the photo appear as I want it to. The only exception would be photojournalism. And even in that case, if taken in RAW, some minor adjustments will be necessary.
JohnSwanda wrote:
Although it is great that you can fix mistakes with processing, the best use of it is to enhance images which are as good as they could be from the camera.
No argument ! I compared it to fixing a leaky roof, simply cuz “schidt happens” so you fix whatever needs fixing.
Well crafted roofs can still suffer a “schidt happens” event. Skilled photographers are frequently faced with a shot that can’t be at its best without skilled PP. That is the photo version “schidt happens”. And it happens all the time.
Lacking the skills and tools to perform routine PP is the mark of a common low level snap shooter, not of a skilled and properly equipt practitioner.
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