Linda From Maine wrote:
I edited my comments after I read that you have 30 years' photography experience. Come on, man, you obviously already understand the properties of macro lenses; why are you delberately attempting to confuse people?
I'm really not trying to confuse anyone, it's just that I have never delved into macro photography. I normally have just set the camera on auto and taken pictures as I go along and edit them later to suit my taste. The closest thing to macro that I have tried were some screw on rings when using a Minolta 7000. I apologize if I gave you the wrong impression. Most of my digital picture taking has been using a tri pod indoors taking images of firearms and other items that I offered for sale online. In this setting I used the aperture mode and bracketed four to six different aperture settings in order to get the exposure that looked good to me. I would also take close up images of proof marks, blemishes, manufacture markings, etc. in order that any potential customer would have a much better idea of what the item looked like.
To be completely honest about it all, even though I've used DSLR cameras for 30+ years, I have never attempted to learn the finer points of photography. Now that I am retired, and out of the firearm business, hence my question about f/stops and other subjects because I am the one who is somewhat confused and am not to old to learn new things.
Back in the 80's & 90's, before I converted to digital cameras, and when I had time to actually go out and look for subjects to photograph, I focused on mainly old, dilapidated, farm buildings. This was with film cameras and my point, shoot, and hope for the best attitude. I would get lucky sometimes and end up with a image that looked pretty good to me. Until now, I just plain did not have the "want to" learn any of the technical stuff attitude. Now I find that I want to challenge myself to learn more. Again, I apologize if I gave you the wrong impression.
Nice explanation. Now to get out the camera and take the same picture at different settings.
josephl1331 wrote:
Nice explanation. Now to get out the camera and take the same picture at different settings.
I will be doing this on Saturday. We have Bible School and there will be a mess of "Little Munchkins" running around. Our BS only lasts one day. We are rural and the children have lots of outdoor activities to do. It's normally is a hoot. I really like being around kids. My wife's grandchildren will be there too.
sippyjug104 wrote:
The f/3.5 - 6.3 refer to the maximum "Openness" of the lens aperture (how wide it opens). The amount of "stop down" such as f/11 is closing the aperture so there is usually a lot of latitude perhaps like f/22 or even more. When you see two numbers listed it refers to a zoom lens. The smaller number is the wide end of the zoom and the larger number is the high end of the zoom (like a 70-200mm zoom lens for example).
The lower the f-stop number the more open the aperture which is commonly referred to as how "fast" a lens is (fast meaning letting in more light).
The f/3.5 - 6.3 refer to the maximum "Opennes... (
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And more expensive usually better zoom lens have one wide-open stop, say f/2.8, and the lens may have a complete range of stops of f/2.8 to f/22 through out its zoom focal lengths. For example I have both a "kit" f/3.5-5.6 18-55mm Zoom Lens and a higher end f/2.8 16-50mm Zoom Lens. There is a vast difference in price between to two, both same brand.
smeggy wrote:
I thought they were saying that 6.3 was as small as you could go. DUH!
Nnooooooooooo, of course. With a (film) box camera, perhaps. LOL
RWR wrote:
Not so. The smaller the f/stop, the smaller the opening. The smaller the f/ number, the larger the opening.
Yup, good reason to write stops as f/1.4 to say f/22. And not F1.4 or 1:5.6.
Joe Blow wrote:
Not to overly quibble, however, ...
Full stops are 1 : 2 : 4 : 8 : 16 : 32. The half stops are 1.4 : 2.8 : 5.6 : 11 : 22. (With each being a fraction) The slope is exponential because it relies upon the area of the aperture, not the diameter. One half of 1 is 1.4, not as often thought, 2.0.
Mechanical cameras were picky when choosing an aperture and only went by full and half stops. Modern digital cameras can choose intervening f-stops.
You probably know this but I wanted to get the "full vs half" right.
