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Converting 35mm slides to digital
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Jun 19, 2021 13:41:23   #
Equus Loc: Puget Sound
 
pendennis wrote:
How many slides are you going to convert? I have, on the order of 10K+, and I bought a scanner. The job is just about finished, maybe 500 left to go. In order to maximize the scanning area, I dismounted every slide, sorted and catalogued them manually, then used the scanner, an Epson V850 Pro with a Better Scanning medium format insert. The included inserts worked well for the 35mm size. The Epson, along with software from a couple of sources allows me to optimize film types, since the algorithms from each software company is slightly different and treats Ektachrome a bit different. All scanned slides have been filed in acid-free envelopes and cross-referenced in Excel by topic/subject.

I long ago stopped projecting slides, so dismounting was a no-brainer for me. You'll also likely need to edit the results in Adobe, etc. Over time slides will slightly shift color, even when stored in "ideal" conditions. Mine remained away from light in dry conditions, and some did shift a bit toward purple/magenta, easily corrected though. I created everything with both JPEG and TIFF.

If you do want to project digitized, it's fairly easy to do using a TV and your computer.

I know this is more complicated than using a lens adapter, but it turned out to be the best solution for me.
How many slides are you going to convert? I have,... (show quote)


I second the Epson scanner. I have the V600. The software that comes with it is excellent. It is however a $300 solution but the results are excellent. I had a negative from pre 1945. It made short work of that negative and the result was totally useable. It also does an excellent job of making faded prints look good. A little tweek in PP or Affinity or Gimp would be ok but I am not doing it to all the slides and prints I am copying

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Jun 19, 2021 14:52:02   #
twb930s Loc: Aldie, Virginia
 
My advice is to get an Epson scanner as a few have recommended above. That's what I use and it works extremely well. Another solution is to get a used Nikon LS-2000 or 4000 scanner. They do an excellent job, but the scanning speed is somewhat slower. You can usually get a good working LS-2000 for $200 or so, but they only scan one slide at a time. The LS-4000's are better, but are $500 to $600.

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Jun 19, 2021 15:16:46   #
Ednsb Loc: Santa Barbara
 
Thomas902 wrote:
"...The two Nikon products will work on any lens as long as it has a front filter ring of 52mm as both the Es1 and ES2 have 52mm diameters..." Wrong again photoman43.. The ES-2 comes with a 62mm to 52mm adaptor... Zero hardware needed for either a 40mm DX lens or 60mm f/2.8D or f/2.8G lens variant.

However the ES-1 requires a Nikon BR-5 Adapter Ring 62-52mm in order to use a 60mm f.2.8 micro Nikon (either one) https://www.bhphotovideo.com/c/product/37174-REG/Nikon_2631_BR_5_Mount_Adapter_Ring.html

Please do Ebnsb and other UHH members a favor and refrain from posting uncorroborated invalid information in this thread photoman43. Thank you for your thoughtful consideration here.

Ednsb Canon doesn't make a 60mm full frame macro lens... nor does it make a 40mm crop macro...
And alternative would be the Yongnuo yn60mm f2.0 full frame MF for Canon. Albeit it has a 67mm filter thread thus you would likely need a 67mm to 62mm step down ring to use this on the ES-2. Do keep in mind this is a MF lens.

https://www.bhphotovideo.com/c/product/1416246-REG/yongnuo_yn60mmf2_for_canon_60mm_lens_f_2_for.html

Will it work? Don't have a clue but the numbers are right.
btw I have and use the Yongnuo yn50mm f/1.4E for Nikon and it is a winner! much better acuity than the AF-S 50mm f/1.4G (which is very slow to focus)... The only downside to Yongnuo's glass is it is massive (looks like a Sigma Art 50mm lens) lol and is over twice as heavy as the Nikkor...

