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How do you define or think of photographic vision? How important is it?
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Nov 5, 2019 13:41:38   #
via the lens Loc: Northern California, near Yosemite NP
 
Linda From Maine wrote:
Connie, these are beautiful examples of processing to complete your artistic vision!


Linda, thank you. I try!

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Nov 5, 2019 13:57:22   #
Bill_de Loc: US
 
srt101fan wrote:
Much is made of the importance of a photographer’s vision and his/her deliberate actions performed to express that vision pictorially.


Not sure about how much is made of it by folks out shooting. It's time to let poor Ansel rest in peace.

There are those that think they can learn about photography by spending a lot of time discussing it.

There are those that think they can learn about photography by spending more time taking pictures. These folks have more pertinent things to discuss.



---

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Nov 5, 2019 14:57:43   #
rehess Loc: South Bend, Indiana, USA
 
Linda From Maine wrote:
First, I agree with htbrown that an image should stand on its own and not require explanation...except when it does. I'm thinking of documentary-type images for those cases where explanation may be needed. Sometimes a title provides just enough information. For fine art, I like the idea that viewers should be free to make their own interpretation; each person responding differently, based on their own histories and interests.
Sometimes I put photos together to tell a story that requires words
https://www.uglyhedgehog.com/t-420762-1.html
A story of this type usually comes together only as I look at them on the computer, although the example above came together in my head as I was shooting the photos; it was just a question when I got home of exactly which photos I was going to use.

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Nov 5, 2019 15:00:08   #
Linda From Maine Loc: Yakima, Washington
 
rehess wrote:
Sometimes I put photos together to tell a story that requires words
https://www.uglyhedgehog.com/t-420762-1.html
A story of this type usually comes together only as I look at them on the computer, although the example above came together in my head as I was shooting the photos; it was just a question when I got home of exactly which photos I was going to use.
It's hard to go wrong with humorous captions of cute critters

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Nov 5, 2019 15:03:15   #
Retired CPO Loc: Travel full time in an RV
 
Gene51 wrote:
I've been at this for 52 years. in the beginning, I was mindful of my creative intent all the time. With the passing of time, the snapping of the shutter has become automatic, and most of the time the results are in line with my intent, actively considered or passively experienced.

I think the photographer should be able to explain the intent, though I am not sure it is always an active part of the creative process, but it is certainly part of the subconscious part of the creative process. It "informs" the choices we make. You can see this in action when you bring a group of photographers to a place and let them loose. If you have 5 people you will usually see 5 completely different approaches to the place. Each person's creative choices and intent is informed by the now and the past - the now is active and the past can be both actively considered and subconsciously contributing.
I've been at this for 52 years. in the beginning, ... (show quote)


Well, my "intent" when I take a photograph is to capture beauty. Plain and simple. And I've been at it for at least 50 years. And I'm the best I've ever been right now.

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Nov 5, 2019 15:30:15   #
Linda From Maine Loc: Yakima, Washington
 
srt101fan wrote:
... Is there room in your photography to give your sub conscience an active voice...
From gaining the experience to "see" (ref RichardTaylor's comments), I think those who are interested in post processing as part of the art of photography sometimes simply harvest pixels. (I stole that description, btw )

In other words, the subconscious recognizes potential, but it isn't a fully formed idea until pp.

I'm not suggesting the below will stop people in their tracks, but I'm offering as an example of my point. My eye caught what I thought was pretty cool surface tension around this floating grass seedhead. So I harvested the pixels, and after extensive editing, I printed and like it a lot.

I understand the value of deliberate, thoughtful pre-visualization, then composing "just so," but I hope folks also learn to trust their inner voice and as Fred Harwood advised, "...also shoot the unplanned. One never knows what's around that next corner."




(Download)

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Nov 5, 2019 15:35:07   #
artBob Loc: Near Chicago
 
srt101fan wrote:
Much is made of the importance of a photographer’s vision and his/her deliberate actions performed to express that vision pictorially. The argument goes that a good photographer always knows what he/she wants and knows how to get it. Ansel Adams comes to mind.

I was recently reminded of this business of photographic pre-visualization and intent when I posted an image that was basically a grab shot but, to me at least, turned out to be more than that. So, is it possible to create a good photo based on a “vision” and photographic translation of that vision that is at least in part produced subconsciously? Should a photographer always have to be able to explain what he wanted to say (intent) and why he took the steps he took to get to the final product (in camera or post)?

