marcomarks wrote:
Photoshop on the other hand is FAR more extensive and does what's called "layers" editing. Let's say you want to darken blown out windows. You highlight the windows with a tool that creates a lasso around the window, choose the exposure altering tool and reduce gamma until objects in the window are revealed and the window panes are considerably darker. That change resides on a layer. You want to increase color saturation of some other object, let's say a large red vase of red carnations sitting on a table. You highlight it with the selection tool, click on the saturation tool, and increase saturation far above normal until the red is at any level you want. That change is now on a layer as well. You want to increase contrast on some furniture near a window that is slightly foggy because of the window light behind it. Highlight the couch back and hit the contrast button to increase the contrast of just the couch back. That is now on another layer. If you decide you don't like the flaming red vase of flowers, delete the layer and that change is gone. You can save the file in Photoshop format and it retains all your layers individually for later adjusting, or you can merge all the layers and flatten the photo so the layers are gone and all the things you adjusted are permanently done to the original photo. It's like the old overhead projector plastic layers stacked on top of each other. If you had one line of text on each plastic sheet, the total stack may be projecting 10 lines of text. In Photoshop if you had 10 layers of changes they are stacked on top of each other (layered) and the stack equals the end result you wanted to see. I do editing of 50 to 70 HDR auto-bracketed sets of 7 exposures every day, by using Photomatix bulk processing to create the HDR single TIFF files, and then go into Photoshop CC and do everything else until I have finished products in JPG format to send out.
You can't do ANY of that with LR because it doesn't have layers. You can increase or decrease gamma of the WHOLE photo, increase the color saturation of the WHOLE photo, etc. and do a number of other things to the WHOLE photo but not to individual components or areas of the photo.
br Photoshop on the other hand is FAR more extens... (
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Marco, do you really think you are qualified to post an opinion on software that you admit you don't actually use? Doing much of what you describe in the paragraph above can be done effectively and much faster in LR - using the adjustment brush, linear graduated filter and radial graduated filter - all of which are targeted adjustments. Many of the global adjustments that are available to the entire image - like color temp, green-magenta tint, exposure, contrast, highlight/shadow recovery, white and black clipping points, clarity, dehaze, saturation, sharpness, noise, moire mitigation, defringing - can be applied locally with adjustable opacity, with far greater ease and speed than the two step (or more) process of making a selection and/or mask and applying an adjustment to that selection. But if you know Photoshop, all of this should be familiar to you, since these adjustments are available in ACR. While it is not a substitute for the precise editing capability of PS, it does make a lot of things way easier in many situations.
marcomarks wrote:
Photoshop has it's own Adobe Camera RAW (ACR) module which acts 95% like the editing abilities of LR so you don't need LR with Photoshop CC.
ACR is 100% equivalent in tools and capabilities to Lightroom. While you don't "need" Lightroom if you have Photoshop, when you have to edit a 1200 image wedding job from 4 different cameras (your cameras and those that your second shooter used), and you have to make them look reasonably consistent - there are only two tools I can think of that will allow you to do this in a reasonable amount of time - Lightroom and Capture One. No, you are correct, you can make do with just Photoshop, just like you can drive a screw into a piece of wood with a hammer, though I think you'd have to admit it is far easier to use a screwdriver. Using LR is considerably faster and more efficient, mostly due to it's wonderfully organized user interface - and can turn a day's worth of work into something you can do in a couple of hours.
marcomarks wrote:
LR's unique ability, if you enjoy it, but I and many others don't, is it's "Librarian" which tracks where your files are on your hard drive and allows you to move things around in a very different manner than Photoshop uses. Some people love it but I find it to be a total nightmare. Lots of people have great difficulty understanding the LR Librarian, lose things on their hard drive, freak out when they think they've deleted files when they really didn't, delete files when they didn't want to, etc.
LR's unique ability, if you enjoy it, but I and ma... (
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Once again, your lack of hands-on experience with LR limits the value of your opinion. I am a member of a couple of professional photographer organizations - and the two go-to applications for raw conversion are Lightroom and Capture One. That's more than "some people." More like the overwhelming majority.
Adobe has done a terrible job at providing a training guide to explain how the catalog works. I will admit that initially, I was totally confused by it. But I locked myself in a room for a day, learned its language and logic, and trust me, it is far better and easier to work with than any alternative out there. People freaking out are a result of poor documentation and support and people expecting it to work like every other software application they have used, not a deficiency in the software. Once you invest the time to learn it, you'll wonder what you did without it.
BTW, I have been a Photoshop user since version 4 (not CS4) which was published in 1996, and a Lightroom user since version 3, published in 2009. While I am far from being an expert, I use both on a daily basis, along with a host of other programs, to edit and enhance my images.
A tip - if you are doing 7 images to create an HDR, you either have a very old camera with limited dynamic range, or you are doing more than you have to - most HDR can be handled with 2-3 images at most - bracketed with 2 stops.Your images will be cleaner as a result.
Check out the HDR and Pano merge capability in LR- if you still have it - it works great and it is faster and generally produces better results than the comparable processes in PS. For real estate, where tone mapping often produces over-the-top results, the simple fusion that LR does is great. And you get all of this for $10/mo. Such a deal!