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Oct 4, 2017 10:19:23   #
Dziadzi wrote:
I am nearing the end of selling my widow friend's photography equipment? I came across this item and have no clue other than it belongs with a Leica/Leitz camera. Can anyone identify it. Maybe you could use it and give my friend a donation and shipping for it? Thanks


what you have is the lens hood for the 21mm f3.5 lens for the leica rangefinder camera. these are scarce and there is a strong demand for them on the secondary market. check ebay and see what they are going for. if you need any further info, feel free to pm me.
cody
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Oct 4, 2017 10:13:51   #
ChrisT wrote:
A rangefinder cam isn't as subject to the kinds of vibration and other anomalies which plague DSLRs, WJ ...

Different design, different approach to composition, different approach to ergonomics, and to holding patterns ...




i agree entirely. no mirror slap, for starters and of course, the rear element is closer to the film plane. this is why all rangefinder cameras are superior to film slrs.
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Oct 4, 2017 10:06:23   #
dickwilber wrote:
Eventually, even Leica offered an SLR. And often they were sold with a 50 mm lens.


ys indeed, however they were very heavy and bulky and never really took off. in conflict areas you saw nikon and leica rangefinders and nikon f cameras. the guys and women never used anything else.

i found the leica slr bodies to be awkward to use and larger than the nikon f, with a smaller selection of lenses. i always thought e leitz just did slrs to show they could do it. and even then the leica r3, 4, 5, and six bodies were manufactured by minolta. not until the r 7 did e leitz take control of the manufacturing of their slrs.
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Oct 4, 2017 10:03:31   #
jackinkc wrote:
I'll bet that the Fiji E6 lsb is Dwayne's, in Parson's. Kansas. That was the last Kodachrome processing plant in the world. Another great processing lab is MPIX, in Pittsburg, Kansas. MPIX has a "professional" side, Miller's. also on Pittsburg, but you cannot discern any difference between the two companies. MPIX provides grand prints.

B&H also processes E6.


for transparencies, i pick up E6 kits from my local photo store and develop myself.
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Oct 4, 2017 10:00:49   #
TheDman wrote:
But I thought you could make infinite adjustments in the darkroom? First one I ask you to make and your eyes glaze over. Looks like the darkroom can't do all you claim.


once again - i've no interest in colour, only black and white.
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Oct 4, 2017 09:49:36   #
TheDman wrote:
Great, then create a luminosity mask in the darkroom based on a multiplication of the red and green color channels, surface blur that mask, and add a pale yellow to it in the soft light blend mode. Then, mask out parts of that adjustment that you don't want. I'll wait while you try to figure out what in the world I just said.


not interested in what you have said, and not interested in manipulation of red/green colour chanels - perhaps you should study photography and obtain better results without resorting to precious adjustments.
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Oct 2, 2017 07:38:31   #
vininnj2u wrote:
As you all know, I just purchased the canon 5D Mark IV. Questioning my decision. Should I have gone with the Nikon D850? This post isn't meant to be Canon vs Nikon but rather just for information by comparison on the two cameras. I still can return the Mark IV and get the D850 when they are available again. I have made the comparison on B&H and am still undecided. Any thoughts greatly appreciated. Thanks. Vince.


hi Vince,

it all depends on what you want to use it for and the system available for it. i'd think long and hard about your usage and needs before making any further decision. try out what you have, never mind the reviews, they are worthless. what matters is your happiness with the results. that's the test you will put it to.
good luck.
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Oct 2, 2017 07:36:07   #
canyondweller wrote:
I bought my first SLR back in 1978. It was a Pentax K1000. Fully manual film camera. I still have it. I am finally ready to move into the digital world. There is so much information out there that it is overwhelming. I am trying to decide which is the better choice of camera for me. I am a hobby photographer. I take all kinds of pictures. I would like to know if one is easier to use than the other. I also want to look at cost of ownership. Are lenses more expensive for one brand than the other. Is there regular maintenance required.
Any feedback would be greatly appreciated.
I bought my first SLR back in 1978. It was a Penta... (show quote)


i would recommend you look at the pentax K-1 since you have pentax lenses. the digital body and film body share the same mount. i've owned one and found it to be ergonomically excellent. the lenses pentax makes, both prime and zoom lenses are weather sealed and very, very well made with more metal than plastic. they are not any more expensive than nikon's glass. and i've been a nikon film user for 50 years or more.

my advice would be to go to a camera store and try everything from every manufacturer and see which system fits your projected needs. you may find a system that it perfect for you and it may be something other than canon, nikon, pentax. there is no superior system. all 3 are excellent along with a number of others. but you really need to try them yourself before making a decision. everyone has their favorites. mine happens to be the leica monochrom!

good luck with your search.
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Oct 2, 2017 07:27:37   #
how about the chrysler imperials? remember the tail lights on those?
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Oct 2, 2017 07:25:56   #
dickwilber wrote:
Long, long ago (40-50 years), 35 mm cameras were the "big dogs" in photography. Everyone had to have one. And "top dog" in 35 mm cameras were the Single Lens Reflex (SLR) cameras, allowing "through the lens" (TTL) viewing, composing and focusing. And, at that time, lens design was slow, tedious, and problematical; but just about to get much easier and much better as lens designers began to utilize computers. The depth of the camera body had been established by the reflex mirror that is required to snap up out of the way to allow the light through to the film plane. This lent itself to a 50 mm lens focal length. Any shorter focal length required a "retro design" in order to allow that mirror the needed clearance distance - a more complicated and expensive design. Anything longer required more materials and a larger opening (to avoid a smaller, "slower" aperture) - more expense.