Not to overly quibble, however, ... br br Full st... (
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Please show me how "One half of 1 is 1.4, not as often thought, 2.0." I don't understand this math. Thanks!
ballsafire wrote:
Please show me how "One half of 1 is 1.4, not as often thought, 2.0." I don't understand this math. Thanks!
One half of 1 is 0.5 or half! An aperture of f/1.4 let half of the light thru the lens as compared to f/1.0.
BebuLamar wrote:
One half of 1 is 0.5 or half! An aperture of f/1.4 let half of the light thru the lens as compared to f/1.0.
Thanks for quick answer! I guess f/1.4 is close enough but I was wondering - why not f/1.5 instead of 1.4. There has to be a reason why f/1.4 is used.
ballsafire wrote:
Thanks for quick answer! I guess f/1.4 is close enough but I was wondering - why not f/1.5 instead of 1.4. There has to be a reason why f/1.4 is used.
Well it's actually 1.41421356237..... because it's the square root of 2.
Let me try to explain. For example a 50mm lens with f/1.0 would have the aperture diameter of 50mm because 50/50=1. Now the area of that opening (aperture) is (50/2)^2 x PI which is about 1963 squared mm. Half of that is 981.7 squared mm. The diameter of an opening of 981.7 squared mm would be 2x sqrt(981.7/PI)= 35.35mm. Now the f number would be 50/35.35=1.414.
I hope you get it. If not I will explain some more.
BebuLamar wrote:
Well it's actually 1.41421356237..... because it's the square root of 2.
Let me try to explain. For example a 50mm lens with f/1.0 would have the aperture diameter of 50mm because 50/50=1. Now the area of that opening (aperture) is (50/2)^2 x PI which is about 1963 squared mm. Half of that is 981.7 squared mm. The diameter of an opening of 981.7 squared mm would be 2x sqrt(981.7/PI)= 35.35mm. Now the f number would be 50/35.35=1.414.
I hope you get it. If not I will explain some more.
Well it's actually 1.41421356237..... because it's... (
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Yes, yes! I can now understand how that stop number (1.4) got into the sequence -- the square root! I don't want to go any farther than your explanation -- even using PI. I'll bet you are among the few on this forum who could've given this answer!
ballsafire wrote:
Thanks for quick answer! I guess f/1.4 is close enough but I was wondering - why not f/1.5 instead of 1.4. There has to be a reason why f/1.4 is used.
f/1.5 is about 1/6 stop slower than f/1.4. I have a 5cm f/1.5 Ernst Leitz Wetzlar Summarit (Leica M), 50 f/1.5 Voightlander Nokton Aspherical (Leica M39), and a 75/1.5 Carl Zeiss Jena Biotar in Exakta mount.
OK.... let me ask one LAST question regarding f/stops. Please just fill in the blank space at the end of each statement with either slower or faster. And I'm not trying to confuse anyone or ask a frivolous question. I just need to clearly understand a bit more.
Higher f number = smaller aperture = greater depth of field = blank shutter speed.
Lower f number = larger aperture = shallower depth of field = blank shutter speed.
Thanks.
foxfirerodandgun wrote:
OK.... let me ask one LAST question regarding f/stops. Please just fill in the blank space at the end of each statement with either slower or faster. And I'm not trying to confuse anyone or ask a frivolous question. I just need to clearly understand a bit more.
Higher f number = smaller aperture = greater depth of field = blank shutter speed.
Lower f number = larger aperture = shallower depth of field = blank shutter speed.
Thanks.
Let see if I understood you. You want us to fill in the blank shutter speed? If so
Higher f number = smaller aperture = greater depth of field = slower shutter speed= longer exposure time.
Lower f number = larger aperture = shallower depth of field = faster shutter speed= shorter exposure time.
RWR wrote:
Not so. The smaller the f/stop, the smaller the
opening. The smaller the f/ number, the larger
the opening.
Neither of you is mathematically correct.
Look it up.
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