Curious how the UHH community lines up on this. Is there room in your photography to give your sub conscience an active voice, or do you think that all your photographic actions/decisions need to be conscious and deliberate?
Much is made of the importance of a photographer’s... (show quote)

You see above, and will continue to see I think, as many "answers" as there are answerers. I have taught thousands of students and conducted hundreds of critiques. The answer is simple, but non-specific. People fall on a spectrum.

This spectrum, assuming you mean photographs rather than snapshots (I know, another gray area, but I think we generally know), goes from utterly "instinctive" to "scrupulous planning." Very few can move very far from where they fall, genetically and culturally, on that spectrum. I would ask students, "Would Michael Jordan (yes, I taught back then--substitute Lebron or anybody) say, 'I'm good at basketball, I think I'd rather be a jockey.'?" "No," I'd say, "when he discovered what he was good at, he worked his ass off getting better at that. Do the same."

If you are happily making good photographs (up to you if you're doing it for yourself, or confirmed by other good photographers and critics if you want objectively good photos), just keep improving. If not happy, edge towards more "instinctive" or more "thought-out," and see if one or the other works better. Then work on.

For me, I tried a number of subjects and techniques. As my vision, what really interested me, because clearer, I found I was instinctively drawn to something that I could plan the best way to shoot as I was shooting.

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Nov 5, 2019 16:37:20   #
BebuLamar
 
Bokehen wrote:
Visualization does help when seeing what you're wanting to shot and I use this often. yet trying to convey this visualization to the camera is not that easy. In my case, not often does the image turn out as I had hoped. if I sit and look at the digital image long enough I'll find what it is I was shooting, tree, limb, flower etc. and crop to that visualization I was attempting to achieve the first time.

Take my most current image. I was asked to create an image using text or letters.. Not willing to get outside on that day I recall an old key board in the basement , popped the keys off and shot an image of the keys scattered about on the counter top.



The visualization was that I wanted the escape key to stand out. later after studding my shot, I though that I should have create a flow within the image from foreground to background using the same lighting.. I didn't like the harsh light effect in the background, but it was good enough to submit to the letters challenge.

The point is, I seen in my mind how I wanted to achieve the shot, so I lowered the tripod, set the camera up and dropped the keys on the counter top. Though it may have been a more dramatic effect is I took a long exposure to create a blurry of keys dropping.
Visualization does help when seeing what you're wa... (show quote)


Are you going to put those keys back in the keyboard? If not can I have those keys?

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Nov 5, 2019 17:21:59   #
G Brown Loc: Sunny Bognor Regis West Sussex UK
 
When you look at something, you see a wide shot, but often disregard the less important bits. Your brain 'processes it' by matching 'things' that you have seen before. When the camera does this - it looks wrong or rather, is less satisfying.

Photographic vision is simply the ability to concentrate on what 'important bits' you want to capture out of 'the whole' that you see. Often this is almost subconscious decisions about placement, but...occasionally you need to walk around 'the thing' to get the better shot. Or come back another day when conditions 'improve' what you want to capture.

It could be that: given time you learn from your own work what pleases you....or you recall a similar image by someone else that you want to emulate....either way.....your photography evolves. Practice may not make perfect....but it does improve some.

A picture telling ten thousand words was coined by a newspaper man.....not a photographer!
The story YOU see.....differs from what others interpret....Art is in the eye of the beholder...(or the 'Artist' has gained a name for whatever reason so it must be 'good'.). However....a title can focus a person's mind a little...even if it is just a smile, because non-photographers also look at photographs too. Even people who have no training in art or creativity 'like' certain things, with or without 'interpretation'.

Having a 'vision' simply means you enjoy certain things 'in a certain way'. The named artists would talk you through the 'meaning' of what they did....or 'critics' would earn a living by 'telling you' what you were meant to see. How many books are there on 'great art'!!!

If you are wanting to create photographs that please yourself: then explore what you 'like'. If you want to impress others learn to tell an 'epic' story about how difficult it was to 'capture' that particular 'one of a kind' image.

