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Mar 28, 2013 19:29:45   #
Keepsake wrote:
I like what you did. Her name is Jen also.


Great!! Glad you liked it! I mostly used the OnOne Effects Pro plug-in software and then brought it into CS6 for a few touch-ups. I really love the OnOne Suite of and I think they have a version that will work with PSE10, it makes post processing much easier and less stressful!
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Mar 28, 2013 00:19:21   #
Keepsake wrote:
I got such good comments and help on my first pic. In this one there is red in her hair that I cannot not remove. Tell me and show me what I should do to fix it. I will post the original and the one I worked on. Thanks in advance.

I am using PSE 10.


Here is my attempt.

Jens Fix

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Dec 21, 2012 18:56:14   #
Last Saturday I traded in all of my first DSLR gear (Canon) and traded up for the Nikon D7000 with the 18-200mm lens, SB700 flash, Cheetah Q24 Softbox with stand and a 5-1 Reflector. Rather foolishly, my first real photo shoot of people was the next day, having never worked with reflectors or off camera lighting. Fortunately, it was for my cousin's family Christmas card, so that helped with the nerves and somehow, I happened to pull off the group photo and they are thrilled. I took some shots of my cousin's adopted daughter hoping for a possible photo for my portfolio. At about 16, she has perfect skin, so I was really blessed. This photo was taken in manual mode - ISO 250 - f/5.3 - 1/125th shutter speed - Cloudy WB - 90mm focal length and I used Nikon's CLS in i-TTL for the flash exposure (flash was in the 24" softbox and I used the gold/silver reflector for fill). This was taken outside, so her hair is a little windblown. Amazingly, I have not done any skin softening type post processing other than a few very small specs using the Spot Healing tool. I did balance her eyeliner (her left eye had a bit more than the right), reduce the yellows in her teeth a bit and reduce the yellows in the background so she stood out more. That's it for the most part, other than a few minor tweaks (slight crop, stray hairs, etc.).

I would appreciate any thoughts or suggestions, since this may be used in my portfolio!

Jen

First Portrait

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Dec 17, 2012 13:32:46   #
MtnMan wrote:
Jen226 wrote:


Thanks for any tips/thoughts or suggestions!!

Jen


I think the lighting is beautiful and the picture is tack sharp.

I'd crop off some of the right to line up the nose with the 1/3s line.


Thank you very much!! I agree with the crop suggestion 100%. Other than a few stray hairs and spots, the dirt on her toenails and the crop, I think that's about all the post work it needs! Believe it or not, that's about the only photo I've taken that really catches the richness of her fur, so I'm very happy with it!

Jen
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Dec 17, 2012 13:23:22   #
Flipper2012 wrote:
Very good job. Lighting looks great I am sure the family your taking the portraits of will be very happy with the results. By the way you have the same outfit as me. I really enjoy it.


Thank you!! So far, I am completely thrilled with the D7000, etc., just an amazing camera!! I posted one pic just straight from the camera from the portrait shoot in this thread and I'm really pleased with it! Fortunately, the family I photographed was my cousin and her family, so that made me so much more comfortable and we are all thrilled with the results. I'll post another update thread with the results when I finish the post processing.

Thanks again!

Jen
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Dec 17, 2012 10:08:47   #
Evansgr wrote:
Nice work Jen, I think you have a good grasp on off camera lighting.


Thank you for the compliment, but I feel I have a long way to go... so much to learn with off camera lighting. Very excited to learn more!

Jen
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Dec 17, 2012 10:05:40   #
sarge69 wrote:
Very easy to look at. Thanks for sharing.

