RogStrix wrote:
and finally Image #6 cropped and label removed (I detest them...)
I detest them too. I keep a pair of scissors in my gear to cut them out. The fact that this one avoided me is perplexing, but it was dark, LOL. Editing it out is a good call
a lot of work but all part of the fun! Good shots, well done both of you!
These images have a very different ambience from your usual fine images. I like them. Good series!
Believe it or not, I think the initial shot is my favorite in this series.
Although all have their attractions, that shot, with all its shadows - on both your lovely model and the various walls, corners etc - and the subdued neo-grainy lighting of the whole pose, make for a great "mood" piece. I could easily see this adorning the cover of a Mickey Spillane type of paperback.
Beyond that, I love the expression is #2, her mood in #3, and #5 is simply a great combination of light directing the focus to the undeniable eroticism of her figure.
InfiniteISO wrote:
Stayed last night in a hotel room that had two, glass block "windows" between the tub area into the main room. I had six strands of tiny purple led lights a friend had given me. They run for hours off of watch batteries. I hung them inside the frame of the window facing the camera. The second window was illuminated passively. Two tunable LED photo lamps set to full warm were used on very low power to add frontal and side illumination. To get full figure shots that included both windows we fought the geometry of the room. There is a bed immediately to the right with bright white linens.
Shot at ISO 500, 1/8th of a sec, F6.3, with a 17-50mm Tamron F2.8
The first image is unedited to show the whole frame and the exposure. The subsequent images play with different crops and changes in exposure. I don't know if they need to stay dark and subdued or be brought up a great bit more. The last image has the exposure brought up to a more "normal" level, but it's not the level of light that existed in the room.
Stayed last night in a hotel room that had two, gl... (
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The problem seems to be the reflection from the skin of her right elbow onto the wall where she is leaning against the wall. Also causing the right lit elbow to extend the shape of the breast. There are several ways in handling this. One would be having her not be touching the wall, allowing the shadows to separate her from the wall. Another would be darkening the wall itself to define the fall of the shadow. Another to have dropped her hand and positioned the right shoulder to elbow behind the profile of her right breast.
Overall, good shots.
Very nice set, with the purple really accenting the photos and contrasting with the model's hair. #2 (full length) in my opinion is one of the most sexy shots you have posted of your muse, coming together with the angle, outfit, lighting, pose, look on her face, etc. with #4 placing second. My only complain is the lighting emphasize is on the opposite wall (and window) so for fun I darken both down - what do you think?
Stephan G wrote:
The problem seems to be the reflection from the skin of her right elbow onto the wall where she is leaning against the wall. Also causing the right lit elbow to extend the shape of the breast. There are several ways in handling this. One would be having her not be touching the wall, allowing the shadows to separate her from the wall. Another would be darkening the wall itself to define the fall of the shadow. Another to have dropped her hand and positioned the right shoulder to elbow behind the profile of her right breast.
Overall, good shots.
The problem seems to be the reflection from the sk... (
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Sound advice, but I probably will never shoot this setup again, and if I do, I will put the lights in a completely different spot. I am, however, planning on doing a few more subdued light sets with these LED fixtures because they can achieve a candlelight/firelight quality so easily. In fact, I plan on ordering a third fixture soon. They are some of the best money I've ever spent on gear.
The main issue with the execution of these shots was not being able to see the model clearly. I set up the camera to give a fairly wide depth of field and then just asked her to move then hold. When she stopped in a new postion, I triggered the camera.
Beautiful series. I vote #3. Based on pose, poise and facial expression. That is worth canvas.
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