Have fun

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Nov 5, 2019 18:46:46   #
Gene51 Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
 
Retired CPO wrote:
Well, my "intent" when I take a photograph is to capture beauty. Plain and simple. And I've been at it for at least 50 years. And I'm the best I've ever been right now.




And next year you'll be better still!

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Nov 5, 2019 19:32:51   #
Brokenland
 
rjaywallace wrote:
Well said, sir!


YW rjaywallace even though I've return to check back to what I said.. typos run rampant.. blah

BebuLamar wrote:
Are you going to put those keys back in the keyboard? If not can I have those keys?


Sure thing, Pm your address and I'll send them to you. This was for an old school IBM keyboard or does this matter? I suspect you just want the keys so I don't take anymore nonsense images in the future.. :p

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Nov 5, 2019 23:29:14   #
User ID
 
srt101fan wrote:

Much is made of the importance of a photographer’s
vision and his/her deliberate actions performed to
express that vision pictorially. The argument goes
that a good photographer always knows what he/she
wants and knows how to get it. .......


After decades in this bidnez, I cannot escape
my photographic vision. I can hardly exercise
any other vision. Therefor I resist nearly every
tempting "photo op" that parades before my
eyes. I mean only that I resist recording them.
I consider most of them rather thoroughly and
when I have the ultimate version in mind, I'm
usually done with the "exercise". No record is
made, except in rare cases ... like under 5%.
"Cast not ye pearls before swine" !

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Nov 6, 2019 04:18:16   #
Drbobcameraguy Loc: Eaton Ohio
 
Linda From Maine wrote:
First, I agree with htbrown that an image should stand on its own and not require explanation...except when it does. I'm thinking of documentary-type images for those cases where explanation may be needed. Sometimes a title provides just enough information. For fine art, I like the idea that viewers should be free to make their own interpretation; each person responding differently, based on their own histories and interests.

Most of my own favorite photos from 2013 through 2017 were a combination of deliberate steps and reaction to what I stumbled upon (I don't remember much about how I approached photography prior to joining UHH).

The most pre-visualization I might do was to seek photo ops for a specific storytelling theme, such as hops or apple harvests. Then, I would drive around looking for scenes that would help tell those stories and compose individual shots accordingly.

Otherwise, my deliberate actions would usually be about seeking interesting light or weather conditions and then I think my sub-conscious takes over to capture whatever beautiful-to-me experience is there. Occasionally I'd see something with possibly a bit more substance, but most of my photos are not for deep thinkers

Here are two where I felt an emotion and clicked - no conscious thought whatsoever.
First, I agree with htbrown that an image should s... (show quote)


I too photograph similar to you. My wife and I decide what we want to photograph that day and seek it out. In that process there are always pics that just seemed interesting at the moment. Sometimes they really are and sometimes they are not. Matters not due to digital.

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Nov 6, 2019 06:50:59   #
Silverrails
 
srt101fan wrote:
Much is made of the importance of a photographer’s vision and his/her deliberate actions performed to express that vision pictorially. The argument goes that a good photographer always knows what he/she wants and knows how to get it. Ansel Adams comes to mind.

I was recently reminded of this business of photographic pre-visualization and intent when I posted an image that was basically a grab shot but, to me at least, turned out to be more than that. So, is it possible to create a good photo based on a “vision” and photographic translation of that vision that is at least in part produced subconsciously? Should a photographer always have to be able to explain what he wanted to say (intent) and why he took the steps he took to get to the final product (in camera or post)?

Curious how the UHH community lines up on this. Is there room in your photography to give your sub conscience an active voice, or do you think that all your photographic actions/decisions need to be conscious and deliberate?
Much is made of the importance of a photographer’s... (show quote)


I personally as an Advanced Amatur, with my Nikon D3300, enjoy Attractive & Memorable Landscape & Nature Photography. I enjoy capturing the Beauty of Creation. I have Captured some real Keepers that I have enjoyed, but also some that I thought in the moment were quite stunning, but then reality stepped into the picture, maybe not so good.
That is why I enjoy UHH, I get inspiration and ideas from my fellow Photographer's. Thanks.

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Nov 6, 2019 07:09:07   #
Vaun's photography Loc: Bonney Lake, WA
 
I don't usually plan or visualize my photos ahead of time, but I do pay attention to composition more now than I used to. But even though I get lots of compliments on social media, I don't consider most of my photos great.


(Download)


(Download)

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