dnash wrote:
Hi......I'm new and my name is Danny and this is my first post. I have a Canon 7D Mark ll. I read a review on the 24-105 by a very well known photography guru who said it was senseless to use this lens on a cropped censor. I have a 50mm, 10-18mm and 100-400 and I would like to get a zoom for general purpose use. I would appreciate any advice you might offer. Thank you.
Hi Danny,
While there's nothing at all wrong with a 24-105L on a 7DII, it still wouldn't be
my first choice for other reasons. Mainly because there are other lenses that can do just as good job for less money... and still other lenses that have various features making them a better choice
for me. But, a blanket statement that it's "senseless to use a 24-105 on a crop sensor" just tells me that "guru" ain't nearly as smart as he (or she) thinks he (or she) is. That's just utter B.S. For some people that lens may be a good choice and make a lot of sense!
Assuming you are looking for a "walk-around" zoom... On 7DII an EF-S 18-135mm STM or USM IS might make more sense for various reasons: It's smaller, lighter, will usually cost less and offers a wider range of focal lengths in a single lens. The STM version might be okay if you don't shoot a lot of sports/action. The newer USM version would be even better, but is still bringing a premium price. Either of these is quiet and smooth enough focusing for video work.... the USM version uses Canon's new "Nano USM" focus drive that's quieter and smoother than earlier USM-drive lenses. The 18-135mm USM is 2X to 4X faster focusing than the STM version of the lens. (Note: Similar is true with the older and newer versions of the 24-105L. The original 24-105L has standard USM that's fast and fine for action, but not ideal for video work. The new Mark II version 24-105L uses a new "Nano USM" that's said to be both fast enough for action and fully usable for video.)
If you want lower cost, in my opinion the venerable EF 28-135 IS USM is often one of the best bargains simply there are so many of them around. It's typically about 1/2, 1/3 the cost of 24-105. Even so, it can pretty much match the original 24-105L in most respects: image quality, focus speed, close focusing ability, image stabilization, durability and functionality. The only slight differences are the ranges of focal lengths, variable versus non-variable aperture, the L-series feels/seems a little better built, and might have a little bit better sealing for dust/weather resistance. The 28-135 and original 24-105L are both plenty fast focusing for sports, but not ideal for video.
If you need a faster lens, the EF-S 17-55/2.8 IS USM would be a good choice. Great image quality, top performance in all respects, and very good mid-grade build (probably equal to the 24-105L) although it's not L-series quality build or sealing. Not cheap, but not as expensive as, say, a 24-70/2.8. If you have one or two larger aperture primes in your kit (such as your 50/1.8), you may not need an f2.8 zoom.
Another excellent walk-around zoom for APS-C is the EF-S 15-85mm IS USM. It's a top performer in all respects with good, solid mid-grade build and sealing. It's unusually wide for a lens of this type, might make a separate ultrawide unnecessary for some people. It ain't cheap, though. And you already have a separate ultrawide.
Someone who plans to upgrade eventually to full frame or uses full frame alongside APS-C might prefer 24-105, 28-135 or one of the 24-70s... simply because those lenses can serve on both cameras (the various EF-S lenses are "crop only").
If I were shopping today, for me the best all-purpose, multi-format walk-around, would probably be the EF 24-70/4L IS USM... More modest range zooms generally have the best overall image quality, can be more reasonably sized and priced, the f4 version includes 4-stop IS, and I have several faster primes (28/1.8, 50/1.4, 85/1.8) that could complement it if and when needed. The original EF 24-70/2.8L that I use is a great lens, but rather large and heavy.... And the newer, current 24-70/2.8 Mark II version is even bigger/heavier.... Not to mention both these f2.8 lenses are more expensive.
So, you actually have lots of options and should be careful about some of the advice you read. I used 28-135 a lot as a walk-around zoom on APS-C cameras and find it a very convenient lens. Complemented with an ultrawide such as your EF-S 10-18mm or the EF-S 10-22mm and Tokina 12-24/4 that I use, the 28-135 (or 24-105 if you prefer... or 18-135) can make for a very versatile two lens kit, covering a wider range of focal lengths than most film shooters ever owned in their lifetimes.