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File Format Decision
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Jun 23, 2019 10:22:04   #
via the lens Loc: Northern California, near Yosemite NP
 
larryepage wrote:
Hi. Thank you for your comments.

Actually TIFF is a file format ("Tagged Image File Format"), or container, for several different types of image files. Nikon's TIFF option is clearly labelled as TIFF RGB, which means that Nikon has chosen to package the file as a "Deep Color" RGB file. 16 bit TIFF means 16 bits per channel (or color) so the stored image is represented with 48 bits per pixel. While it is true that some advertising overstates the dynamic capacity of these files, it is nonetheless true that the depth of the file exceeds the capability of current sensors and far exceeds all displays and printers.

My goal is improved compatibility among a group of photographers and cameras, as well as elimination of situations which produced very undesirable artifacts as encountered when printing images captured in very low light situations in the recent past. At this point, I am not promoting this option as optimal for everyone, but for me, it carries the distinct advantages which I listed in my original post. There may be others for whom it would offer similar advantages. And...having the file represent white balance and other parameters as originally exposed is a big plus for me, not a negative.

Please remember two more important facts...almost all raw formats are derivative of the TIFF standard, and no file is itself an image...just data that can be recomposed by a viewer into an image.
Hi. Thank you for your comments. br br Actually ... (show quote)


I do believe that a DNG file can be read by all, at least that was my experience.

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Jun 23, 2019 10:28:15   #
burkphoto Loc: High Point, NC
 
larryepage wrote:
There have been a number of discussions on this site discussing the advantages of capturing images as raw files versus JPEG. I've participated in some of them, and a few have become pretty unpleasant or even militant in nature. While I've been focusing on other areas than this forum, I've been reviewing my position on that topic (I added raw/NEF as one of my file formats a year and a half or so ago) and have decided that my choice at that time was suboptimal. The result will be another change in the way I record and save images.

This is a big change, of course, but careful evaluation indicates that it will be better than what I'm doing now in all respects, with only one minor disadvantage. When my D500 is returned from Nikon service in a week or so (it's waiting on parts from Japan right now) and has to be set up again, it will be the first of my cameras which will be exclusively saving images as TIFF files. If there are no snags encountered, the D810 and D850 will follow pretty quickly.

Here's a quick summary of the top reasons for this significant change:

1. File depth will be 16 bits rather than 14.

2. Both uncompressed and lossless compressed formats are available.

3. When using multiple cameras or collaborating with others, all files will be of identical format, other than resolution, which is handled transparently.

4. Anyone will be able to view the files, since TIFF is a universally adopted and available format.

5. All camera setup options (pre-processing) will be immediately visible to whoever views the files.

6. Any editor can be used for post processing. No issue with waiting for new raw formats to be recognized. Movement from one editor/processor to another will be completely transparent.

7. All post processing actions will be incorporated directly into the file. (Yes...a copy will be made for editing and the original retained.)

8. No file conversion will be required for presentation to the printer. File conversion from raw has produced some very problematic results in specific circumstances in the past.

The only disadvantage I have discovered to this point is that none of my camera bodies support saving a second file type along with TIFF files. It is a committed choice. It is possible to save backups to a second memory card in those bodies that support dual cards. But if JPEGs should be needed for some reason, they will have to be created and saved later. Not a big deal, since almost every editor has a "Save As" function.

Individual files will be slightly larger than raw files, but in today's world of low memory prices, that's a pretty weak reason for not choosing this option.

I'll be tracking how this goes. I'm also a little uncertain about whether to make the change on the D300 and D300s. Might not be worth it. I'll have to do a little more experimenting on that part of the puzzle, and might just have one or both of them set up for the times that is known that JPEGs are needed.
There have been a number of discussions on this si... (show quote)


Larry, if it works for you, go for it. The primary need in any workflow is to know precisely how it works and what it will and won’t do.

Raw isn’t a panacea. Working successfully with raw files requires a highly refined system, the elements of which are not obvious, and take time to set up and master.

JPEGs are great, WHEN you understand and stay within their limits — and the concept of, and workflow involved in pre-processing (controlling everything at the camera instead of in post-production).

14-bit or 16-bit TIFF files offer more latitude than 8-bit JPEGs, so they are more manageable in some circumstances. A TIFF workflow is a a good compromise between raw and JPEG.

Unfortunately, only a few cameras still offer TIFF as a file format option.

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Jun 23, 2019 11:03:52   #
jeep_daddy Loc: Prescott AZ
 
TriX wrote:
I think you’ll have to do some actual tests to determine the numbers, but as an example (and this is dependent on both the raw file and the PP application), I just took a 32MB raw CR2 file, and using DPP (Canon Digital Photo Professional), I exported it to Photoshop as a TIFF, which was 65MB (a 2x increase in size), and I have seen 160 MB TIFFs, hence the reason for my comment.