Canon make excellent glass... their L lenses are simply amazing...
Hope this helps Ednsb
"...The two Nikon products will work on any l... (show quote)

Ty

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Jun 19, 2021 16:25:36   #
burkphoto Loc: High Point, NC
 
Thomas902 wrote:
"what is +90 CRI"
flyfisher (CRI) is Color Rendering Index which is the measurement of how colors look under a light source when compared with sunlight. ... Lights with a CRI that is measured greater than 90 are generally considered “High CRI” lights... Meaning this illumination source is very close to "Daylight" which is what you need for "Daylight" balanced film... i.e. Kodachromes 25; 64; etc.

Ordinary "Garden" variety lights are typically lacking in a full spectrum of color wavelengths...
"what is +90 CRI" br flyfisher (CRI) is... (show quote)


I use a Viltrox 116-t LED panel. CRI 95+, size around 4x6”. I use it with The Essential Film Holder, sold by a guy in England. I have his 35mm strip film, 120 strip film, and 35mm slide holders. It keeps film FLAT.

https://clifforth.co.uk/ (details)

https://youtu.be/hqSvTJ0s5MM (Demo video)

I’m using a Lumix GH4 with 30mm macro lens on a home brew copy stand made from PVC plumbing parts and a 3’ dowel about an inch thick.

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Jun 19, 2021 17:12:07   #
Ednsb Loc: Santa Barbara
 
burkphoto wrote:
I use a Viltrox 116-t LED panel. CRI 95+, size around 4x6”. I use it with The Essential Film Holder, sold by a guy in England. I have his 35mm strip film, 120 strip film, and 35mm slide holders. It keeps film FLAT.

https://clifforth.co.uk/ (details)

https://youtu.be/hqSvTJ0s5MM (Demo video)

I’m using a Lumix GH4 with 30mm macro lens on a home brew copy stand made from PVC plumbing parts and a 3’ dowel about an inch thick.


Probably a stupid question but does it support 35mm slides still in frame?

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Jun 19, 2021 17:56:57   #
burkphoto Loc: High Point, NC
 
Ednsb wrote:
Probably a stupid question but does it support 35mm slides still in frame?


Yes. You need the accessory for that. See the web site linked above.

I should note that these EFHs are made to order. It took six weeks between order and receipt… but was worth the wait!

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Jun 19, 2021 18:14:02   #
David in Dallas Loc: Dallas, Texas, USA
 
I'm not familiar with 120 slides--are they square? I have a lot of older 127 superslides (1.625"x1.625") and no scanners that are not flatbeds can handle those (without cropping to 35mm format). I suspect similar problems would exist when attempting to copy them using a digital camera.

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Jun 19, 2021 20:35:27   #
burkphoto Loc: High Point, NC
 
David in Dallas wrote:
I'm not familiar with 120 slides--are they square? I have a lot of older 127 superslides (1.625"x1.625") and no scanners that are not flatbeds can handle those (without cropping to 35mm format). I suspect similar problems would exist when attempting to copy them using a digital camera.


See my post above… no issues with any slides in 2” by 2” mounts.

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Jun 19, 2021 21:20:10   #
xposure
 
e at high res. I have 2. They work great. 35mm and 2 1/4 various holders come with them. Much less and easier than using a camera.

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Jun 19, 2021 21:21:44   #
xposure
 
Epson makes a few scanners that have negative and slide adapters that can scan at High Res. (missing from above post)

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Jun 19, 2021 21:33:39   #
smussler Loc: Land O Lakes, FL - Formerly Miller Place, NY
 
cameraf4 wrote:
I'm gonna wish you luck. The D7000 is a DX camera. Don't use an FX lens. But/rent/steal a 40mm Macro. I am (still) working on my thousands of slides with my FX Nikon, ES-2, and 60mm Micro. Results have been outstanding but the pace (and my energy/determination) have been lacking of late.


