burkphoto wrote:
Correct. But if you’re running a lab or presenting content to the general public, it makes sense to have a reference point of accurate color reproduction. If color balance is all over the color wheel, it becomes very noticeable, in a negative way.
Maybe I want a particular scene to be amber or blue biased, but if so, I want it to a controlled degree. And if a set of six scenes captured in the same place has six different color balances, it seems a bit amateurish.
I am not disagreeing with you and your efforts.
I just live, work, design in the real world of infinite variables. Bulb goes out and facilities grabs the first Bulb that fits etc.
Yes, you need an excellent final product as it can be.
But once it leaves the shop viewing is the variable.
Even going to a building and calibrating everything for the photos once a bulb goes out and the whole board has changed 3 times it is likely the replacement bulbs will be different.