Posts for: tessigirl
Dec 5, 2015 09:13:18 #
DragonsLady wrote:
I find the bright lights to be distracting from the snowman. Their reflection also pull the eyes away. It might be the b&w that does it. What color are the lights "for real"? Maybe if you chose a darker color (like all green or all blue) the harshness would diminish. Just my opinion.
I understand what you mean with the light. the lights are clear. This is a picture that a new mom picked out that she wants of her 4 month old for Christmas cards. I will try out the color lights and see what happen with it. Thanks so much for your feedback
Dec 4, 2015 20:33:16 #
Hi everyone - Its been some time since I have been on but would like some critique on these two shots. I will be using the same scenario this weekend but replace snowman with baby. Am I on the right track to a good picture?
Dec 4, 2015 20:13:48 #
jerryc41 wrote:
Black velvet dropWhat is immediately behind your subject?
Dec 4, 2015 20:13:01 #
sinatraman wrote:
Love the humor. Camera was resting on floor.because you were speeding and a state trooper is behind you? sorry my smart alex gene sometimes must be obeyed. I honestly do not see the redlights. if you are taking shots low to the ground a small tabletop tripod may work
Dec 4, 2015 20:11:40 #
So removed the lens protector and problem is solved. Thank you everyone. As usual you are all very very helpful
Dec 3, 2015 20:57:13 #
tsilva wrote:
Get rid of the uv filter
Got it!!!
Dec 3, 2015 20:55:02 #
nikonbrain wrote:
They look like lens flare you said 1.4 apeture try f8 and drag your shutter to accommodate. Assuming you're on a tripod.
No tripod but resting on floor as my tripod will not accommodate for this low of a position. I will try the F8 and adjust shutter. Its good to know the many different ways to fix.
Dec 3, 2015 20:50:32 #
Rongnongno wrote:
It would have helped if the EXIF had not been stri... (show quote)
Excuse my ignorance here but what do you mean by "It would have helped if the EXIF had not been stripped from the original" as I believe what I submitted was the SOOC shot.
Dec 3, 2015 20:47:49 #
tessigirl wrote:
Hi everyone, Its been some time since I have been on but I am back at it. I have been practicing with some different light techniques and can't figure out why I consistently getting those little red lights in the back ground. I am using a black velvet backdrop. I think that I am in the right place for this question but please let me know if I need to redirect elsewhere. f/1.4 1/160s ISO 200 50MM
I do have a UV protector on the lens.
Dec 3, 2015 20:10:16 #
Hi everyone, Its been some time since I have been on but I am back at it. I have been practicing with some different light techniques and can't figure out why I consistently getting those little red lights in the back ground. I am using a black velvet backdrop. I think that I am in the right place for this question but please let me know if I need to redirect elsewhere. f/1.4 1/160s ISO 200 50MM
Feb 19, 2015 19:32:11 #
Thank you all for such great advice. A lot of things came up that I have never heard before as well as things I didn't even think of to better prepare myself. I am excited for my big night and hope to be able to share with you after the event.
Feb 11, 2015 19:53:03 #
[quote=OriginalCyn]Two years ago I asked the question "Does anyone have any first hand knowledge of NYIP? I am considering their course work, and have done a lot of reading, but haven't talked to anyone I know at has enrolled in any of their programs."
I received varying feedback, which helped to shape my expectations towards the course work.
I recently completed the course, and I'm back to say that I learned a great deal. At the very least, it helped me to A) not only learn some of the basics, which I had felt that I seemingly skipped over when the photog bug hit, but also B) sent me into a network of resources that I might not have had exposure to otherwise. At least not directly at my fingertips. Those resources, in turn, gave me the confidence to try some things I would never have considered, such as attending a workshop with Sandy Puc, whose organization "Now I Lay Me Down to Sleep" has planted a seed deeply inside me, and is germinating.
Most importantly, I've learned to harness my goals into something that I can focus on and become good at.
Does the course have the same clout that attending a University that offers a Bachelor of Arts in Photography Degree? Certainly not. But for the person who wants to learn more about photography in a systematic, concrete, and less extensive way from home, I would recommend NYIP.
By the way, I'm not beholding to NYIP in any way shape or form. I was simply pleased with what I gained from the course work.
I just started the course this week and am very excited about my decision. Good to hear that you had a positive experience.
I received varying feedback, which helped to shape my expectations towards the course work.
I recently completed the course, and I'm back to say that I learned a great deal. At the very least, it helped me to A) not only learn some of the basics, which I had felt that I seemingly skipped over when the photog bug hit, but also B) sent me into a network of resources that I might not have had exposure to otherwise. At least not directly at my fingertips. Those resources, in turn, gave me the confidence to try some things I would never have considered, such as attending a workshop with Sandy Puc, whose organization "Now I Lay Me Down to Sleep" has planted a seed deeply inside me, and is germinating.
Most importantly, I've learned to harness my goals into something that I can focus on and become good at.
Does the course have the same clout that attending a University that offers a Bachelor of Arts in Photography Degree? Certainly not. But for the person who wants to learn more about photography in a systematic, concrete, and less extensive way from home, I would recommend NYIP.
By the way, I'm not beholding to NYIP in any way shape or form. I was simply pleased with what I gained from the course work.
I just started the course this week and am very excited about my decision. Good to hear that you had a positive experience.
Feb 11, 2015 18:09:07 #
[quote=rpavich]agreed.
50mm is not very long and you'd have to be pretty close to get a head shoulders shot to fill the frame.
Don't make the mistake of having them be like ants in the frame.
Will the winners walk up to a podium?
Will they all be at the same spot when they receive the award?
The answers to these questions dictate your choices in gear and approach.
I am not sure how the set up will be I will be finding that out in the next few days. I do believe that they will each be awarded their award individually.
50mm is not very long and you'd have to be pretty close to get a head shoulders shot to fill the frame.
Don't make the mistake of having them be like ants in the frame.
Will the winners walk up to a podium?
Will they all be at the same spot when they receive the award?
The answers to these questions dictate your choices in gear and approach.
I am not sure how the set up will be I will be finding that out in the next few days. I do believe that they will each be awarded their award individually.
Feb 11, 2015 18:05:57 #
[quote=OddJobber]If you shoot burst mode you'll have to use the flash on manual and power it down so it can keep up with the burst rate. You can work that out with a few test shots.
I also agree that a 50mm is probably going to be short.
Yes I agree after reading a bit that the 50mm may not be a good choice. I will go with my 70-200 or even my 24-105.
I also agree that a 50mm is probably going to be short.
Yes I agree after reading a bit that the 50mm may not be a good choice. I will go with my 70-200 or even my 24-105.
Feb 11, 2015 18:03:25 #
I figured the burst would be good to catch those that try to get away to quick. That is a real good idea about the 50mm. I didn't give that much thought as they most likely will not be in the same range. Thank you for a the advice. I really appreciate it and it helps so much.