You answered what I was wondering - is D7000 a DX. I copied about 100 slides with my D5600 and the 40mm Micro. Worked great. I had my camera on a tripod, not necessary, but made things easier. I bought my 40mm off of eBay, where I've bought all my lenses since getting my camera. No tubes needed - just the 40mm Macro and the adapter. My adapter is an ES-1, also purchased off of eBay. Neither is where I am right now. I'm looking at my eBay purchase records. I remember back when I was buying those items, I had to do a lot of hunting around on the internet to see if that combo would work. Little documentation on Nikon site about using the slide copier with a DX camera - as I remember. Instructions with ES-1, I think were all for FX camera, with 60mm Micro.
Back in Apr-2019, I paid $187 for the lens and $46 for the adapter - auction purchases, not buy it now's.

Once I get moved to my new house, I have about 1500 slides to look through and decide which to copy. Slides taken in the 1950's thru the mid 1970's or so. Most time consuming part for me is cleaning the slides of dust. One of my favorites - my sister wearing her new hat. A lot of dust seen - haven't figured out how to clean these slides, this one from around 1966. I used no special lighting, just indirect sunlight. Majority of slide is covered. Having camera on tripod, makes it easier to reposition the slide. This one not quite right - note black triangle along left side.


(Download)

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Jun 19, 2021 21:57:18   #
smussler Loc: Land O Lakes, FL - Formerly Miller Place, NY
 
Thomas902 wrote:
"...I insert the slides with the glossy side facing the camera. This means I do not have to flip the image in post processing..."

yes Photoman... Albeit this is wrong... very wrong... You seriously need to have the emulsion side (dull slide) facing the sensor... EXACTLY like it was when taken as a transparency... Otherwise you are dealing with a film base defusing the image... In a film camera the emulsion always faced the lens! Copy it by having the emulsion facing the sensor... Flipping the image in post takes maybe 5 seconds or less...

If you need this corroborated here is Nikon Ambassador Vincent Versace's tutorial
Scanning Negatives with Nikon ES-2
https://www.youtube.com/watch?v=SNK24oQICUc

btw the AF-S 40mm f/2.8 micro works well with both the ES-1 and ES-2... no worries there...
Besides the AF-S 40mm f/2.8 micro is one of Nikon's best DX lens... flat field, edge to edge acuity and can be easily used to full length editorial fashion... (it's the same as 60mm on FX). Love that little gem... feather light!
"...I insert the slides with the glossy side ... (show quote)


Thanks for that info Thomas. I too was facing slide so it looked as I thought it should SOOC. I'm bookmarking this thread, a lot of info here. I want to check out the light also. Any suggestion for eliminating dust from slides? Dust is stuck on good. Rocket blower doesn't cut it . . . I think I may have used a q-tip and household glass cleaner - some are that dirty. . .

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Jun 19, 2021 22:00:27   #
smussler Loc: Land O Lakes, FL - Formerly Miller Place, NY
 
Ednsb wrote:
Going to throw a curve here. I'm a Canon guy. Is the a way to use the Nikon slide adapters with Canon? Does it look like it just uses standard-size threads to attach to a lens? If not, is there another similar solution? I have a good Epson scanner, friends with Nikon Coolscans which will not work with my M1 Mac Mini, etc.


DELETED - Answered already

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Jun 20, 2021 00:06:32   #
David in Dallas Loc: Dallas, Texas, USA
 
burkphoto wrote:
See my post above… no issues with any slides in 2” by 2” mounts.
My concern was not whether or not the slides would physically fit, but whether or not the entire image would be captured. Obviously 35mm format does not fit a square image.

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Jun 20, 2021 11:29:31   #
pendennis
 
David in Dallas wrote:
My concern was not whether or not the slides would physically fit, but whether or not the entire image would be captured. Obviously 35mm format does not fit a square image.


I have transparencies in 120 film which are 6x6, 6x4.5, 6x7, and 6x9. I've had mounted, at one time or another everything up to 6x7, and projected them on an old medium format projector. The Mamiya Cabin was a bit rich for my blood at the time.

As I mentioned, I dismounted all the transparencies, and used the Epson V850. You can dismount the 127 slides and use the medium format holders. The existing mounts already "crop" a bit of the image, which is why I like all slides dismounted for scanning. You'd likely need to take care when using the holders, to ensure that the slides are squarely mounted. However, any off-square images can be corrected in post-scan editing.

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