Sarge69


Thank you!
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Dec 17, 2012 10:04:07   #
MagicFad wrote:
Jen226 wrote:
Well, all I have to practice on is one of my dogs that doesn't mind a softbox in her face. Anyway, I have a Christmas family portrait in a few hours and I just got my new camera yesterday (switched from Canon to Nikon) and I have never used softboxes, reflectors or off-camera lighting. This photo is straight from the camera, no post work. My camera is a Nikon D7000 with the 18-200mm lens. I'm using an SB700 flash with Nikon's CLS system in a Cheetah Q24 softbox and a gold/silver reflector (held up with my feet, Lol!). Camera settings: Manual mode - ISO 250 - f/4.8 - 1/125 shutter speed - Shade WB - 50mm focal length - i-TTL in auto flash exposure mode. (I'm drawn to warm tones, so that's why Shade WB). Any thoughts would be greatly appreciated since I have a family of 3 to coming in a few hours! I do realize the catch lights are not balanced, but it is nearly impossible to keep a dog's eyes from looking around with a 24" softbox less than a foot from her head and me sitting on the ground balancing a reflector with my feet.

Thanks for any tips/thoughts or suggestions!!

Jen
Well, all I have to practice on is one of my dogs ... (show quote)


Very nice composition and I like the lighting too!
quote=Jen226 Well, all I have to practice on is o... (show quote)


Thank you!!! Off camera lighting is like a whole new world!

Jen
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Dec 17, 2012 10:02:58   #
Jolly Roger wrote:
I don't see anything wrong with this shot. Well done.


Thank you for the compliment!

Jen
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Dec 17, 2012 10:02:09   #
cindij wrote:
Fabulous photo. Looks like a painting. Thanks for all the information. I have been wanted to try off camera flash and this picture has given me the incentive to try it. What size reflector did you use?


Thank you so much!! It's a 36" 5/1 reflector, and that particular one has the gold/silver mix, which is what gave that almost painting quality you mentioned. I found it to be a challenge using the reflector without assistance, so I highly recommend a reflector/stand combo if you may not have anyone to help. That will definitely be my next purchase!

Jen
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Dec 17, 2012 09:57:40   #
jscotthinkle wrote:
If this is your first portrait shot, you are going to be awesome!!!


Thank you very much for such a nice compliment!!

Jen
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Dec 17, 2012 09:56:23   #
joe west wrote:
nice shot, but what kinda dog


Thank you!! She's a Rhodesian Ridgeback.
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Dec 17, 2012 08:30:05   #
CaptainC wrote:
Jen226 wrote:
CaptainC wrote:
Jen226 wrote:
Jen226 wrote:
Well, all I have to practice on is one of my dogs that doesn't mind a softbox in her face. Anyway, I have a Christmas family portrait in a few hours and I just got my new camera yesterday (switched from Canon to Nikon) and I have never used softboxes, reflectors or off-camera lighting. This photo is straight from the camera, no post work. My camera is a Nikon D7000 with the 18-200mm lens. I'm using an SB700 flash with Nikon's CLS system in a Cheetah Q24 softbox and a gold/silver reflector (held up with my feet, Lol!). Camera settings: Manual mode - ISO 250 - f/4.8 - 1/125 shutter speed - Shade WB - 50mm focal length - i-TTL in auto flash exposure mode. (I'm drawn to warm tones, so that's why Shade WB). Any thoughts would be greatly appreciated since I have a family of 3 to coming in a few hours! I do realize the catch lights are not balanced, but it is nearly impossible to keep a dog's eyes from looking around with a 24" softbox less than a foot from her head and me sitting on the ground balancing a reflector with my feet.

Thanks for any tips/thoughts or suggestions!!

Jen
Well, all I have to practice on is one of my dogs ... (show quote)


Update!! Made it through my first human portrait shoot!! Tons of pictures to go through, but really happy with this one so far. This is straight out of the camera, so I haven't had a chance to fix a few issues in Photoshop (caught the edge of the softbox in the upper photo left that needs some attention).

Jen
quote=Jen226 Well, all I have to practice on is o... (show quote)


Very nice. When you get to the processing stage, use the Dodge Tool to brighten those catchlights a bit. They are there, but some brightening would add some sparkle to her eyes.

