jerryc41 wrote:
Have any of you seen Tony's video about how important good gear is in photography? We keep getting responses here saying that the gear doesn't matter. It's the photographer that makes the picture. I've never believed that, and that's why I buy a new camera occasionally. Otherwise, I'd still be using my parents' old Kodak box camera.
The D750 is my main camera, and when I use something else, the results are not as good.
Tony and Chelsea are gearheads. They’re essentially right: In the hands of a reasonably knowledgeable and experienced user, a better camera consistently will yield *technically* better image quality (sharpness, smoothness, color, contrast, etc.).
What a better camera will NOT do by itself is to make a better *photograph*. Users do that.
By photograph, I mean an “image of significance,” where technical quality takes a back seat to, but supports, the message, moment, historical or sentimental significance, instructional value, composition, lighting, perspective, social meaning... in short, the qualities other than technical image quality that make it special.
A distinction some of us make is similar to the old adage that, “If you give a room full of lower primates a typewriter, they might produce a work as good as Shakespeare.” It’s unlikely, but there’s some infinitesimal chance it could happen.
In the hands of an untrained user, a top tier camera might record a technically good image. It’s less likely it will be an outstanding photograph. Take that camera off of its Auto modes, and it’s also less likely an untrained user will record a technically good image.
Somehow, I don’t think Tony or Chelsea would disagree with me on this.
In full Auto, anyone with a Sony A9, Nikon D850, or Lumix S1R can take phenomenal quality snapshots. But it takes a photographer to make something more.
A top pro or enthusiast wants to use the best gear available for the job and genre. But in a pinch, that person most probably can produce compelling images with lesser tools.