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Tony Northrup: "Yes, the gear does matter."
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May 3, 2019 11:05:08   #
jeep_daddy Loc: Prescott AZ
 
jerryc41 wrote:
Have any of you seen Tony's video about how important good gear is in photography? We keep getting responses here saying that the gear doesn't matter. It's the photographer that makes the picture. I've never believed that, and that's why I buy a new camera occasionally. Otherwise, I'd still be using my parents' old Kodak box camera.

The D750 is my main camera, and when I use something else, the results are not as good.


The photography club that I belong to invites a "feature photographer" to do a 10 minute presentation of their work every month. What that is is one of our members is asked to choose about 25 photos to put up on the projector and do a little talk about how they got started in photography and to talk a little about some of their photos. It's to help us get to know some of the members. Not all are good. But I remember one in particular that got up and put on her presentation and I missed the very first part where she explained about the equipment she used and only saw the excellent work she projected on the screen. I was new to the club so I didn't know what was happening and didn't know that she was just a regular member of our club. I thought she was a pro photographer. Her work was so good I really thought she was a pro. At the end she held up a point and shoot camera and said, "this is the camera I use for all these images". I was blown away.

That's when I knew that spending money for the best equipment isn't necessary.

Another little story is that once a month I meet at the Canon Learning center in Costa Mesa CA along with about 60 others to participate in what they call "Critique & Print" where each person brings in an image on a thumb drive and they put it up on the big screen and the whole group critiques the images. You can stay anonymous and just let them talk or you can own up to your work and answer a few questions about your work like where the image was taken or what your settings were etc... After they critique your 2 images, the group votes on the best one and then a person from Canon prints that image on 22x17 paper on their Pro-1000 printer for you to keep. They also buy dinner for the group so it is a pretty big draw.

Now to my point; I met a woman at this event and she would always speak up about her images and her equipment. Her husband is very well to do and bought her the best equipment Canon makes. I'm talking about the 1DX Mark II body, and just about any and all the L series glass Canon makes including the $12,000 600mm f/4 Mark II lens. I'm telling you, she is the worse photographer I've seen with such fine equipment. She would probably get better pictures if she put the camera in the full auto mode and clicked away. I've known her for a few years too. So she isn't a total rookie. I went on a model shoot at the beach one time and when the sun was setting she was kneeling next to me as I was shooting a backlit model with the setting sun behind her and I was using fill flash. That woman asked to see some of my pictures and she was really impressed and asked me for my settings. So I tried to tell her how to do what I was doing but she just couldn't get it. She kept using the settings that she "knew" were best and couldn't get a single good shot.

Even the best camera Canon makes wouldn't make her into a good photographer. My step daughter does better with her cell phone than the woman with $20,000 of Canon Equipment.....

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May 3, 2019 11:08:41   #
larryepage Loc: North Texas area
 
These discussions almost always include a response referencing the sculptor or the chisel. I never bought into that one. And I can't quickly find that anyone has brought it up here. But I don't care who you are, if your chisel won't sharpen, or if it bends or rolls or breaks, you can't do the sculpture. And for that matter, if the marble isn't right, you can't do the sculpture either.

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May 3, 2019 11:20:56   #
philo Loc: philo, ca
 
One other factor that i think is very important.......Being at the right place at the right time and having your camera ready. Some of the greatest and best know photos were taken by amateurs and not pro. the luck of the Irish.

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May 3, 2019 11:22:37   #
woodworkerman Loc: PA to FL
 
As Artie used to say, "Verrrrry Interesting."

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May 3, 2019 11:36:57   #
LFingar Loc: Claverack, NY
 
jeep_daddy wrote:
The photography club that I belong to invites a "feature photographer" to do a 10 minute presentation of their work every month. What that is is one of our members is asked to choose about 25 photos to put up on the projector and do a little talk about how they got started in photography and to talk a little about some of their photos. It's to help us get to know some of the members. Not all are good. But I remember one in particular that got up and put on her presentation and I missed the very first part where she explained about the equipment she used and only saw the excellent work she projected on the screen. I was new to the club so I didn't know what was happening and didn't know that she was just a regular member of our club. I thought she was a pro photographer. Her work was so good I really thought she was a pro. At the end she held up a point and shoot camera and said, "this is the camera I use for all these images". I was blown away.

That's when I knew that spending money for the best equipment isn't necessary.

