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fast lens
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Feb 23, 2014 11:42:36   #
RichardQ Loc: Colorado
 
SharpShooter wrote:
Richard, at the risk of hijacking the thread, I am posting one shot. But it will also help for Roy(the OP) to visualize why they even make lenses like the ones he is asking about. Fast lenses are also designed to perform in the most demanding of situations. To do that, apart from high quality glass and materials, they are highly weather-sealed.
In my shot, at a CycloXross event, you can see the heavy rain coming down, and I'm NOT under an umbrella either, I'm standing IN the rain. The very OOF (fuzzed out as you say) background has very smooth bokeh with no glaring circles. That completely isolates my subject. In spite of the dark conditions, the colors are still good, the pic is sharp and noise free. And that's with 30 feet of rain between me and the subject.
Stats: taken about 30 feet away with about 75% of the pixels cropped away to make it tight. ;-)
SS
Richard, at the risk of hijacking the thread, I am... (show quote)



My hat's off to you and your lens as well, Sharpshooter! That would be a great shot under any circumstances, but in the conditions you described -- incredible! Frankly, I would not have believed it possible.

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Feb 23, 2014 11:58:00   #
RichardQ Loc: Colorado
 
LFingar wrote:
That's the kind of career I could have enjoyed. The traveling would of gotten old after a while. I know that from 25 yrs as a cross-dountry trucker. Still, it sounds extremely interesting.


Thanks, LFingar, but can you imagine what it would be like today, with all the security checks? In the 1950s I frequently ran into the airport, knowing I had a reserved seat, straight to the gate, handed my ticket to the attendant and ran with my tripod, light stands, camera case, and little suiitcase across the tarmac to the plane's staircase, up into the cabin where a shelved closet in the front held baggage, shoved my gear in and found a seat.
Once my schedule was so tight I had no time to clean up, which normally was no problem but I had been on a pig farm and my shoes were pretty ripe. You think folks were upset with the shoe bomber? I'm lucky I wasn't arrested!

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Feb 23, 2014 14:02:48   #
RichardQ Loc: Colorado
 
amehta wrote:
That's really cool, quite the resume! I especially like how you turned the 6x10 to get cover shots. :-)

I can understand how those shots need to be sharp everywhere. I can imagine, for example, a picture of a laser in a lab. Even if the subject is clearly the laser, the engineers and scientists picking up the magazine will want to see everything in the picture. Perhaps the artistic side of photography is different than that, including the shallow DoF type of shot. And I shoot that to deny my scientific side. ;-)
That's really cool, quite the resume! I especiall... (show quote)


Thank you, Amehta. I posted two of my industrial shots recently in the Photo Gallery ("Higher than a kite" and "Super-sized satellite dish") . The dish shot is one of the verticals taken with the Brooks Plaubel Veriwide 100 camera, equipped with a fixed 47mm f/8 Schneider Super Angulon. The camera was designed in the 1950s by an American, Frank Rizzati at Burleigh Brooks, who wrote me that he had to wait seven years for the right lens. His company, which distributed Rolleiflex in the US at the time, commissioned Plaubel in Germany to build the camera. I bought it at the factory. Attached is one of the vertical cover shots taken with it. I plan to share one of my Bell Labs shots in the Photo Gallery soon.



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