Now this is just a tip to make images like this even better: There is not a lot of density difference between her and the background. So if you were to keep the exposure on her just as it is, but shoot with one shutter speed faster (one stop), you would darken the background and allow her to stand out that much more.
quote=Jen226 quote=Jen226 Well, all I have to pr... (show quote)


Thank you again!! I've been working on the pics in Photoshop that the family chose for the Christmas card and her eyes are beautiful, but so dark that the catchlights barely showed up. I had read your recommendation while I was working on them and the dodge tool made a huge difference, so thank you for that!! I haven't done any processing on that pic yet, but will definitely apply it as well!

Another great tip on the exposure adjustment. I had gotten into high speed sync and was a little concerned about the SB700 having enough power in the softbox. Nikon's CLS system is so new to me and so is off camera lighting and softboxes, so really wasn't sure how much to push it. If you have any advice regarding a cut-off point using high speed sync with the gear I have, that would be a tremendous help!!

Thank you again for offering your compliments and wonderful suggestions!! I really appreciate it!!

Jen
quote=CaptainC quote=Jen226 quote=Jen226 Well, ... (show quote)


HSS is perfect for this work. there is no known "cutoff." You know when you are getting to the limit when the flash can no longer light the subject - but even then you can bump the ISO up to compensate - at least for a while. One trick is to put TWO flashes in your softbox when using HSS...If they fit.

One way to use the HSS is to open your lens to f2.8 or f4.0 - somewhere that will give you the DOF you want. See where the camera meter (or handheld meter) places the shutter, then set the shutter to a stop or more (faster) for a darker background. This will help your subject stand out. If you keep it to a stop to stop and a half difference, it won't look to "flashy." Obviously, you are shooting in manual for this.

Nothing beats practice, practice, and just a little more practice. Pretty soon it becomes second nature.
quote=Jen226 quote=CaptainC quote=Jen226 quote... (show quote)


Excellent information and advice! I had used HSS on my Canon camera with the 430 EXII Speedlite mounted on the camera and was just starting to getting consistent results when I made the complete gear change on Saturday to Nikon. With the Canon Speedlite on the camera, I would use it as fill and basically use the sun as my main light. I started using gels on the flash and got really good results using a 1/4 CTO gel on the flash and setting the WB to Cloudy (I'm drawn to warmer tones). I bought kit of gels and practiced with those and found some of your previous posts to other people and your advice to them was very helpful. My previous photo gallery topic, I had posted a photo I took of my dad aiming his high powered pellet gun and was able to get a rich blue sky using HSS, sun and flash gels!

On the "human" portrait in this topic, I was in manual mode, ISO 250, f/5.6, 1/320th, Cloudy WB and at 95mm focal length. You are absolutely correct about practicing because I felt really lost using the 24" softbox and SB700 with a reflector because I couldn't anticipate the results from the choices I was making from lack of experience. So, much of it was trial and error, but I did use my previous experience with the Canon gear as a starting point, so that helped. I didn't have the budget for a fast constant aperature lens when I bought the Nikon set-up, so I went with the D7000 & 18-200mm package. Thinking about maybe adding a nifty fifty, f/1.8 prime lens so that I'll have more options until I can invest in better portrait lenses.

The one thing that surprised me about this new set-up and the soft box was how creamy her skin looks, yet her eyes are sharp. I've heard that's the entire point of using soft boxes, but I never thought that could happen straight out of the camera. She has great skin, so that helped also.

Again, I really appreciate every bit of advice you have given me (and others)! Just a wealth of knowledge and so very helpful!!

Jen
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Dec 16, 2012 23:03:19   #
skidooman wrote:
Jen226 wrote:
Jen226 wrote:
Well, all I have to practice on is one of my dogs that doesn't mind a softbox in her face. Anyway, I have a Christmas family portrait in a few hours and I just got my new camera yesterday (switched from Canon to Nikon) and I have never used softboxes, reflectors or off-camera lighting. This photo is straight from the camera, no post work. My camera is a Nikon D7000 with the 18-200mm lens. I'm using an SB700 flash with Nikon's CLS system in a Cheetah Q24 softbox and a gold/silver reflector (held up with my feet, Lol!). Camera settings: Manual mode - ISO 250 - f/4.8 - 1/125 shutter speed - Shade WB - 50mm focal length - i-TTL in auto flash exposure mode. (I'm drawn to warm tones, so that's why Shade WB). Any thoughts would be greatly appreciated since I have a family of 3 to coming in a few hours! I do realize the catch lights are not balanced, but it is nearly impossible to keep a dog's eyes from looking around with a 24" softbox less than a foot from her head and me sitting on the ground balancing a reflector with my feet.

