gvarner wrote:
If you shoot full frame with 30 MP and crop to 2/3 of that in post, do you get an equivalent 20 MP edited photo?
You may not have intended it as such, but this is REALLY a trick question!
The honest answer is that you get a 20MP image cropped from a 30MP original file. You're not getting the full resolution of the lens and sensor combination.
Of course, at a certain point, you must re-size the image through software interpolation to enlarge it, but at some point, you dip below the required 240 pixels per inch of ORIGINAL, in-camera generated pixels required to spread over each linear inch of output, in order to meet extinction resolution at 12.8 inches from an 8x10 print.
Extinction resolution is the point at which your eyes cannot resolve any more detail from an image, even if you increase the available pixel count. Most labs will tell you that 240 to 250 PPI — un-interpolated, from the original file — is what is needed to preserve all the detail you can see at 8x10. As the print size and appropriate viewing distance increase, that number is reduced. Conversely, at smaller print sizes, it is INCREASED. (Yes, that's counter-intuitive, I know, but true.)
All that said, a 20MP crop from a 30MP original will make a very large print from most subject matter. 30x40 inches is not outside the realm of acceptability, unless your subject matter DEMANDS up-close pixel peeping (such as a large group of people, or a highly detailed landscape, or a military spy photo). I've made a few un-cropped 40x30 prints from 16MP Micro 4/3 images, and they look just fine when you view an entire print from 50".
In general, people put far too much emphasis on MP count. Thousands of the best, most dramatic and iconic images of the 20th century were made with far less effective resolution than can be had from a 30MP camera.
I once worked for a designer whose motto was, "If you can't make it GOOD, make it BIG." I believe the original source of that was a Time-Life magazine editor. They were known for occasional "double-truck bleed" center-fold photos of important events. Many of those were from 35mm Tri-X negatives, carefully push-processed in soft-working developers like Acufine. Our tools are much better today! Go forth and make images while there is still light to do so!