Cany143 wrote:
Late afternoon light in Mill Canyon, along the zig-zag route to the 300' tall spires called 'Determination Towers.'
That is one great shot. Did you have to do a long hike to get into position?
Excellent shot! Love it...
Very good work, Cany. Good detail in both the highlights and shadows. That along with a very natural looking presentation.
--Bob
Cany143 wrote:
Late afternoon light in Mill Canyon, along the zig-zag route to the 300' tall spires called 'Determination Towers.'
When viewing the download the incredible feeling of depth is overwhelming. i just feel like you can walk into this scene forever. For me the lines and the textures of the rock (their clarity) adds a rugged feel to the image. The stormy clouds on the horizon are a perfect final touch. Well composed and well seen.
katu41 wrote:
That is one great shot. Did you have to do a long hike to get into position?
Thanks, katu. The hike --from where I parked my Jeep to where I shot this shot-- was an arduous and grueling
death march of almost 100 feet. Bear in mind, however, that I'm prone to exaggeration at times, so maybe it was only 75 feet. But I assure you, it was a
grueling 75 feet!! And
arduous, too!!! (Ok, maybe it was only a fifty-foot death march.... but still..........)
Cany143 wrote:
Late afternoon light in Mill Canyon, along the zig-zag route to the 300' tall spires called 'Determination Towers.'
OK...you get an atta boy.
Very very nice image and really captures the wild feel of the place.
Just interested in the amazing sharpness of your overall focus - did you use some sharpening in post?
arathorn357 wrote:
Very very nice image and really captures the wild feel of the place.
Just interested in the amazing sharpness of your overall focus - did you use some sharpening in post?
Thanks,
Strider, I mean, um,
arathorn357.When I figure one or more is warranted, I might use any of a variety of 'sharpening' techniques including basic sharpening, unsharp masking, modifying structure, altering local contrasts, and/or others, generally selectively rather than globally. Don't have any sort of cookbook or set of presets or anything like that; I just do what I think an image --or portions of an image-- tells me what it wants me to do with it.
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