Architect1776 wrote:
Why is there such a great fear of using adapters when going to mirrorless?
Most everyone here say that lenses are "Forever" and the body can be changed out preferably.
Yet there is a desperate need to change all lenses out because of the fear of using an adapter on perfectly fine lenses. Perhaps a pixel peeper can see the difference between a mirrorless lens and a non-mirrorless lens.
I have found absolutely no issue using an adapter as it just stays on the camera. Also there is no burning desire to swap awesome lenses for other more expensive lenses just because the new camera is mirrorless.
Why is there such a great fear of using adapters w... (
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Using full frame dSLR lenses on adapters attached to full frame mirrorless bodies actually improves image quality in most cases, because:
> You get in-body image stabilization you didn't have on dSLRs.
> Advances in image processing and sensors bring out the best from great older lenses.
> Manual focusing aids in mirrorless bodies help us find focus when using older film lenses.
So I would say consider your circumstances.
Canon users can mount EF, FD, and FL lenses on Canon full frame mirrorless bodies with generally excellent results.
Nikon users can mount various older Nikon and Nikkor lenses on full frame mirrorless bodies (with all the usual annoying Nikon "gotchas" where certain lenses won't work universally). But generally, they can enjoy continued use of most recent optics.
When you get into mis-matches of brands and formats, that's where things start to fall apart.
Generally, there are few issues. However, if you have an old film lens that isn't very sharp, has coma and astigmatism, etc., you WILL notice these flaws more quickly on a mirrorless high megapixel camera.
If you adapt old full frame film lenses to Micro 4/3, the 2X crop factor will magnify all their flaws by 2X. That's why I don't do that. (I tried...)
Using an optical SpeedBooster adapter, will give you a stop or more of additional light when adapting a full frame lens to Micro 4/3, AND it will reduce the actual focal length by .71 or .64X. But it will introduce more flare and contrast reduction in back-lit situations, due to five extra glass elements.