Sharpness . . . Lens quality versus software postprocessing
Mac wrote:
What do you want to be? A photographer or a computer operator?
Since before the turn of the century, you have to be both, or are you still stuck in film?
To the OP, if you like the results you get with your kit lens, then no need to up grade. As far as PP goes, you can work wonders, but, it's always, always always much better to start with the best picture possible. The question is how good is good enough. You can spend many thousands on lenses, but do you really need all that? Only you can answer that question for yourself. 'Tis a simple matter to sharpen, soften, lighten, darken, tint, untint, haze, dehaze and about everything else in post, so if you are happy with what you have now, you're good to go.
I think it is a lot like a lady putting make up on. An average lady can improve their looks with a little make up but a truly beautiful lady can add make up and become outstanding. All I am saying is the quality of the outcome is totally dependent on the starting point. The better the glass the better the starting point!
Mac wrote:
What do you want to be? A photographer or a computer operator?
A photographic artist, so both.
sirlensalot wrote:
Every year the software gets better.
Until then, pro grade lenses do a better job than kit lenses.
But as equipment and software get better the expected minimum level of work also gets higher.
BS. That article is not about photographic issues.
rehess wrote:
What about the most modern cameras that have an AA filter simulator instead of an actual AA filter?
The AA filter is a separate issue, which also is something that a Sharpen tool can be used to effectively deal with. It isn't all that easy but sharpening can virtually eliminate the effects of an AA filter.
The effect of the Bayer CFA is to make it impossible to have a contrast transition in fewer than 6 pixels. Because of the sequence of RGB sensor filters each demosaiced bitmap pixel is affected by raw sensor data locations up to a minimum of 3 values in every direction. A very abrupt transition from one color or tone value to another takes up at least 6 pixels in the converted bitmap image (and it includes even more if the raw converter program is using a larger matrix to get more accurate colors!)
The transitions can be reduced to a one or two pixel transition by careful sharpening as the last step of processing. Note that this is commonly not done properly because any change in the image pixel dimensions after sharpening necessarily leaves unwanted artifacts. That is one reason not to do "capture sharpening".
General note: Today we may not be able to do "real" sharpening through software. In the future, I think they will develop software that looks at your photo and then thousands or millions of other similar photos, runs an predictive algorithm and then actually sharpens the image.
Probably to help cell phone users. Or rather, help sell more cell phones.
dsmeltz wrote:
General note: Today we may not be able to do "real" sharpening through software. In the future, I think they will develop software that looks at your photo and then thousands or millions of other similar photos, runs an predictive algorithm and then actually sharpens the image.
Probably to help cell phone users. Or rather, help sell more cell phones.
That would be problematic in terms of copyright. Maybe the algorithm could just refer the photographer to a good photo of the same or similar subject on Goggle Images.
OptiCole wrote:
I know there is an optical difference between a "kit lens" and a "higher quality" lens. But with today's amazing post processing software options, is it that much of a difference? I know out of the camera a higher quality lens will be a little sharper, but after using appropriate post processing on something like a kit lens, is there really much difference to most non pixel peeper people. I am having to hard time justifying the extreme cost of a high end lens when my kit lens seems pretty sharp after a little bit of LightRoom.
In the "old" days the lens was everything, but is that true to with all of the lens software profiles that fix most if the lower cost lens issues.
What do people think about this?
I know there is an optical difference between a &q... (
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Not a direct answer about post processing improving things, but take an anology from your own profession. What spectacles are best for your vision? Off the shelf from a supermarket, or prescription lenses as determined by a qualified person? That should give you some guidance.
bcrawf wrote:
That would be problematic in terms of copyright. Maybe the algorithm could just refer the photographer to a good photo of the same or similar subject on Goggle Images.
I do not think copyright would be an issue at all. There a millions of stock photographs available at a very low price that would serve this function for the software maker. The end user would not be affected at all by copyright issues.
The sharpest lens is generally the most expensive. The sharpest monitor is generally the most expensive. The sharpest printer is generally the most expensive. The sharpest eyes are what you're born with. If you can't see it, you can't process it properly. And we must also consider your inherent artistic vision in the equation.
dsmeltz wrote:
I do not think copyright would be an issue at all. There a millions of stock photographs available at a very low price that would serve this function for the software maker. The end user would not be affected at all by copyright issues.
Not be affected? Well, yes, if he paid up for use of the image(s).
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