mldavis2 wrote:
I do very little in ACR that I would ever want to return to "re-do." I have a better sharpening routine that I use exclusively in CS6, I have the lens correction filters in CS6, I have all the simple sliders available in CS6, but I seldom use them because I use curves in CS6 and Curvemeister. If I had to return to ACR, it would be because I didn't do something right, not because I had better or different controls. If you perform your crude edits correctly in ACR before going to PS, there is no reason to return - unless you skip ACR to begin with and then have to return for some fundamental corrections.
I do very little in ACR that I would ever want to ... (
show quote)
The only times I've re-opened an image in ACR after initially processing the image in ACR is as a tiff on the rare occasion that I do an HDR image. Then, it's only been as an experiment to make sure the process I use works. Otherwise, it's a rarity that I ever need to use HDR.
--Bob
kymarto
Loc: Portland OR and Milan Italy
The adjustment brush is absolutely amazing. Not only can you control the flow for cumulative adjustments, you can vary the adjustment parameters after the fact.
mldavis2 wrote:
What brush tools do you have in ACR that you don't have in CS6? ACR is an "overlay" editor, not a pixel editor.
As ACR is in CS6, the answer must be none.
However, suppose you have a pale blue sky and want to increase its colour strength without affecting other parts of the image:
in CS6, you could burn the sky using a soft brush, you could select the sky and change the hue/saturation, you could colour select, make a new layer and work the magic that way. Probably half a dozen more ways to achieve the same thing.
My own preference is to pop into ACR, choose the brush, paint over the sky with the mask selected which prevents the clouds being painted, adjust exposure / saturation etc. then click done. Open or save image.
The brush in ACR is a very flexible tool, it can be "loaded" with 11 adjustments all at the same time including colour change. I would normally only load one or two adjustments at a time, but this is a flexible beast.
The brush is really easy to use to be rid of any artefacts created in the HDR process, a lot easier than cloning etc in the non ACR part of CS6.
I will not bore you by extolling the virtues and usefulness of the graduated and radial filters over those of the grad. filters outside of ACR, nor will I speak at length of the improvements made to those filters in ACR in CC, but it all boils down to how you like to work.
Davet
Loc: Fort Myers, Florida
ACR??? -----Camera Raw??? What does the A stand for?
Searcher wrote:
In my version of Photoshop I can load that image into Camera raw by Filter > Camera Raw Filter - I have Photoshop CC.
If the filter is not available in CS6, save the tiff on disc, then File > Open As > Camera Raw, choose the tiff file and it ought to open.
Unfortunately I do not have CS6 but all the PS's I have had, all have the Open as dialogue.
What's really weird for me is that I have it set up the way you described and the tiffs still open in CS6 and only occasionally will the tiffs open in Camera Raw!
Anyone know why?
Wendy2 wrote:
What's really weird for me is that I have it set up the way you described and the tiffs still open in CS6 and only occasionally will the tiffs open in Camera Raw!
Anyone know why?
Q: Are the tiffs that do not open in ACR - layered?
Davet
Loc: Fort Myers, Florida
Wendy2 wrote:
What's really weird for me is that I have it set up the way you described and the tiffs still open in CS6 and only occasionally will the tiffs open in Camera Raw!
Anyone know why?
After I do the HDR thing and select it in a TIFF format I cannot open it in RAW. I want to for picture refinement.
Searcher wrote:
Q: Are the tiffs that do not open - layered?
I never really noticed but that may be the answer. I will experiment. I save the tiffs with layers just in case I need to go back and tweak them.
Searcher wrote:
Q: Are the tiffs that do not open in ACR - layered?
I just flattened a tiff image, re-saved it in tiff and it still opens in CS6 instead of ACR hmmmmmm......
Davet wrote:
After I do the HDR thing and select it in a TIFF format I cannot open it in RAW. I want to for picture refinement.
Just double checking:
You have saved the Tiff to disc
You open CS and choose "Open As"
You navigate to the image, and select it
You Change the selector (for want of a better word) to Camera Raw
You choose OK or Open
I can't do a screen shot of CS6 but it probably looks much the same as CC. In this I am opening a jpg into ACR
rmalarz wrote:
:thumbup: Works in CS6, as well.
--Bob
Did that. Only opens my tiffs in ACR now and then, hit or miss. 99% of the time does not.
Wendy2 wrote:
Did that. Only opens my tiffs in ACR now and then, hit or miss. 99% of the time does not.
I am at a loss, I followed my own instructions with PSE9,11,12, CS2, PSCC and PSCC2014.
They all work properly except for CS2 which could not "Parse the file." The tiff image refused to open in any part of CS2, but did in all the other applications, both ACR and the main programs.
Searcher wrote:
I am at a loss, I followed my own instructions with PSE9,11,12, CS2, PSCC and PSCC2014.
They all work properly except for CS2 which could not "Parse the file." The tiff image refused to open in any part of CS2, but did in all the other applications, both ACR and the main programs.
Thanks for trying to help solve this problem!! It is not a huge problem, but sometimes I want to open tiffs in ACR.
I use smart objects and as long as I don't flatten or merge the layers and don't make copies of the background I can open the tiffs and then click on the smart object and it will then open in ACR.
Wendy2 wrote:
Thanks for trying to help solve this problem!! It is not a huge problem, but sometimes I want to open tiffs in ACR.
I use smart objects and as long as I don't flatten or merge the layers and don't make copies of the background I can open the tiffs and then click on the smart object and it will then open in ACR.
Thats a neat trick, hope the OP is still reading - it might work for him.
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