Sugar'sDaddy wrote:
I've noticed a blue outline on some of my bird pics when set against a blue sky .... What causes this, and what, if anything, can be done to prevent it. ...
high contrast transition point.
What does it look like in raw?
Bret wrote:
Dang and I haven't even had a beer yet...LOL
That was actually kinda cool. Yogi used to say stuff like that.
I knew a guy who would say "obedient light"... meaning, of course, ambient.
:thumbup:
Linda From Maine wrote:
Chromatic Aberration :)
LOL. Yep that is it. But adoration sounds so much better.
oldtigger wrote:
high contrast transition point.
What does it look like in raw?
Sorry, I didn't shoot that one in RAW.
mcveed wrote:
http://photographylife.com/what-is-chromatic-aberration
Thanks for the link. I've looked at it briefly and have a basic idea now, but I'm going back now to go over it again. It appears to me it can be corrected in pp if you have lens data, which I don't have any for the SX50. I'll do some searching for that info. Thanks again.
:)
Gene51
Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
Sugar'sDaddy wrote:
I've noticed a blue outline on some of my bird pics when set against a blue sky (left side of woodpecker). Sometimes I get it, sometimes I don't. What causes this, and what, if anything, can be done to prevent it. Shot with SX50, f/7.1, 1/500sec., and ISO 160. As always, thank you for your help. Donnie
Chromatic aberration - blue, green or purple fringing at high contrast edges. Some lenses have it, some don't. If you use DXO, Lightroom/Adobe Camera Raw, they have built in lens profiles to correct for this. DXO's library of lens profiles is not as extensive as Adobe's, but they are of better quality. Best to shoot raw, and make the corrections before committing the image to raster format like Tiff, PSD or Jpg.
Sugar'sDaddy wrote:
Thanks for the link. I've looked at it briefly and have a basic idea now, but I'm going back now to go over it again. It appears to me it can be corrected in pp if you have lens data, which I don't have any for the SX50. I'll do some searching for that info. Thanks again.
:)
Sugar, let me give you the simple answer, rather than my usual smart a$$ answer! :lol:
The light rays can be separated into different colors rather easily and that shows up in our shots as color aberration.
The different colors of light, (wavelengths) travel at the same speed together. But as they go into the lens, the job of all those 13 elements is to focus the image(light) onto the sensor and to keep all the colors from separating. Since the elements have varying thicknesses for focusing purposes, the light takes longer to go through the different thicknesses of glass, because the glass creates drag on the wavelengths. So the ones that go through the glass elements slower or faster start to become separated and end up on your sensor as individual colors, or aberration. The job of all those elements is to keep them lined up OR to reassemble them into one color then onto the sensor.
That's why some lenses cost more than others. It's a fine balancing act between cost and IQ, of which aberration is one of the components of IQ.
Some types of glass are better at this than others, but that glass is very expensive, so you find more of it in very expensive lenses, and non at all in inexpensive lenses.
That's one of the reasons many pros will ONLY buy the best lenses, so they don't have to deal with those problems at all.
sugar, hope this was helpful. And if I'm way of base, hey, I went to public schools!! :lol: :lol:
SS
SharpShooter wrote:
Sugar, let me give you the simple answer, rather than my usual smart a$$ answer! :lol:
The light rays can be separated into different colors rather easily and that shows up in our shots as color aberration.
The different colors of light, (wavelengths) travel at the same speed together. But as they go into the lens, the job of all those 13 elements is to focus the image(light) onto the sensor and to keep all the colors from separating. Since the elements have varying thicknesses for focusing purposes, the light takes longer to go through the different thicknesses of glass, because the glass creates drag on the wavelengths. So the ones that go through the glass elements slower or faster start to become separated and end up on your sensor as individual colors, or aberration. The job of all those elements is to keep them lined up OR to reassemble them into one color then onto the sensor.
That's why some lenses cost more than others. It's a fine balancing act between cost and IQ, of which aberration is one of the components of IQ.
Some types of glass are better at this than others, but that glass is very expensive, so you find more of it in very expensive lenses, and non at all in inexpensive lenses.
