Custom white balance can help.

Fill flash can help.

Post processing with masking can help.

I know some folks who think using a Daylight WB all the time is smart, but I like my flesh tones accurate, even at the expense of ruining the scene balance. AWB is my least favorite white balance mode, because it is so variable.

Most of the time, on location, I'm using raw capture. Some will tell you that pre-setting a manual/custom white balance or any white balance is irrelevant when saving raw files, but I like a point of reference. I may dial in what I like in post, but having an accurate reference (target in the scene, or custom WB set at camera) is usually the fastest way to get to good.

"...How does it look?" Epic vanishing point perspective...
Albeit maybe get closer.... Effective use of 24mm at f/2.8 typically requires getting up close and personal in order to have the talent dominate the frame... If you don't tilt the lens up or down and have it at approximately chest level distortion will be minimal and actually compliment this "Lifestyle" narrative...

Shooting wide glass is never easy... mastery comes with practice...

"...What do you typically do in situations like this?" I shoot a Gray (or White) card, shoot RAW and do final color balance in post. btw, her teeth have a yellow cast (not good) select them and add a Hue/Saturation Layer to kill the yellow color cast and tweak the brightness ever so slightly...

Bottom Line? Fabulous Narrative... superb acuity... Just get up close and personal with the talent... More than you feel comfortable with... Trust me here... been there... it feels like you're in their personal space until you look at the capture... that will reaffirm my inference on shooting 24mm on FF... Do this with authority so your model has absolute confidence in your workflow...

If your had increased this models size in the frame to take up 3/4's the vertical space this would have been a dynamite shot... You certainly got the framing of the venue right... Next time Get Closer!

"If your pictures aren't good enough, you aren't close enough”
The quintessential maxim of the great photojournalist Robert Capa
Enough said.

Thank you for sharing your epic visual statement scuff

I see these questions quite often. As you pointed out, there are the usual locations. The usual locations usually render the same scenes everyone else has shot. Your best bet is to look around and find those hidden treasures on your own. Additionally, taking a photograph that presents in a unique manner those time-worn obvious locations can produce that stunning photograph.

For example, a friend of mine has been invited to numerous rocket launches at Cape Kennedy. Year after year everyone there produced the same rocket lift-off photographs. One year, they photographed a wired picket fence that had sustained the winds produced by numerous launches. The fence was partially blown over and sand crept up to and on its pickets. That photograph won an award. Yes, they were looking for something unique.
--Bob