anotherview wrote:
We have here an example of effective composition along with a captivating subject together arresting our interest to the exclusion of little flaws. We pay attention instead to the internal dynamic of the photograph. Flaws do nag, of course. We should mitigate them.
We won't mention the subliminal spiral.
(For those that might be curious. Start with the ice-cream bar. Go down to the left and follow up around the girl's outer arm back to across the top of the head going over the outside of the boy in a widening arc. Follow outward and under the group to the left. A clockwise outward broadening spiral. )