E.L.. Shapiro wrote:
Re: Commercial Photography.
I too, get up early in the morning to capture a great skyscape at sunrise or wait around in cold weather for the "magic hour" to occur at twilight. I'll even stop my car and get off the road to capture an odd skyscape due to fog or pollution. All of that is for my own personal work and done at my leisure.
Most COMMERCIAL photographers, like me, don't get up every morning and do our best to create FAKERY or misrepresent, people, products or places. Most of our customer rare "SELLING STUFF"- products, services or "selling" themselves and want all of this to be shown in the best light.
Think about this- if you were selling something, would you not want ti to be appealing to the potential customer. If you were selling your photography as "art" who'd you not want to present it well- properly matted or framed. Would you publish a brochure or have a business card with an unattractive portrait of yourself? Would you place it on your website?
Oftentimes commercial assignments of exterior subjects come with deadlines. Some industrial scenes can not be staged- you have to make do with the weather as it is. Murphies law- the client will select the image with a dead sky for the cover of his annual report and the AD want's to strip in the copy overone the "blue sky"!!
Sometimes we need to follow layouts and instructions, sometimes we are given a concept, sometimes we can
create an image to interpret some else's concept. In all cases, we try to create something that is believable and not misrepresentative of anything.
Someof y'all should visit a museum or an art gallery more often. You will notice that some of the artists use saturated colours, some prefer muted colours, some works are realistic, others are impressionistic, and some are abstract. Some works are extremely realistic- almost documentary and others are pure fantasy. Imagine how dull it would be if all the art was the SAME!
Re: Commercial Photography. br br I too, get up e... (
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Thank you for your comments, Shapiro.