Another little story is that once a month I meet at the Canon Learning center in Costa Mesa CA along with about 60 others to participate in what they call "Critique & Print" where each person brings in an image on a thumb drive and they put it up on the big screen and the whole group critiques the images. You can stay anonymous and just let them talk or you can own up to your work and answer a few questions about your work like where the image was taken or what your settings were etc... After they critique your 2 images, the group votes on the best one and then a person from Canon prints that image on 22x17 paper on their Pro-1000 printer for you to keep. They also buy dinner for the group so it is a pretty big draw.

Now to my point; I met a woman at this event and she would always speak up about her images and her equipment. Her husband is very well to do and bought her the best equipment Canon makes. I'm talking about the 1DX Mark II body, and just about any and all the L series glass Canon makes including the $12,000 600mm f/4 Mark II lens. I'm telling you, she is the worse photographer I've seen with such fine equipment. She would probably get better pictures if she put the camera in the full auto mode and clicked away. I've known her for a few years too. So she isn't a total rookie. I went on a model shoot at the beach one time and when the sun was setting she was kneeling next to me as I was shooting a backlit model with the setting sun behind her and I was using fill flash. That woman asked to see some of my pictures and she was really impressed and asked me for my settings. So I tried to tell her how to do what I was doing but she just couldn't get it. She kept using the settings that she "knew" were best and couldn't get a single good shot.

Even the best camera Canon makes wouldn't make her into a good photographer. My step daughter does better with her cell phone than the woman with $20,000 of Canon Equipment.....
The photography club that I belong to invites a &q... (show quote)


It isn't a question of whether or not a poor photographer will do better with expensive gear, even though many people seem to think that is what it is all about. It's about whether or not good quality high performance equipment will allow a competent photographer to do a better job and the answer is, unquestionably, yes. It doesn't have to be the very top dollar equipment either. It just has to be equipment that the photographer can get the most out of. A good photographer can get good results from most any camera but having a more capable camera gives that same photographer more options in how and what they shoot. I defy anyone to take their cell phone or point-and-shoot out to shoot wildlife and then compare it to the work Regis does with his cameras. Sure, he could no doubt get some good results with cheaper cameras, but if you were to ask him I would bet he would have good reasons why he uses the equipment he does. Of everyone on here I consider him one of the best examples of an excellent photographer using excellent equipment to get shots that few others can. Lesser equipment just provides fewer opportunities to do that kind of work.

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May 3, 2019 11:38:53   #
Glenn Harve
 
This whole thing is circular, obvious and silly. Photographer needs camera, camera needs photographer. Sometimes a mirror helps.

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May 3, 2019 11:40:21   #
burkphoto Loc: High Point, NC
 
jerryc41 wrote:
Have any of you seen Tony's video about how important good gear is in photography? We keep getting responses here saying that the gear doesn't matter. It's the photographer that makes the picture. I've never believed that, and that's why I buy a new camera occasionally. Otherwise, I'd still be using my parents' old Kodak box camera.

The D750 is my main camera, and when I use something else, the results are not as good.


Tony and Chelsea are gearheads. They’re essentially right: In the hands of a reasonably knowledgeable and experienced user, a better camera consistently will yield *technically* better image quality (sharpness, smoothness, color, contrast, etc.).

What a better camera will NOT do by itself is to make a better *photograph*. Users do that.

By photograph, I mean an “image of significance,” where technical quality takes a back seat to, but supports, the message, moment, historical or sentimental significance, instructional value, composition, lighting, perspective, social meaning... in short, the qualities other than technical image quality that make it special.

A distinction some of us make is similar to the old adage that, “If you give a room full of lower primates a typewriter, they might produce a work as good as Shakespeare.” It’s unlikely, but there’s some infinitesimal chance it could happen.

In the hands of an untrained user, a top tier camera might record a technically good image. It’s less likely it will be an outstanding photograph. Take that camera off of its Auto modes, and it’s also less likely an untrained user will record a technically good image.

Somehow, I don’t think Tony or Chelsea would disagree with me on this.

In full Auto, anyone with a Sony A9, Nikon D850, or Lumix S1R can take phenomenal quality snapshots. But it takes a photographer to make something more.

A top pro or enthusiast wants to use the best gear available for the job and genre. But in a pinch, that person most probably can produce compelling images with lesser tools.

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May 3, 2019 11:44:26   #
philo Loc: philo, ca
 
i marvel at some of the images taken with a cell phone. However i have never taken a photo with a cell phone, i guess it goes against my nature.

