elandel wrote:
Hi fellow Hogs,
I'm in the process of buying a new camera but am not sure what to get.
My choice is between the Sony A7 and the Nikon D610. The problem for me are the lenses. Sony is more expensive and has fewer lenses to choose from but is lighter, Nikon on the other hand has many lenses and cheaper (at least some of them) but is bulkier and heavier.
IQ wise I suppose they are in the same league.
What would you choose?
Thanks for your help.
What *I* would choose wouldn't be either of these, but then, I'm not you! I recommend you study the complete systems that both Sony and Nikon make, and then decide. Both companies produce some excellent gear. So do several other manufacturers. If you stick with the classic name brands, it's hard to find inferior gear these days.
Camera choices are incredibly personal. I remember choosing my first SLR when I was 14, back in 1969. I had been using a friend's Canon FX for about nine months. I went to a camera store and tried a Pentax Spotmatic, a Minolta SRT-101, a Nikkormat FTn, and a Canon FT-QL. I liked each for something. I wound up with the Nikkormat, and added a Nikon FTn a few years later.
I don't regret choosing Nikon They built very durable, reliable gear that produced beautiful images. But I have never liked their ergonomics! Oh, they've improved, but not as much as I would like.
I used various Nikons until I tried the D100 and D70, then tried a Canon EOS 20D, and switched entirely to Canon in 2005, for the handling ergonomics, and the free software support for tethered shooting.
So most of my working life, I've used Nikons and Canons. But that has changed recently... I no longer make many prints, and I don't photograph a lot of sports or wildlife.
Since I generally put most of my content in electronic format (online corporate documents and videos), I no longer consider super high resolution files to be important. 16MP is fine for most of my work, and really, 8MP is enough for most photo-illustration work I do.
Since I'm a Training Project Manager functionally, one who develops training content I need a great blend of stills and video with live audio capture. So for me, it's going to be the Panasonic Lumix GH4 with a few Lumix pro zooms and Leica prime lenses. The GH4 is a very good still camera, on par with the best of APS-C cameras, and it's the best video camera you can buy at the price. It's so good, many independent filmmakers and documentary filmmakers use it.
Micro-Four-Thirds comes with a HUGE benefit: bulk and weight savings! The Nikon "holy trinity" of zooms weighs 7.5 pounds, while the Panasonic equivalent weighs 2.13 pounds. The GH4 is over a half pound (290g) lighter than a D610, too. Lugging a Lumix kit through airports and up trails is a lot easier than an equivalent Nikon or Canon or Sony kit would be...
Someone here equates lens weight with quality. Do you know why it has to be so heavy? Because the lens barrels have to be heavy to support that set of big glass elements and maintain alignment precision! Go hand-hold a 70-200 zoom all day and see how your wrist feels the next morning...
When you have a smaller format and no mirror box, equivalent lenses are shorter, smaller, lighter, and can maintain their precise tolerances much easier. The pro optics certainly aren't cheap, and in the case of the Leica Nocticron 42.5mm f/1.2 (85mm FF equivalent) or the Lumix 35-100mm f/2.8 (70-200mm FF eq.), they're at least as good as Canikon equivalents.
So that's *my* take on it. It's probably irrelevant for those who want to photograph the Grand Canyon and make a 40 x 60 inch print, or for those whose work includes live sporting events and African safaris. But if you create content for corporate training and events, photojournalism, catalog photography, talking portraiture, hybrid photography, wedding videos, or just travel a lot, my approach might be similar to yours.