With all due respect, you are asking the wrong question. Every accomplished photographer learns that it is the picture that is important. Pictures occur everywhere you need to be able to Get the picture. That means knowing how to add light when necessary. It is totally fine to have a preference for natural light , or studio light but you will invariably find some situations where you are out of your comfort zone.
Raising ISO is not a substitute for good lighting. It can certainly help and we all use it sometimes. But most times a lower iso and a reflector will give better results
If you love studio lighting and find yourself out of the studio? Add a little flash, turn the subject if you can , or change your position.

People with strong opinions about doing it only one way, are often uncomfortable in their ability to modify light to get the picture.
Personally I do lots of natural light photography, but i always carry a reflector and a small flash and 5 or 10% of the time they make the picture.
I started as a studio photographer. If the picture is good , the picture is good…. We don’t first ask what type of lighting is “better”.

Good photographers are problem solvers in search of good pictures.
There certainly are times when you can’t add light or use a reflector say bird or wildlife photography, but if you look at the work of people who are good at that work you will quickly see that they have Positioned themselves relative to the subject and light to give the best chance. That is very much a lighting skill.
This is a long answer to what seemed a simple question, it is offered in an effort to be responsive to the intent of your question.
Good Luck

I would love to know if there’s anyone who has experience in photographing their trips or excursions while riding a motorcycle in the States or abroad. Motorcycling is one of my favorite hobbies and I dabble in photography, but I am interested in going beyond action cameras and vlogging. Also, I have considered drone photography and footage, but I lack experience in that aspect of photography. All suggestions, ideas and tips are welcomed!

Some photograhers have a natural inborn talent for composition- that is the placement of subjects within the frame. Some folks have a natural inborn talent while others have to learn some basic element to develop a knack or talent. There are othere elements that have to do with composition such as the use of color, lighting, and tone, and the strategic use of leading lines.

There are "rules" and guidelines that are useful in teaching and learning the basic elements. There are the rule of thirds and the golden section but those are the tip of the iceberg. There are complex theses written with, intricate diagrams, grids, and diagrams on cameras' viewing screens. All of these resources are helpful but perhaps not practical in workg in the field. I have a book that not only has all those diagrams but breaks them into mathematical and geometric formulas. It is some interesting reading but not very useful when shooting wildlife. a sports event, a landscape in sub-freezing weather, or a riot. You can the the book with you but you can subconsciously apply some of the theory.

What you boil things down to the basic reason for the concept is to lead the viewers' eyes to the motif of your images.

Personally speaking, I do not confine my work to one format, aspect ratio, size, or shape unless it is for a commercial job with a particular layout. I find that some subjects work well in a square rectangular, panoramic, ir even round or oval final disposition and shoot accordingly. Some subjects do well in a tight composion and some benefit from negative space. I consider leading lines, foreground framing in traditional approaches, and oftentimes breaking a "rule" will make for a stronger image.

If you are satisfied with your result, composition-wise, a good experiment is to see if they conform to any of the classic rules. You might find out that you have a natural talent. If you are dissatisfied, study some of the classic concepts and see what improvement you can apply.

The great advantage of digital photoghay is that you do not have to go through tons of film and hours of darkroom work to experiment. You can not only bracket exposures but "bracket" compositions aswell- try various points of view, varying focal lengths, leaving more or less space around your subject, and consider various aspect ratios, and crops. Develop your individual style and approach.

I kid you not about that book. Here is one of the diagrams that illustrate the strongest point in a composiition- enough to drive one crazy.

There is no magical formula. Study some of the foundational material, apply it when you can, see if you like the results, break a few rules, and at the end of the day it waht looks good to YOU!