Thanks for any tips/thoughts or suggestions!!

Jen
Well, all I have to practice on is one of my dogs ... (show quote)


Update!! Made it through my first human portrait shoot!! Tons of pictures to go through, but really happy with this one so far. This is straight out of the camera, so I haven't had a chance to fix a few issues in Photoshop (caught the edge of the softbox in the upper photo left that needs some attention).

Jen
quote=Jen226 Well, all I have to practice on is o... (show quote)


Nice work. Catchlights in the right spot and an engaging smile. Facial view and her eyes coming back to the camera (not too far) looks great. With her head tilted down, it's a very playful pose. This photo has a lot going for it :)
quote=Jen226 quote=Jen226 Well, all I have to pr... (show quote)


Thank you very much!! She is just gorgeous, so I wanted to try to get a few headshots, possibly for a portfolio pic. She is excellent in front of the camera, so she made it much easier!

Jen
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Dec 16, 2012 22:37:37   #
CaptainC wrote:
Jen226 wrote:
Jen226 wrote:
Well, all I have to practice on is one of my dogs that doesn't mind a softbox in her face. Anyway, I have a Christmas family portrait in a few hours and I just got my new camera yesterday (switched from Canon to Nikon) and I have never used softboxes, reflectors or off-camera lighting. This photo is straight from the camera, no post work. My camera is a Nikon D7000 with the 18-200mm lens. I'm using an SB700 flash with Nikon's CLS system in a Cheetah Q24 softbox and a gold/silver reflector (held up with my feet, Lol!). Camera settings: Manual mode - ISO 250 - f/4.8 - 1/125 shutter speed - Shade WB - 50mm focal length - i-TTL in auto flash exposure mode. (I'm drawn to warm tones, so that's why Shade WB). Any thoughts would be greatly appreciated since I have a family of 3 to coming in a few hours! I do realize the catch lights are not balanced, but it is nearly impossible to keep a dog's eyes from looking around with a 24" softbox less than a foot from her head and me sitting on the ground balancing a reflector with my feet.

Thanks for any tips/thoughts or suggestions!!

Jen
Well, all I have to practice on is one of my dogs ... (show quote)


Update!! Made it through my first human portrait shoot!! Tons of pictures to go through, but really happy with this one so far. This is straight out of the camera, so I haven't had a chance to fix a few issues in Photoshop (caught the edge of the softbox in the upper photo left that needs some attention).

Jen
quote=Jen226 Well, all I have to practice on is o... (show quote)


Very nice. When you get to the processing stage, use the Dodge Tool to brighten those catchlights a bit. They are there, but some brightening would add some sparkle to her eyes.

Now this is just a tip to make images like this even better: There is not a lot of density difference between her and the background. So if you were to keep the exposure on her just as it is, but shoot with one shutter speed faster (one stop), you would darken the background and allow her to stand out that much more.
quote=Jen226 quote=Jen226 Well, all I have to pr... (show quote)


Thank you again!! I've been working on the pics in Photoshop that the family chose for the Christmas card and her eyes are beautiful, but so dark that the catchlights barely showed up. I had read your recommendation while I was working on them and the dodge tool made a huge difference, so thank you for that!! I haven't done any processing on that pic yet, but will definitely apply it as well!

Another great tip on the exposure adjustment. I had gotten into high speed sync and was a little concerned about the SB700 having enough power in the softbox. Nikon's CLS system is so new to me and so is off camera lighting and softboxes, so really wasn't sure how much to push it. If you have any advice regarding a cut-off point using high speed sync with the gear I have, that would be a tremendous help!!

Thank you again for offering your compliments and wonderful suggestions!! I really appreciate it!!

Jen
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