amfoto1 wrote:
Both Lensbaby and fisheye are very specialized items, IMO.
There are actually a variety of products from Lensbaby, with different capabilities... but they basically are a crude form of tilt lens with lower quality optics, designed to give sort of an "interesting accident" effect. They are sort of the "Diana camera" of digital (Google those, if you don't know what they are). The "tiltable" nature of Lensbaby lets you play around with the plane of focus for "miniature" effects and other reasons... Many of them also sort of "celebrate" optical flaws, flare and other things we normally look for lenses to avoid.
Fisheye are another thing entirely, though equally unique in their own way. There are two type: those that make a round image and those that make a full, rectilinear image. Both types give extremely wide angle of view and often incredibly deep depth of field, possibly even sharpness all the way from your toes to a distant horizon. DoF can be so great with FE lenses that you might not even need to focus them!
But,unlike an ultrawide lens, a FE doesn't try to maintain straight lines in an image. So, there can be strong curvature effects with FE, that may or may not look "right", depending upon what you want in an image.
I don't currently have with either type of lens. I've used FE various times in the past... found them to be fun for a while and useful for humorous shots and in some very extreme situations (a friend who photographs a lot of aircraft frequently uses a rectilinear FE for shots inside cockpits and other tight interiors). But the strong "bending" effect makes them less usable for architectural interiors, on the whole... and of rather limited use for landscape, cityscape and seascape photos. They can be cool for sports/action shots...but you have to be awfully close or the subject will end up as just a very small speck within the image.
I have only briefly "messed around" with Lensbaby a couple times. I do use tilt-shift lenses for some similar, though generally more precisely controlled results with "better" image quality. I have enough photographic "accidents" of my own, without using a lens or camera that promotes them! :roll: But, hey, that's just me and I can understand the appeal... especially when so many people today pixel-peep at completely ridiculous magnifications and obsess over the slightest flaw in their "perfect" images.
Both Lensbaby and fisheye are very specialized ite... (
show quote)
I think Alan has made yet another mistake here, although I invite him to comment and correct me if I am wrong.
Fisheye lenses are distinctive in two ways. One is the extreme angle of view that they deliver and another is in the way the optics render images.
When referring to the shape of the image the stereotypical fisheye image is frequently a circular image against a black background, since the image created by the lens does not cover the entire area of the film or sensor.
However, this is not a characteristic of all fisheye lenses, and it is not the circular image that that defines whether a lens is a fisheye lens or not. The fisheye lens made by Samyang that several of us have referred to here is designed for APS-C cameras, and on an APS-C camera delivers a fisheye image that fills the entire frame. With the hood removed it will produce a circular image on a full frame camera from some of the reviews that I have read. I do not have the equipment to verify this personally. So if a single lens can produce both a circular image and full corner to corner coverage then it cannot simultaneously be two categories of fisheye lens, rather it is one fisheye lens being used on two different categories of camera that provides the difference between full coverage and a circular image. Any other type of lens that was designed for an APS-C sensor would also produce similar effects if mounted on a full frame camera.
So, that first point made, then what makes a fisheye lens a fisheye lens? It is the way that the lens optics render the scene. It is in this situation where Alan is completely and utterly wrong in his use of the term rectilinear.
A lens 'bends light rays' to create a focused image, which is frequently referred to as a 'projection'. The majority of lenses in use, whether ultra-wide or super-telephoto are designed to render straight lines as straight lines in the image. This is what is called a 'rectilinear' projection.
A fisheye lens uses a different projection method that renders straight lines differently, becoming increasingly curved towards the edges of the frame. This is frequently referred to as 'barrel distortion. It is this 'barrel distortion' projection that defines fisheye lenses, not corner to corner coverage as opposed to a circular image. Here is the wikipedia article on fisheye lenses:
http://en.wikipedia.org/wiki/Fisheye_lensBelow I show two images ( not great photographs, just snaps taken in a pub), but demonstrating the difference between an ultra-wide rectilinear lens (Canon EF-S 10-22mm) and a fisheye lens (Samyang 8mm fisheye) on a T3i.
Frankly, I am very surprised at Alan's error in this matter. He has a record of presenting information as 'the ultimate authority' while making and repeating factual errors without once that I have seen responding to or acknowledging corrections to his mistakes and inaccurate information.
However, making simple mistakes in specifications is fairly trivial, and we all do that from time to time. In this case Alan has displayed a fundamental lack of understanding that is at least to my mind more egregious given his 'Voice of God' style of posting what are increasingly appearing to be his opinions rather than well researched and defensible factual statements. He sounds more like Donald Trump with every post!