Thus 50 mm became the default "kit lens" focal length. Simple economics. Coincidentally, 50 mm is only slightly longer (50 mm versus 43 mm) than the diagonal of a 35 mm film frame, generally considered the approximation of the view of the human eye. So, much myth has grown up defending what was a simple economic decision.

Like many here, my first SLR lens was a 50 mm (Olympus OM series). Yes, it soon felt natural to view every thing in terms of that 50 mm lens. But as time went on, I developed a stable of lenses: 24 mm, 50 mm, 105 mm, and 200 mm. My “vision” evolved so that the 105 mm lens (a Kiron 105 mm Macro lens) became my walk around lens - it fit the way I saw the photographic world. I had friends who preferred the 50 mm, the 24 mm or 35 mm lens as their normal lens on their 35 mm film cameras. As I aged and my ability to focus quickly fell behind my photographic vision, a quarter century ago, I switched from Olympus to Nikon for their autofocus system. Nikon also had some excellent zoom lenses at that time, and I pretty much abandoned single focal length lenses for the flexibility of zooms! Today, for my particular version of photography, the "nifty-fifty" has limited utilitarian value; I will stick with my zooms and maybe a wide aperture 85 mm for it's bokeh, and a 105 mm macro lens.
Long, long ago (40-50 years), 35 mm cameras were t... (show quote)


the "big dog" was the leica m3 with the 50mm f2 summicron. nikon owners couldn't wait to save up enough to get one!
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Oct 2, 2017 07:19:44   #
JohnSwanda wrote:
And there are no limitations to what you can do in a darkroom? I can do much more on the computer than I could in the darkroom.


there are none in the darkroom. you should try it and see how plastic the process is.
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Oct 2, 2017 07:18:11   #
Ricker wrote:
And then there's Zeiss and Leica.....Two of the finest.
Best regards, Ricker


leica began using Minolta glass from 1972 onwards for their telephoto and zoom lenses for their slr camera bodies. e leitz retained their own manufacturing processes for their rangefinder series.

the final leica/minolta work resulted in the leica cl body and the 40mm summicron/rokkor lens. the 90mm f4 was made by leitz for the cl and the minolta cl body. the 28mm rokkor that appears with the minolta cle (a stunning rangefinder camera) had element stability problems with element separation in the first group. used to be called schneideritis, in reference to schneider's glass.
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Oct 1, 2017 14:36:32   #
Architect1776 wrote:
No problem, happens a lot. Glad for the confirmation as the Nikon fanboys here hate me and dismiss everything I write.


i apologise on my incorrect info re: nikon glass. the minolta/imari is not fake news. while neither currently exists, the lenses (rokkors) do and are some of the best prime lenses in existance. i own and use nikons, so you would have thought i'd have got that one right, but didn't. as is said my apologies for that. i also continue to use minolta for fine art work along with contax 645 and 5x7 formats. used my nikons most of the time in conflict areas and other places i was not supposed to be in. used to hang a couple of those and a couple of leicas around my now ancient neck. all great cameras.
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Oct 1, 2017 14:02:07   #
wrangler5 wrote:
All of the lenses I bought for my autofocus film Nikons, beginning in the late 1980s I believe, have been fully functional on my digital Nikons since I switched in 2002, from the D100 through my current D7000 and D600. And if I'd kept my older manual focus lenses, THEY would work too (I had the 1970 vintage 50mm/1.4 AI'd so it would work on the F3 - I know it would mount, and believe it would work, on my D600, if I still had it.)

I don't think ANY Canon lens from before about 1987 works on a current Canon body. So I don't see a Canon "advantage" there.
All of the lenses I bought for my autofocus film N... (show quote)


very true. with certain limitations, any nikkor/nikon lens from 1959 will mount and be useable on any nikon dslr body. when canon went to af, their location of the af metering and focusing precluded using the current fd lens mount on their film camera bodies. hence, no canon manual focusing lenses will mount on their af bodies. this was the 2nd time canon did this to their owners. the first was the abandonment of the original slr mount to the fd mount. lots of happy canon owners over the years.
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Oct 1, 2017 13:57:34   #
Architect1776 wrote:
I thought Nikon has always made their own glass.


nope - they make their own lenses. big difference.
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