I struggle with reds.
PattyW60 wrote:
I have this same problem with Cardinals, sometimes. Have you tried changing the color temperature? I've found that if I cool it down a bit, the reds look a little truer. Hope you find a solution.
Patty
Thanks, Patty. I usually do, but actually on these I did not. I'll go back and play with that just a bit. One curious thing, however. When I took the sat down on the second one, it blued the red a bit and that was NOT what I wanted.
AzPicLady wrote:
Good point! Love it.
Kathy - can you selectively change the saturation and or vibrance using a brush so as to only effect the red colors?
yssirk123 wrote:
Kathy - can you selectively change the saturation and or vibrance using a brush so as to only effect the red colors?
In LR I did take the sat down in the red channel. There isn't a vibrance on only the red - sat, luminosity and tint. I should have looked at the tint and did not.
AzPicLady wrote:
I've never heard of RawDigger. LR didn't find the red as blown, and its histogram does separate the channels. I usually underexpose red flowers by 1/2. Perhaps that's not enough.
Lightroom is showing you the JPEG histogram after conversion from raw. Anyone who shoots raw can benefit from RawDigger. It’s the best $20 you will ever spend.
72% of the exposure is based on the green channel so under exposing only 1/2 stop in this case may not be enough.
selmslie wrote:
Lightroom is showing you the JPEG histogram after conversion from raw. Anyone who shoots raw can benefit from RawDigger. It’s the best $20 you will ever spend.
72% of the exposure is based on the green channel so under exposing only 1/2 stop in this case may not be enough.
Is that true if I'm working on a RAW image?
AzPicLady wrote:
Is that true if I'm working on a RAW image?
Yes. I know of no other program that actually shows the raw histograms so that you can really see what is happening.
cjc2
Loc: Hellertown PA
When I struggle with color and tint is the time I break out my color chart and photograph it next to the flower in the same light. Correcting that is easier and it will bring in the flower with it. I usually use the smaller version of the Color Checker which came with my Sekonic meter. Best of luck.
I learned about this tool in lightroom a few weeks ago, and it really does help images like this. It is the Calibration panel, and here is a great explanation of how to use it.
https://youtu.be/-joWxXm2Ks8
I agree. Reds are difficult especially in print they don't show accurately. My cousin was the chief photographer at Pacific Digital in SF. They did mainly high-end catalog and magazine ad work in a no-expenses-spared studio shooting with a large-format, digital Hassleblad. Since their clients mainly sold clothes and make up, he spent a lot of time on expensive LaCie monitors calibrated weekly to get the colors just right. The main challenge was getting the reds to print correctly; often the desired color was not as it appeared on the monitor.
EddieE wrote:
I learned about this tool in lightroom a few weeks ago, and it really does help images like this. It is the Calibration panel, and here is a great explanation of how to use it.
https://youtu.be/-joWxXm2Ks8I know it's there. Frankly, I've never seen it used or played with it. Interesting!
dat2ra wrote:
I agree. Reds are difficult especially in print they don't show accurately. My cousin was the chief photographer at Pacific Digital in SF. They did mainly high-end catalog and magazine ad work in a no-expenses-spared studio shooting with a large-format, digital Hassleblad. Since their clients mainly sold clothes and make up, he spent a lot of time on expensive LaCie monitors calibrated weekly to get the colors just right. The main challenge was getting the reds to print correctly; often the desired color was not as it appeared on the monitor.
I agree. Reds are difficult especially in print th... (
show quote)
And I want it to be as I SAW it. Usually my monitor does that very well. And if there's not a large blob of red, the reds will print beautifully. It's almost like the printer gets OD'd on red when there's a huge patch of it in the image.
EddieE wrote:
I learned about this tool in lightroom a few weeks ago, and it really does help images like this. It is the Calibration panel, and here is a great explanation of how to use it.
https://youtu.be/-joWxXm2Ks8Only one issue...
It appears the calibration used in the video is not available in LR CC (Or I did not find it). I was looking at this setting the other day for other reasons.
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