And I've edited tiff files that have become larger than 1GB in size and close to 2GB. When using layers, they keep growing unless you use smaller selections when layering. That takes more time to do be does keep the files more manageable in size.

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Jun 23, 2019 11:40:56   #
ronaldwrightdallas
 
review file size of tiff vs raw. with all the camera formats I have3 used I find tiff files significantly larger that the origional raw file. (I mostly use lightroom rather than photoshop which can be a factor also)

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Jun 23, 2019 12:06:53   #
kymarto Loc: Portland OR and Milan Italy
 
If all your colleagues have Photoshop or Lightroom, which seems almost a given if you are working in 16 bit, a more flexible option would be to send a raw plus its associated sidecar file (assuming you do some post on the image) to assure uniformity across recipients. That will save you huge amounts of space plus all your sensor data.

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Jun 23, 2019 13:05:25   #
drmike99 Loc: Fairfield Connecticut
 
larryepage wrote:
On all of my Nikons, it is one of the options in the Setup menu. It's in the same place where you tell the camera to save as JPEG, Raw, Raw+JPEG, etc. In some cases, it is at the end of the list. In others, it is buried in the middle of it.


No such option for TIFF on my D 7100.

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Jun 23, 2019 13:12:14   #
kymarto Loc: Portland OR and Milan Italy
 
Actually, from what I am reading, Tiffs in camera are always and only saved in 8 bit.

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Jun 23, 2019 13:24:43   #
imagemeister Loc: mid east Florida
 
Thomas902 wrote:

btw, I actually know one very successful wedding shooter who only shoots in .jpeg. He uses Nikon gear and mentioned that Nikon's "Picture Control" affords him ample ability to fine tune his renderings in camera thus avoiding the time/expense of post processing... it works well for him and he's totally capable of dealing with post processing... again just saying...



.

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Jun 23, 2019 13:28:59   #
imagemeister Loc: mid east Florida
 
burkphoto wrote:

Raw isn’t a panacea. Working successfully with raw files requires a highly refined system, the elements of which are not obvious, and take time to set up and master.


......amen !
.

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Jun 23, 2019 15:19:55   #
Bill P
 
One must consider the ups and downs of which file is best for which purpose. there is a pecking order for quality. The most information that can be saved is in a raw file, the least in a jpeg. Consider what is best for the situation.

When I shoot a photo, I know what It will mean to me. Casual photos at family gatherings will probably receive only causal glances, and can be saved as jpegs. Photos that i shoot that will be processed carefully and printed large mean I want to start with the very best, raw files.

Bear in mind that I am referring to what is saved on the memory card in the camera. I have cards that I have stored and not erased because of some images on them, in other cases the files are downloaded and the card reformatted.The first step in downloading is to dump the entire contents on three different hard drives, in the out of camera format. After that I will sort and process them and save as what ever, often a .psd file. After the best possible file is saved, i can always go back.

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Jun 23, 2019 15:20:51   #
TheShoe Loc: Lacey, WA
 
f8lee wrote:
I believe you are completely mistaken in this assessment.

A raw file is not an image at all.


Poppycock. Any digital file is just a string of bits, ones and zeros. Software is needed to interpret those bits to the proper format for whatever they represent. It follows that raw is a digital image, it is just another way of encoding the data.

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Jun 23, 2019 15:36:49   #
imagemeister Loc: mid east Florida
 
TheShoe wrote:
Poppycock. Any digital file is just a string of bits, ones and zeros. Software is needed to interpret those bits to the proper format for whatever they represent. It follows that raw is a digital image, it is just another way of encoding the data.


It seems to me, most people's definition of an image is something that can be viewed ....
.

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Jun 23, 2019 15:52:55   #
Bill P
 
A raw file can be viewed using some software, like ACR. A jpeg or tiff can be viewed using some software like PS or Bridge. So they are all bits. A jpeg can't be viewed any more than a raw file without a computer of some sort. The means to get from photons to memory card doesn't define what an image is.

In my humble opinion this is unnecessary nitpicking. A file is a file until PRINTED. Then it's an image.

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Jun 23, 2019 16:31:49   #
kymarto Loc: Portland OR and Milan Italy
 
TheShoe wrote:
Poppycock. Any digital file is just a string of bits, ones and zeros. Software is needed to interpret those bits to the proper format for whatever they represent. It follows that raw is a digital image, it is just another way of encoding the data.


The difference is that a raw file needs to be demosaiced in order to assign chroma and luma values to each pixel.

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Jun 23, 2019 16:39:31   #
BebuLamar
 
kymarto wrote:
The difference is that a raw file needs to be demosaiced in order to assign chroma and luma values to each pixel.


For me the difference is small. I shoot RAW + JPEG and when I first open the RAW file in the RAW converter it looks exactly like the JPEG. So if I like it that way I can simply make a save as in any file format.

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