Thanks, I'll try this one too.
madpaddler wrote:
SanDisk has a product called "RescuePRO deluxe" that might work. I have not used it so I can't help beyound this.
Good Luck!
Bill
Thanks, I'll give it a try.
Yes, me too. I'm trying Disk Drill now. Fingers crossed.
Well, it finally happened, I inadvertently reformatted an SD card before backing it up, and now I'm struggling to find a way to recover the deleted video files.
It's my understanding that as long as I don't use the card, it should be recoverable. Hopefully that's true.
I'm searching for reliable recovery software, so if anyone has a recommendation, it would be greatly appreciated. Thanks.
CHG_CANON wrote:
I would review the review sites and find people speaking to the 200-600 lens performance at specific apertures and specific focal lengths. Is wide-open at any focal length the best option for this lens?
When I download the uncropped 200-600 attachment and open that in the Sony Imaging Edge viewer, even the converted JPEG looks better than the posted attachment. That would indicate there's opportunities for more sharpening and contrast in your editing approach in LR.
So, you may need to practice and consider 'how' best to use the 200-600, both in your exposure technique and your post processing. Comparing it 1 to 1 to a higher quality lens such as the 70-200 may show some of the limitations of the longer and cheaper zoom. But again, I think your usage and editing approach can narrow the gap.
I would review the review sites and find people sp... (
show quote)
OK, thanks. I think I will confirm with Precision Camera, the local authorized Sony service center, that my copy meets all of all specifications, then, I'll also work on my post processing. Again, the images I posted had no corrections whatsoever. Thanks for your help.
CHG_CANON wrote:
No one can look at a thumbnail and make any relevant assessment. Best would be an unprocessed RAW, one converted by Sony's software to JPEG, but we can live with an LR conversion, if that's the best you can provide. But, you must store the attachment.
Ok, here are new raw samples, so the EXIF info should be intact. You'll notice that the last photo was taken with a 70-200mm, f2.8II, and it seems to be sharper. I used an A7RIV body.
I'm curious to know whether I'm simply expecting $15k performance from a $2k lens. Thanks.
joer wrote:
Looks OK to me.
Sorry, I forgot to include the body info, I tested both on an A7RIII and an A7RIV
CHG_CANON wrote:
No one can look at a thumbnail and make any relevant assessment. Best would be an unprocessed RAW, one converted by Sony's software to JPEG, but we can live with an LR conversion, if that's the best you can provide. But, you must store the attachment.
OK, thanks, I will share a better image later today, thanks.
SonyA580 wrote:
My first experience with a 600mm was similar to yours. Things like heat shimmer and haze affect a long lens much more than a shorter lens. Please provide more info i.e., aperture, exposure, ISO etc. The easiest way is to put a check in the "[]Store Original" box when uploading the photo so we can see this data in the EXIF info.
OK, I will send the EXIF info when I get back to my studio. Thanks
I'm primarily a real estate and headshot photographer, so I don't have much experience with long lenses, but I recently purchased a new Sony 200-600mm f5.6-f6.3, and it doesn't seem to be sharp at any focal length. Also, when compared with my Sony 70-200mm f2.8II, the colors seemed to be washed out.
I'm using a sturdy tripod with fast shutter speeds and a 5 sec timer to reduce the possibility of camera shake, and the images are just not sharp in my opinion.
I've attached an example which was taken raw this weekend, and was auto corrected in LR. Am I expecting too much from this lens, or is it possible I just caught a bad one?
If anyone else has experience with this lens, please share. Thanks.
PAR4DCR wrote:
Impressive image Pat. A composite???
Don
Hi Don, thanks, and yes, it is a composite. The first shot was a 20 sec exposure to smooth out the water, the second was at a higher shutter speed and iso to capture the boat without motion blur, and the third at an even higher shutter speed and lower iso to properly expose the moon. Also, full disclosure, I also manipulated the moon size.