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May 3, 2019 12:19:57   #
stanikon Loc: Deep in the Heart of Texas
 
saxman71 wrote:
Better camera + better lenses + better shooting technique + better post processing skills = better photos. Did I leave anything out?


Ability to visualize the final result and the ability to see the potential of the subject, all wrapped up in what we refer to as "talent."

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May 3, 2019 12:24:48   #
BebuLamar
 
stanikon wrote:
Ability to visualize the final result and the ability to see the potential of the subject, all wrapped up in what we refer to as "talent."


The ability to visualize the final result has now been replaced by the EVF according to the "Mirrorless Advocates" .

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May 3, 2019 12:26:27   #
10MPlayer Loc: California
 
Thomas902 wrote:
Much depends on the genre... and the client... but ultimately possibly on the skill set of the craftsman...
I like Tony, and have benefited from his love of the craft... even though we work in totally different genres..

And then there is an issue of commercial aesthetics which can often drive an image equation in the genre I work in...

But here on UHH there seems to be an assumption that kit actually does matter... Why? Because if so then excellence obviously is a consumer commodity... This epic myth is perpetuated by the vendors of gear... Best advice? Try to get published... See how impressed magazine art directors are with your "kit"

enough said...
All the best on your journey
Much depends on the genre... and the client... but... (show quote)


I hang out at a forum devoted to saxophones. Sax music, sax playing, buying and selling saxes, you name it. The guys there have the same arguments about GAS. The endless search for the one perfect mouthpiece that will make you sound like your favorite jazz artist is referred to "chops in a box". It takes a sax player years to develop a sound that he/she is satisfied with.

Why so long? Because it's really hard. It's just human nature to want to take a shortcut to becoming an expert. Great gear makes it easier to get there but there's no substitute for study and application of great technique.

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May 3, 2019 12:30:41   #
cbtsam Loc: Monkton, MD
 
rmalarz wrote:
I wholly agree. The equipment does matter, to a point. Stick a roll of 120 in a Kodak Brownie Hawkeye and a roll in a Hasselblad and you'll see quite a difference in the quality of the image. That is unless one is going for the style of photograph produced by the Kodak camera. So, people who state it's the photographer and not the camera are simply parroting some cliche they've heard somewhere. One with which I've never agreed.

Although I've not seen this edition of Tony's videos, it's probably the only one with which I've agreed.
--Bob
I wholly agree. The equipment does matter, to a po... (show quote)


Just a nit to pick: as I recall, that Hawkeye I had took 620.

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May 3, 2019 12:32:26   #
chasgroh Loc: Buena Park, CA
 
dennis2146 wrote:
While I have not seen the video it should be a given that within reasonable boundaries, everything matters. Most cameras made today and many in the past are excellent cameras that most good photographers could use to take a prize winning photograph. But give those same cameras to someone who has never taken a photo and the results would be the opposite. While the camera does matter it is also a balance of the photographer knowing which camera settings to use, and knowledge of composition and lighting to make a great photograph. Take away any one of those pieces and the GREAT photograph won't happen.

Obviously I am using the KISS principle here for those who may quibble.

Dennis
While I have not seen the video it should be a giv... (show quote)


KISS works. Especially in this case. Bravo.

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May 3, 2019 12:32:30   #
Dr.Nikon Loc: Honolulu Hawaii
 
BlackRipleyDog wrote:
What matters is your vision and style regardless of the gear. Constantly be developing your skill sets in all facets of the process. It is fine to be economical if needed in the cost but do not cheapen out when it comes to the time spent in front of the computer to make some magic happen.


Nice examples .. and post well made ..

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May 3, 2019 12:34:59   #
chasgroh Loc: Buena Park, CA
 
10MPlayer wrote:
I hang out at a forum devoted to saxophones. Sax music, sax playing, buying and selling saxes, you name it. The guys there have the same arguments about GAS. The endless search for the one perfect mouthpiece that will make you sound like your favorite jazz artist is referred to "chops in a box". It takes a sax player years to develop a sound that he/she is satisfied with.

Why so long? Because it's really hard. It's just human nature to want to take a shortcut to becoming an expert. Great gear makes it easier to get there but there's no substitute for study and application of great technique.
I hang out at a forum devoted to saxophones. Sax m... (show quote)


...kinda the same with my tuba brethren, but, really, we just browse each other's mouthpieces, shrug, and try to stay in time. ;0)

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