I love having the fisheye have both 16-10.5 in any case not often used but when I do you can't beet the capabilities weather your going for the look or your going to correct in pp it's just a fun lens Oooohhhhhh did any body tell you about the depth of field unreal
I"m considering getting this lens, does anyone have any experience with it????
I owned one and it took excellent pictures. Circular distortion was not significant in the center of the field of view--it gradually grew more pronounced towards the margins of the field.
It's the only fisheye I own, incredibly sharp. If you buy used MAKE SURE it comes with the filter kit, essential!
It's quite sharp in the center, but it has pretty nasty field curvature, so you never get both the center and the edge in focus at the same time. This is one of the oldest lenses in the Nikon lineup, and I understand that they will discontinue it soon. Personally I would go with the new Rokinon, which has a much more pleasing rendering, being near stereographic projection rather than equidistant. That means that while you still get 180 degrees on the diagonal, the center is not so ballooned and the edges not so squeezed. I have the 16 but I never use it any more, prefering my DX Rokinon which is sharper and more pleasing overall. There is also a FF version, which is what I was referring to.
I"m considering getting this lens, does anyone have any experience with it????
The Nikon 16mm f2.8 lens is a great lens but you have to know how to use it. I love mine. It's biggest problem in a film camera is to learn to step back a little from your body so your toes don't get in the frame especially when shooting in portrait mode. A full frame digital sensor for some reason does not cover the same area as a film camera does; I suspect that the sensors are not quite the size of the film framed area. It's a fisheye lens and will give the fish eye effect unless you are very careful about framing the shot. It takes practice but once you get it down it has its place and you will get shots only that lens can deliver.
The Nikon 16mm f2.8 lens is a great lens but you have to know how to use it. I love mine. It's biggest problem in a film camera is to learn to step back a little from your body so your toes don't get in the frame especially when shooting in portrait mode. A full frame digital sensor for some reason does not cover the same area as a film camera does; I suspect that the sensors are not quite the size of the film framed area. It's a fisheye lens and will give the fish eye effect unless you are very careful about framing the shot. It takes practice but once you get it down it has its place and you will get shots only that lens can deliver.
The Nikon 16mm f2.8 lens is a great lens but you h... (show quote)