DeanS wrote:
I have a limited need for this lens. Interested in real-world awareness regarding these two. Will shoot on 5D Sr and RP, probably at night hs fb games. There is a significant diff in cost, and I’m not crazy abt spending Canon money for a lens that would see so little shooting. I have read a couple comparos, and other than build quality and focus dist, the diff is not that great. Other opinions based on experience?
If you know of what you speak, pls advise. Tia.
See for yourself....
Test shots done with the two lenses, side-by-side (on 5DS-R, other cameras can be selected):
https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=1178&Camera=979&FLI=0&API=0&LensComp=972&Sample=0&SampleComp=0&CameraComp=979&FLIComp=0&APIComp=0The Canon lens is noticeably sharper throughout the zoom range (5DS-R with 50MP is very "demanding"). The difference is most dramatic at the 100mm end. The Tamron has more chromatic aberration, too. (The Canon uses fluorite in it's optical formula, which reduces CA.)
The Tamron doesn't come with a tripod mounting ring. One is optionally available, at an additional $129.
Just looking at the numbers, the Tamron appears to be 1/3 stop slower at 400mm. But if you dig into the details of where the variable apertures change in each zoom's focal length range, you'll find that the Tamron is actually 1/3 stop slower all the time and even 2/3 stop slower at some of the longer focal lengths. Both lenses drop from f/4.5 to f/5 fairly quickly, around 135mm. The Tamron further drops to f/5.6 at 180mm and f/6.3 at 280mm. The Canon is f/5 through 311mm and then f/5.6 the rest of the zoom range. (Note: The Sigma 100-400mm is even slower than the Tamron. The Sigma also doesn't offer option of a tripod mounting ring. There are a couple third party rings, but they don't have the functionality of the Tamron and Canon rings. I mention this because I wouldn't want a lens that reaches 400mm without a good means of mounting it on a tripod.)
The lenses' max apertures might be really critical, trying to use either of these lenses to shoot night football games. You will be shooting wide open with them a lot. Hopefully the stadium has good lighting, because these lenses need it. When I need to shoot in lower lighting conditions I put away my Canon 100-400 II and get out my f/4 and f/2.8 lenses.
More complete review of the Tamron can be seen here:
https://www.the-digital-picture.com/Reviews/Tamron-100-400mm-f-4.5-6.3-Di-VC-USD-Lens.aspxCanon 100-400mm II detailed review:
https://www.the-digital-picture.com/Reviews/Canon-EF-100-400mm-f-4.5-5.6-L-IS-II-USM-Lens.aspxSigma 100-400mm detailed review:
https://www.the-digital-picture.com/Reviews/Sigma-100-400mm-f-5-6.3-DG-OS-HSM-Contemporary-Lens.aspxWhat type of lighting does the football stadium have? I ask because some use lights that fluctuate rapidly, the way fluorescent do. Many recent Canon cameras have Anti-Flicker feature that works very well to counter-act this and prevent a lot of underexposed images. AFAIK, the 5Ds-R doesn't have Anti-Flicker, but I think the RP does. The RP also has much higher selectable and usable ISO.
Personally I wouldn't use a full frame camera for sports photography. (Plus I'd be reluctant to use a 50MP camera to shoot sports!) A 100-400mm on an APS-C camera can cover an entire football field, no matter where you need to stand to shoot. The 7D Mark II is ideal with it's high performance AF system. The 80D is a close second, with slightly higher usable ISO and a little more resolution (24MP versus 20MP), but not quite as advanced AF and a little slower maximum frame rate. The new 90D should be excellent, too, though I don't know that 32.5MP is needed for sports photography. It's AF system appears to be very similar to the 80D's, so I'd still give the edge to the 7DII for sports.