That's one of the reasons many pros will ONLY buy the best lenses, so they don't have to deal with those problems at all.
sugar, hope this was helpful. And if I'm way of base, hey, I went to public schools!! :lol: :lol:
SS
Sugar, let me give you the simple answer, rather t... (
show quote)
Thank SS. All knowledge is helpful. All I need is to apply it. And yes, I went to public school too. I'm getting the feeling that I will have to live with this problem as long as I use the SX50, or I think, or feel, a GAS attack coming on, maybe a dslr+glass.
SharpShooter wrote:
Sugar, let me give you the simple answer, rather than my usual smart a$$ answer! :lol:
The light rays can be separated into different colors rather easily and that shows up in our shots as color aberration.
The different colors of light, (wavelengths) travel at the same speed together. But as they go into the lens, the job of all those 13 elements is to focus the image(light) onto the sensor and to keep all the colors from separating. Since the elements have varying thicknesses for focusing purposes, the light takes longer to go through the different thicknesses of glass, because the glass creates drag on the wavelengths. So the ones that go through the glass elements slower or faster start to become separated and end up on your sensor as individual colors, or aberration. The job of all those elements is to keep them lined up OR to reassemble them into one color then onto the sensor.
That's why some lenses cost more than others. It's a fine balancing act between cost and IQ, of which aberration is one of the components of IQ.
Some types of glass are better at this than others, but that glass is very expensive, so you find more of it in very expensive lenses, and non at all in inexpensive lenses.
That's one of the reasons many pros will ONLY buy the best lenses, so they don't have to deal with those problems at all.
sugar, hope this was helpful. And if I'm way of base, hey, I went to public schools!! :lol: :lol:
SS
Sugar, let me give you the simple answer, rather t... (
show quote)
Great explanation SS. Even I understood that and I didn't go to public school. Awesome! I learned something. Thanks.
Shakey
Loc: Traveling again to Norway and other places.
If you want to learn how to hide the effects of Chromatic Aberration follow this link:
http://www.uglyhedgehog.com/t-69708-2.html#topThe software used is GIMP but you can probably use the same technique with most software. In the tutorial I've used grey but a little thought and maybe you can use a color of your choice.
Sugar'sDaddy wrote:
No pp except for cropping.
Look at what Bret suggested but Linda spelled correctly. That's you answer. :thumbup: :D
Bret wrote:
Dang and I haven't even had a beer yet...LOL
Maybe that is the problem, Bret. Maybe your body is telling you to have one. I had Chromatic Adoration once but it dumped me. That is the way my life usually goes.
Dennis
Gene51
Loc: Yonkers, NY, now in LSD (LowerSlowerDelaware)
SharpShooter wrote:
Sugar, let me give you the simple answer, rather than my usual smart a$$ answer! :lol:
The light rays can be separated into different colors rather easily and that shows up in our shots as color aberration.
The different colors of light, (wavelengths) travel at the same speed together. But as they go into the lens, the job of all those 13 elements is to focus the image(light) onto the sensor and to keep all the colors from separating. Since the elements have varying thicknesses for focusing purposes, the light takes longer to go through the different thicknesses of glass, because the glass creates drag on the wavelengths. So the ones that go through the glass elements slower or faster start to become separated and end up on your sensor as individual colors, or aberration. The job of all those elements is to keep them lined up OR to reassemble them into one color then onto the sensor.
That's why some lenses cost more than others. It's a fine balancing act between cost and IQ, of which aberration is one of the components of IQ.
Some types of glass are better at this than others, but that glass is very expensive, so you find more of it in very expensive lenses, and non at all in inexpensive lenses.
That's one of the reasons many pros will ONLY buy the best lenses, so they don't have to deal with those problems at all.
sugar, hope this was helpful. And if I'm way of base, hey, I went to public schools!! :lol: :lol:
SS
Sugar, let me give you the simple answer, rather t... (
show quote)
At first what you wrote made little sense, the speed of light is a constant - but after considering how it behaves in different materials, especially those that diffuse light, even though the speed is a constant, it can take longer for light to get through a diffuse material, because photons get scattered all over the place, so they are bouncing off of other atomic particles before they eventually reach their destination. I learned something today - thanks!
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