burkphoto wrote:
SLR mirrors do add some vibration during exposure. That's why there is a mirror lock-up switch on better SLRs and some dSLRs, and why "Live View" mode is handy. Mirror shake is most likely to be noticeable at speeds between the full-open curtain speed (varies with shutter design; usually between 1/60 and 1/250) and around 1 second. It's less noticeable at longer and shorter exposures. It's worst (in my experience) from about 1/2 to 1/60 second. When I used a Nikon F3 on a copy stand, my typical exposure was 1/8 at f/6.3 at ISO 64. So I locked up the mirror. Now, when I use my Lumix, I use electronic shutter mode, silent mode, and trip the camera from my iPhone. That eliminates mirror shock (no mirror) and shutter shock (no mechanical shutter), leaving only the swish of the diaphragm blades if I pre-focus manually. Then the problem becomes vibration of the table due to passing cars, etc.
One of the reasons LIFE switched to Nikon was cost. The Japanese bodies and lenses were significantly less costly than their German counterparts. Since the performance was virtually indistinguishable in the magazine, the switch was an easy decision. It pleased the bean counters! That choice by LIFE led to a choice of Nikon by the US military (along Beseler Topcon, for some arcane reason). It also cemented the Nikon brand into the minds of many youth, eventually clinched by the song, Kodachrome, by Paul Simon.
Despite the fact that I started with a Canon FX in 1968, I bought a Nikkormat FTn in 1969, mostly due to the reputation Nikon had among the press. Our high school contract yearbook candid photographer had six Nikon F bodies. So I went that direction, eventually picking up a Nikon FTn. Funny... I had tested Nikkormat FTn, Canon FT QL, Pentax Spotmatic F, and Minolta SRT-101. The Spotmatic felt best in my hands, and their lenses were the easiest to focus. But all because Time-Life and the local press used Nikon, that's the way I went.
The more I used the FTn, the more I appreciated its performance and rugged reliability, but the less I liked its ergonomics. the shutter button strained my index finger. Changing film was a pain... What do you do with the back while it's off? I had to wear shirts with clean pockets. They fixed all that stuff with the F3. It's a classic. It reminded me of the Pentax Spotmatic from the late 1960s. I wore one out!
I never have liked the reflex mirror and pentaprism/pentamirror designs, though. Finder blackout is what kept some old-timer photojournalists using rangefinder cameras until they died. At least you could see the moment of exposure and know you got the expression you wanted from a person. That's one of the reasons I got interested in mirrorless cameras. They're still evolving, but by 2014, they were good enough to use for all but sports and wildlife work. The Sony A9 appears to have broken that barrier. Its existence is why so many reviewers didn't like the Canon and Nikon full frame announcements. I suspect Canon and Nikon are already working on their "A9 killers" along with Panasonic.
Welcome back, friends, to the show that never ends...
Remember, if your old cameras still work, you can still use them. Or someone else can. When a G.A.S. attack occurs, remember that your knowledge, experience, training, passion, mental vision, purpose, and curiosity USUALLY are more important than your gear. Have a good reason to upgrade or switch!
SLR mirrors do add some vibration during exposure.... (
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