buckscop wrote:
Still new to the non-auto world, still learning. It was set for aperature priority, so the cam picked the other 2. Polarized filter is always on my lenses. This was shot early in the pic session, and did not remember to rotate it for effect until later. Don't know if it had a positive or negative effect on this pic. The reason for my post is that others on UHH have questioned on the quality of this lens.
That lens is surprisingly good... for an "all in one zoom" and especially for one with the widest focal length range of all zooms of that type.
Actually you are quite far from the "non-auto world" that you say you're learning about.
First, it's probably not a very good idea to use Auto ISO with anything other than Manual exposure mode (which makes it no longer manual... makes it auto exposure just like Av, Tv and P). In my opinion, it serves no purpose to have Auto ISO in conjunction with those other auto exposure modes. In fact, it may be confusing, using sort of a "double auto" mode.
Auto exposure (AE) modes include:
- Av is Aperture Priority.... where you select the ISO and the aperture, leaving the camera to choose what it deems to be an appropriate shutter speed to make a "correct" exposure. Use this when you want to control depth of field.
- Tv is Shutter Priority... where you select the ISO and the shutter speed, while the camera chooses an aperture for a correct exposure. Use this when there is a concern about freezing subject movement with a fast shutter, or desire to deliberately cause movement blur with a slow shutter speed, or when there is concern about a sufficiently fast shutter speed to prevent camera shake blur, or a desire to create camera movement blur effects such as with panning.
- P is Program Mode... where you select only the ISO and the camera chooses both shutter speed and aperture size to make a correct exposure. I think most would only use this AE mode when they don't have much concern about either depth of field or subject movements.
- M with Auto ISO... where you select both aperture and shutter speed, while leaving it to the camera to choose an ISO that will make for a correct exposure. This can be used when both depth of field and subject movement are a concern.... but may allow for high ISOs that cause digital "noise" in images if you aren't careful.
"M" and "B"
without Auto ISO are the only truly manual exposure settings, where you make all the choices yourself. "M" provides shutter speeds from 1/4000 to 30 seconds on your camera. "B" allows shutter speeds longer than 30 seconds.
Some people might try to tell you that you should "only shoot manual" mode. First, that's utter bunk. The various AE modes have their purposes. In fact, if you tried to shoot everything fully manually, you would miss a lot of types of shots. It's fine advice for working in a studio or shooting landscapes slowly and deliberately. But "fully manual" is problematic for a lot of other types of photography... sports, editorial, action of various sorts all can, at times, demand some sort of auto exposure if you are going to "get the shot". Second, if you have Auto ISO enabled, you're actually not "shooting manual" mode.
Not to pick on you and the image you've shared, but to discuss it and make some suggestions...
As others have stated, using a super small aperture such as f/18 is problematic. The issue is "diffraction", an optical effect that robs images of fine detail. With a 24MP APS-C camera such as yours, the "diffraction limited aperture is around f/5.6. This is the smallest aperture where no diffraction will occur when an 8x10" print is made from the image (only cropped to make the 3:2 aspect image fit 5:4 aspect print). Now, diffraction increases as the size of lens apertures is reduced. There's very little of it occurring at f/8. More, but probably not very much diffraction at f/11 either. But beyond that... at smaller apertures such as f/16, f/18, f/22 and smaller it's going to start to become more and more apparent. Prints larger than 8x10" where the image is more magnified also will show diffraction more obviously on close inspection. Images that are heavily cropped will, too.
The thumbnail of your image looks fine. Clicking through to the larger version it also looks pretty darned good... until it's further magnified. At the maximum viewing level here on UHH, there's apparent a lot of loss of fine detail in the image... probably much of which was caused by using such a small aperture. (It also might be partially caused by the lens' resolving abilities. Higher ISOs also reduce dynamic range and resolution to a degree... The ISO in this example is not terribly high... but could have been lower if a less extreme aperture had been used. While it's good for an "all in one" zoom, there are sharper (and much more expensive) lenses... Canon's EF 100-400mm "II", for example, is certainly sharper at all the focal lengths they share. Of course, it also doesn't have near the range or "all in one" convenience of the Tamron. Plus it's a lot bigger, heavier and costs almost 3X as much! The Canon EF 400mm f/5.6L is also exceptionally sharp, but far less convenient than either zoom.... and larger, heavier, more than 2X as expensive as the Tamron. The Canon 400mm f/4L also lacks images stabilization.
For best results, experiment with your lens. Do some careful test shots at different focal lengths and, especially, different apertures. Most lenses are "at their best" at a middle aperture... not "wide open" nor overly "stopped down". Likely you will find the sharpest shots at around f/5.6 or f/8... maybe f/11 in some instances. I know the Tamron 18-400mm's max aperture at 400mm is f/6.3, so you will probably need to try f/8 or f/11 at that focal length. With your camera's sensor size and resolution, I'd only rarely use f/16 and never use any smaller than that.
For more information about diffraction, visit:
https://www.cambridgeincolour.com/tutorials/diffraction-photography.htmCompare magnified test shot images from Tamron 18-400mm with Canon 100-400mm II:
https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=1145&Camera=963&Sample=0&FLI=5&API=1&LensComp=972&CameraComp=963&SampleComp=0&FLIComp=4&APIComp=1Compare magnified test shots from the 18-400mm with Canon EF 400mm f/5.6L:
https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=1145&Camera=963&FLI=5&API=1&LensComp=278&Sample=0&CameraComp=963&FLIComp=0&APIComp=0Again, the Tamron 18-400mm is pretty amazing for a zoom of that type. It is an excellent choice for versatility and more than capable of making images of sufficient quality for a lot of purposes.
A detailed and thoughtful review of the Tamron zoom, with its exceptional zoom range, can be seen here:
https://www.the-digital-picture.com/Reviews/Tamron-18-400mm-f-3.5-6.3-Di-II-VC-HLD-Lens.aspxFinally, your has plenty of fine detail to make an 8x12", 11x14" or even a 13x19" print. Any larger than that, it starts to show some lack of fine detail. Regarding using a Circular Polarizer... it appears to have deepened the blue of the water... but it also might have reduced the reflections of the subject in the water. Still, that's clearly visible so the filter likely did no harm... but it did block some light, probably at least 1.5 stops worth and maybe as much as 2.25 stops. Without the filter you could have used a lower ISO. Or, should I say, the camera probably might have selected a lower ISO.... or it might have used a faster shutter speed... who knows! (Hence the problem using two forms of auto exposure at the same time.)
The image is a bit underexposed. It could well be that you aren't aware of it, because many computer monitors... if not calibrated... are excessively bright for accurate photo editing. That causes people to make their images too dark. This shows up when prints are made or when other people view the image with a monitor that's been calibrated for photo editing.
I hope you don't mind... I made a couple quick adjustments in Photoshop to your image just to see how it would look. I primarily used a curves adjustment to brighten it and boost contrast a bit. I also sharpened it a little using a high pass filter overlay, which also increases micro contrast.
I think these improved it... at least on my calibrated computer monitor. It's a good shot... A fun image that would make a very nice, moderate sized print...