R.G. wrote:
In photo contests where authenticity is important, I believe the usual procedure is to ask that the original raw file be tendered along with the finished photo. If authenticity isn't important, I suppose the simple fact is that nobody cares, as long as the starting point was the contestant's own photo.
As far as your comment above is concerned, it seems to me that what you consider acceptable or unacceptable will depend on what your intention was. If the intention was to create a pleasing image, you won't care what's been added or taken away, and you won't care about what other modifications have been made by way of post processing. If for some reason you want to use your image to deceive in some way, I suspect that you won't care whether it can be called a photo or not. Come to think of it, who is going to care what it's called? If authenticity is being falsely claimed then honesty is an issue, but outside of that, worrying about labels seems like nothing more than semantics.
In photo contests where authenticity is important,... (
show quote)
Authenticity in photo competitions is a contrivance at best foisted upon participants that does nothing to advance the art of photography. Insisting on "authenticity" is itself a bit disingenuous - ruling out all of the wonderful photography that does not fit the narrowest of definition implied in the notion of authentic.
It usually only matters in criminal forensic photography, and photojournalism. Reuters stopped taking images that were converted from raw a while back - only accepting jpeg images straight out of the camera - because of the fakery.