lightchime wrote:
It seems like I am the only one who agrees with you. I don't see how sunny 16 would work when nearly the entire image is different than the white bird. I could see adjusting the sunny 16 with a mental adjustment. But if you need to do this, you probably would not have a working meter due to a dead battery - and you couldn't get the image anyway.
I guess that there is a time and place for just about everything- the rule was valid at one time - but has limited use in the digital age.
I'm at a loss to understand why less knowledge is considered a virtue, and why you would think that something like the f16 rule has somehow become obsolete in the "Digital Age".
I was taught it back in 1977 when I first started photographing, and have used it, along with the meters in those of my cameras that have them, and my hand-held incident meter up to the present day.
I should explain that I don't use Digital Cameras but rather manual focus Film cameras including meterless Nikon rangefinders from the late 1950s, and a meterless Nikon F from the early 1960's. I do have meters in my F2, FG, FM-2 and FA bodies and depending on the light use them, but much of the time I'll determine exposure using the f16 rule, unless the lighting is unusual.
As for using it in the Digital Age, I find it is a good check to ensure that camera settings are what one thinks they are.
Not too long ago I was about to take a photo using my FA in aperture-priority mode in bright, sunny conditions with an ISO of 100 and an aperture of 5.6 (which should have resulted in the meter selecting a shutter speed of 1/1000th (+/-). However, the camera indicated the shutter speed to be much slower, which I immediately knew was incorrect, and after checking my settings discovered that the camera strap had rubbed against the ISO ring and had changed it to a lower value. I made the correction and got the shot and the slide came back properly exposed.
If nothing else, this would be of value even to those shooting with the Latest and the Greatest Space-aged Digital bodies, as a check that settings were what the photographer thought they were.
Besides, with all the complicated inards to today's cameras whose to say that one couldn't find themself in a situation where the meter didn't work but the other functions did.
Knowing something about calculating exposure just might save the day.
More rather than less knowledge to me is never a bad thing.