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Dec 9, 2017 17:12:42   #
I understand there are ways to recover data from reformatted cards. Canon would know, or you could Google it.
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Dec 8, 2017 17:30:59   #
jerryc41 wrote:
A6000


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Dec 7, 2017 12:34:01   #
Fotoartist wrote:
How much is Capture One?



The Capture One Express for Sony is free. To get the full suite of functions for Sony cameras, such as local adjustments, cost me $30 two years ago -- it may have gone up since then. Updates to the current version are free, but upgrading to the newest version (e.g., from Capture One Pro 10 to Capture One Pro 11) cost me $60 this year. The free updates occur about every 3-4 months, as I recall, and the new versions come out about once a year. If you do not need the new functions in a new version, you can simply keep using the version you already own. As of now, the program is a single-payment purchase, not a monthly subscription. I do not know what the current cost is for non-Sony users.
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Dec 7, 2017 12:15:16   #
Rongnongno wrote:
How less onerous free can be?

If you are talking about time.... At least half of the time spent to compare trial versions is not lost since a program will be (hopefully) selected. As to you tube to compare? Not a good idea at all. You either have all out commercials for both programs or more or less competent folks offering tutorials. YouTube videos do not present capabilities or limitations of any program but the skills (or lack of it) of the presenter.

Now the amount and quality of tutorials can be a factor when making decision.

I apologize over this reply but one has to say what is what when it comes to making a choice. I just felt that some elements of your post where misleading.
How less onerous free can be? br br If you are ta... (show quote)




No apology necessary. The Youtube videos are all over the map, and the OP would have to be selective in deciding which are worthwhile. I found that watching good tutorials was tremendously helpful in climbing the learning curve for Capture One. I'm sure the same applies to Lightroom and Photoshop. Perhaps the best option is to try the trials, and use carefully chosen tutorials -- even those that also serve as commercials for the vendor -- to help navigate the trials. As I mentioned, the C1 webinars were invaluable to me for learning C1. No doubt Adobe and others have equally good tutorials for their products.
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Dec 7, 2017 10:49:49   #
I am very happy with Capture One, which offers a substantial discount if you have Sony equipment, but I cannot offer a blow-by-blow comparison with LR because I have not used it. I also do not use PS, but it is often recommended for finishing touches after using either C1 or LR for raw conversion and basic adjustments, especially for professionals or others who sell their work (I don't). It depends in part on how much time and effort you want to put into editing. I am usually satisfied with the final results of just the C1 adjustments.

Experimenting with both C1 and LR/PS during their free trial periods may be useful, but I would caution that both have pretty steep learning curves that take time to get comfortable with. A less onerous and quicker alternative may be to view a few of the many Youtube videos on each program to get an idea of their respective capabilities and limitations. The C1 website, among others, has good how-to webinars, and there are tons of instructive videos on LR and PS. Some reviewers do provide comparisons of these and other editing programs, although the quality and objectivity of the reviews should also be considered. You can start by just Googling post processing programs.
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Dec 7, 2017 10:18:37   #
Very nice shots -- love the reflections.
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Dec 3, 2017 11:06:05   #
The C1 webinars are quite good and collectively cover all aspects of using the program. Usually there are several new ones every month, each addressing a specific topic, and previous webinars can be found on Youtube. If you register for one of the upcoming webinars on the Phase One website, you can ask questions online during the webinar and get immediate answers (as long as the questions are related to the webinar's topic). I've been very happy with C1 -- it has phenomenal editing capabilities.
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Dec 1, 2017 10:51:16   #
This is good advice. If you plan to travel or carry the camera on hikes, etc., I suggest looking at the lightweight Sony or Fuji APS-C mirrorless cameras. I have the Sony a6000 and love it. You could buy the body for less than $500 new and have plenty of money left to buy some high-quality lenses, a polarizing filter, and a sturdy tripod. Sony lenses typically come with stabilization, but if you need body stabilization as well, the Sony a6500 is an excellent camera (body currently on sale at B&H for $1,198). Most cameras today, whether mirrorless or DSLR, will serve you well, and I suggest using the bulk of your budget to get the best lenses you can afford.

repleo wrote:
Welcome to the forum Sam.
Your question 'fx (full frame) or mirrorless' question is a bit confused. You are comparing apples to oranges. You should be asking two seperate questions - (a) DSLR or Mirrorless and (b) Full Frame or Crop Sensor.
(a)
DSLRs are built around the technology of the film era SLR cameras with viewfinders using prisms and flapping mirrors. They give a nice clear immediate image in the viewfinder. The image you see is coming from the lens (TTL), not the sensor so you are not actually seeing what the the camera is going to send to the memory card. Mirrorless gives a viewfinder image digitally generated by the sensor and 'engine'. Mirrorless gives a 'what you see is what you get' (WYSIWYG) image. Earlier versions of mirrorless tended to be grainy and had a lot of lag. The latest one are big, bright, clear and fast.
Note that the choice of viewfinder only effects your ability to visualize the shot and compose the picture. It doesn't directly effect the image quality. DSLR's tend to be heavier and bigger than Mirrorless. Many photographers of advancing years are switching to Mirrorless because they can no longer haul their DSLR's around all day. Mirrorless is the only growing segment of the market. Some would disagee, but DSLRs are often considered to be the technology of the past, whereas Mirrorless is the technology of the future. The most frequent reason I see here for not switching to DSLRs is that they have too much money invested in their DSLR system to consider changing. For a newbee unencumbered by a lifetime of legacy gear, I think your first choice should be mirrorless.

(b)
DSLR' come in 'Full Frame' sensor size and in 'crop' APS-C sensor. Mirrorless come in Full Frame, crop APS-C, the smaller Micro 4/3, and even in a larger 'medium' format. Full Frame will generally give a marginally better image than a crop sensor of the same generation. By that I mean that some newer crop cameras are capable of giving better images than some 5 year old FF cameras. If you are considering buying a used camera - age matters. By 'marginally better' I mean the differance may only be noticeable if you are printing very large prints, close crops, shoot in the dark or are a pixel peeper. For the most part, the benefit of FF is only in the range of 1 or 2 stops of light. FF cameras require FF lenses which are bigger, heavier and more expensive than equivalent field of view crop lenses. You will get more 'bang for your buck' with an APS-C or M4/3 system.

I think your budget is a bit reversed. I would plan on spending less on the body and more on the lenses. Look for a body with image stabilization. Set some money aside for a good circular polarizing filter and a decent tripod. Sony and Fuji are the leaders in aps-c mirrorless. Olympus and Panasonic are the leaders in M4/3. Focus your research on these systems.
Welcome to the forum Sam. br Your question 'fx (fu... (show quote)
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Nov 30, 2017 11:42:32   #
rfahrens wrote:
Since your are somewhat familiar with Sony. Investigate the Sony a6000. That should more than met your needs. It’s priced at about $500. You can likely find it for less. Great quality camera.


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Nov 30, 2017 11:30:32   #
I like the subtle signature. Nice shot, too.

TheDman wrote:
The signature is pretty easy to see in this one. And just like signing a painting, the signature isn't there as some foolproof means of protection, it's there to let people know who created the artwork.

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Nov 30, 2017 11:17:55   #
Agree. I have had two Sony cameras (NEX C3 and a6000) over the past 7 years and have never needed servicing. They have a reputation for reliability, which is one reason I got Sony in the first place.

chapjohn wrote:
I first must ask, what makes you think that you will have issues with your Sony camera that would requiire you to get it repaired?

I own 7 (4 are retired at this time) Sony cameras and I have never had reason to contact Sony Service.

My point is that it is rare to need Sony Service.
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