PixelStan77 wrote:
Looking back on film, it made me be precise with exposure,development time, etc.
With Kodachrome the margin of error was about one stop for exposure. So bracketing was popular on Kodachrome. What you thought was the correct exposure and then bracket plus and minus. Kodak loved it. So for a 36 exposure roll, you hot 12 good images.
I never did any of my own color processing. In medium format, 6x6 cm, I never shot color at all. Most of the color 35mm that I shot was on the later Nikons when I was in my 30s. These were very sophisticated with through the lens metering and gave pretty consistent results; 35mm for the masses.
On the high school and college newspapers, we loaded our own 35mm from bulk. I typically had all lengths of Tri-X for whatever the task might entail. You didn't want to have two jobs on the same roll and you didn't want to waste film and chemicals developing un-shot frames. The more I think about it, the more I'm pretty sure I don't miss film.