scoundrel wrote:
I doubt that many hedgehogs use the cameras in their cell phones more than occasionally or in photographic emergencies where they don't have their main gear with them. If you are an exception to this rule, I want to hear from you. I don't even have a modern cell phone; just a clamshell phone that has a camera that I never used, even for a test shot.
Cell phones these days can produce decent enough image quality for casual work, such as family events and holidays. That said, how often do you use your cell phone in this way as opposed to a dedicated camera (if any)?
How controllable are its settings and which does it have: manual shutter speed, aperture, ISO sensitivity, white balance? Does it have scene modes and, if so, do you use them? Does it have a capture mode other than JPEG? Some have more than one lens. About what angle of coverage does your camera have for each? (Don't forget to specify long dimension, short dimension, or diagonal.) Does your phone have on-camera flash? If so, can you disable it? How is your camera's performance in dim light (How low can you go?) What is your flash's range, if you have one?
Does your phone have a photographic feature that you are especially proud of? That you wish it had but doesn't? That you use a lot?
Describe your favorite technique(s) for holding your phone steady when long exposures are expected.
I doubt that many hedgehogs use the cameras in the... (
show quote)
First off, this comment is in no way intended to be confrontational nor
belligerant, even though it is entirely possible some will choose to misconstrue it
as being so.
Some of the included pics were done by a secondhand (or is it third-, fourth-, or
fifthhand? I have no idea) DSLR, the others were done by a camera that includes
phone capability. Which are which?
None of the equipment is newer than nine or ten years old. Not including the
cost of memory cards, the total funds tied up in the digital picture taking devices
are significantly south of $850.00 U.S. None of the picture taking devices have
sensors with pixel counts that will satisfy the demands of pixel-peeping gurus.
There are two cameras with phone functions. Each has only one lens, not
multiples. Each has manufacturer-set automatic settings operations.
One of the cameras with phone capability will allow the operator to set white
balance, ISO, +2 - -2 exposure compensation, shutter speed from 1/2000 - 1/2
second, choose dng and jpeg output, and, with careful difficulty, manual focus.
The other will allow the operator to select a focus area within the frame, and has
a slider which allows imprecise adjustment of exposure, though there is no
indication if it is shutter speed, ISO or what is being changed by that slider; it
produces only jpeg output.
Neither of the cameras with phone capability has image stabilization
technology. If I do not have a tripod with phone clamp attachment along, I
steady the camera on a rock, or stump, or tree branch, or fence post, or log, or
fuel can, or jerry rig, or tool handle, or a wish and a prayer.
The cameras with phone capability have not been regarded as an unfortunate
make-do, since the time a photographer with over four decades professional
experience counseled me to learn all I could about picture taking while using the
camera with phone capability, since at the time it was the only picture taking
method I had available.
Each of the three picture taking instruments has selectable scene modes. I've
never tried any of them.
Perceivable differences in the pics:
-- are those the results of differences in the picture taking apparatus format in
use, pitting outdated, never above bottom mid-level mirrorless fixed lens, fixed
aperture cameras against an outdated once-okay/so-so, never above bottom-
rated DSLR?
-- are those due to the fact the hillbilly, untrained picture taker has maaaaybe 40 weeks
total accumulated time in digital photography and post-camera
processing, spread out over the past 5 years, or so? Would 45, 50, 60 years
experience and hours of training be enough to transform the bumbling, dorky
hillbilly into a real photographer who could step into a scene and instantly know
what the optimum camera settings and perspective and compositional
imperatives for that particular scene are? Would newest tech and more
expensive doodads instantly elevate the bumbling, dorky hillbilly's pic results
into an equally elevated class of worth above the present knowledge and experience level? Or, would there only be a continuation of mediocre results
backed by more time spent and a higher stage of technolgy acquired through
the expenditure of many months' or years' worth of hard-earned moolah which
should have been put to better use?
In a reply to me in another thread earlier today, hawgster 'burkphoto' very nicely
put into words something that seems to be a part of the push and pull inside me
that makes me wish for more available time and greater experience in this
photography interest:
•• "I'm interested in getting results. I'm interested in seeing results. I'm okay with
how you got your image, if it moves me or communicates with me, and your
methods weren't illegal, unethical, immoral, or fattening." ('burkphoto' quote) ••
(Shameful apologies to the offended, venerated, experienced, advanced,
equipped, distinguished, elevated folk who are sadly forced to endure such an
underwhelming, little kids table post amongst the exclusively desired, never-
less-than worthwhile, estimable Big Boy posts in the Main Photography
Discussion section.)