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Posts for: Ariel
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Aug 31, 2018 11:30:53   #
a waste time
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Feb 21, 2018 20:34:45   #
mrpentaxk5ii wrote:
Don't mind her, Ariel has been on UHH starting in 2012 and has posted 128 times and created 0, Zero, Zip, Ziltch...Nada number of topics. It's easy to talk down about other peoples work when you post nothing of your own.


mrpentaxk5ii seems to miss the point . ..the subject was not Ariel and an observation is not "talking down" a work
that is displayed, it is but an observation .The posting of personal work has no bearing when discussing other works .
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Feb 21, 2018 10:41:58   #
yes , which is worse........
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Feb 21, 2018 10:26:38   #
ImageCreator wrote:
There is no shortage of photo subjects in Glacier NP. Every image I captured was probably photographed a thousand times before me. So, I have made an attempt to take one of my images and see if I could make it look like the "painter of light", Thomas Kinkade. Here are two images, before & after. Comments welcome.


It is indeed a task to decide which is worse .
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Feb 21, 2018 07:20:46   #
ImageCreator wrote:
There is no shortage of photo subjects in Glacier NP. Every image I captured was probably photographed a thousand times before me. So, I have made an attempt to take one of my images and see if I could make it look like the "painter of light", Thomas Kinkade. Here are two images, before & after. Comments welcome.


Still laughing ....................
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Feb 19, 2018 10:40:30   #
Tom Daniels wrote:
"Brainless snapping" aways is a per choice of response to trying your camera out and seeing
what it is doing. Quite frankly I have never read a manufacturers manual that was that useful.

My granddaughter was very young and she grabbed a point-and-shoot and starting shooting
around our house. She was shooting graphics closeups of some of art and asian furniture.
I went through them and thought their was thought process in some of the images and
they were pleasing to look at.

I think that some knowledge of the technical aspect of cameras and controls is good of course.
I will tell you how I approach projects. I was in marketing for years so I had a rudimentary understanding
of video/stills production. Now I shoot and edit. My first edit I loaded the video into Final Cut Pro.
Starting building a time line and used my creative instincts to make a different approach to a triathlon
event. As I went along I had one of those very visual concise books and looked up what I didn't know
how to do technically. I now have 50 videos online and have been hired again to shoot these sporting
events. Yes my experience with Mac and Photoshop etc was a help.

The best learning is youtube. Their are outstanding photographers and videographers who take the time
explain the important parts of the process on your camera and the real things that work and don't.

Did you ever see someone learn how to ride a bike with a book???
"Brainless snapping" aways is a per choi... (show quote)

If you mean seeing some one holding a book while trying to ride a bike ....no
What's your point besides confusing apples with oranges
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Feb 18, 2018 10:33:21   #
Photocraig wrote:
Sharpie,

Nice way to show off the NEW bridge! The use of lines and form are great.
I suggest as part of this story telling series would be the juxtaposition of the other side. A load of geometry, lines and shapes. But a very heavy composition versus the very light and airy NEW bridge.

Using line as a compositional element lends itself toward geometric "graphic" forms. That same set of lines composed at a shallow angle then becomes texture.

Great thread. All of my good compositions, including the neighboring 4th St bridge are still on film and Prints.

But, I'm in the Bay next week and I'll try to harmonize on this theme.

Absolutely agree with the need for this discussion. It gives me juice--or as DeWitt Jones says: "You got juice in your camera?"

:thumbup: :thumbup: :thumbup:
Sharpie, br br Nice way to show off the NEW bridg... (show quote)

unfortunately the photographs show little imagination
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Feb 18, 2018 10:25:32   #
Tom Daniels wrote:
This is a great wrap up of learning how photography works.Great post.
A young lady that was singled out for her imagery was interviewed about meeting some photo students.This was in a trade publication. And was asked about how to work.
She repled JUST SHOOT.

Shoot in automatic 100s of frames see what you and the camera do.
Then put the camera in manual and work on your settings and what you are shooting.
We now have cameras that preview what the shot will look like in the evf and LED.
Experiment if it is action be shutter wise. Look at depth of field and refocus the options.
What kind of color and exposure do you like? Proper exposure is the look you want
Not where the needle is.
This is a great wrap up of learning how photograph... (show quote)

Brainless snapping away is not the answer . Of course by the law of averages you
will accidentally just by snapping away get an image or two that will be of interest .
The camera does nothing .
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Feb 16, 2018 13:11:25   #
camerapapi wrote:
"I like it. (I'm not too sure if I would have waited until the car was out of view or not.)"

I agree. Perhaps like it is now the best action to take would be to clone the car. I did improve the image with some adjustments to my taste, others could differ since like Jerry has said composition is very subjective.
See if you like it like this. The original is pretty good.


Both are poor examples of composition ..the scene itself is demanding serious cropping ,one must learn to
follow where the thought is taking you otherwise it is just another snap shot .
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Feb 11, 2018 18:00:05   #
aellman wrote:
Couldn't agree more. Some on my favorite photos of the last year were shot with my iPhone SE. >Alan


Quite an interesting photo any more ? ... glad to note it wasn't another bird or sunset...
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Feb 9, 2018 22:09:47   #
imagemeister wrote:
Salgado.....


My suggestion would be Eugene Smith
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Feb 9, 2018 11:59:51   #
via the lens wrote:
I guess why anything? Those of us who photograph must be compelled to do so: I know that I am. I love to click that shutter for some reason. Perhaps we need therapy? O', that's right, my therapy is photography!!


I do believe it is a valid question ...outside of survival and putting bread on the table & making $$$$ ...why photography,
why ballet ? why literature ? why music , yes why anything ?
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Feb 9, 2018 11:27:37   #
via the lens wrote:
So, again, the question was what 3 things would you tell a newbie to photography, someone who really wanted to improve and create wonderful work in order to help them? The question is not about what YOU DO, but about what you would tell someone else in order to help them growth in their creative photography journey?


Perhaps the elephant in the room question would be to ask first, why photography ?
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Feb 9, 2018 10:50:58   #
Tom Daniels wrote:
I think I didn't see any posts in this forum that taked about the magic of today's digital cameras. A quality camera
will show you what you are going to get in the preview on the electronic viewfinder and the LCD. I have found that
images or video I shoot is really close to what I saw in the previews. You can play with the settings to get a look
you want. Their is no right exposure. Their is a look you want and the controls of todays cameras are great.
I worked with a good friend who was a DP on video jobs we did. Dan would look at the confidence monitor
we had all that gear and tune the look visually to match the shots etc. Another interesting way to setup is
to use intelligent auto (sony's settings) and see what the camera shows on LCD then tweak if you want a
different approach. Trey Ratcliff admitted that his camera did a good job in auto. Pro's don't admit they use
auto quite often. I shoot a lot of run & gun video (sporting events) now. In a triathlon things are happening
fast I use a 10 bit XDCam pro small format and have to use auto and AF most of the time. When I need
and adjustment WB exposure etc. I just adjust the setting. Their is not right exposure. It is the one you like.
Good luck.
I think I didn't see any posts in this forum that ... (show quote)

There is no magic camera . It is, no matter how many sophisticated settings, a box that records a moment in time.
If you have nothing to convey, all the electronic settings are useless,all you have is an expensive box.
It is not the camera but the person in back of the camera that makes the difference.
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Feb 8, 2018 22:41:38   #
pappleg wrote:
At what point did we lose total control of this thread!


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