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Posts for: minniev
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Jul 17, 2021 09:04:21   #
R.G. wrote:
That's an interesting point to make. It seems to me that rainbows fall into that category....
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This excellent image has water all the way around: flowing in small wavelets, falling from the sky, painting a beautiful rainbow. Great composition. You should print this one.
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Jul 17, 2021 09:00:12   #
fergmark wrote:
I wonder why I don't see your image.


I can see it, but I had a terrible difficulty posting it. Something amiss from my end I suspect. It is actually appended to my response to Linda.
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Jul 17, 2021 07:25:16   #
jburlinson wrote:
OK, I gave that a try. Now that I've removed the post and the biggest waterdrop, I'm preparing the paperwork to submit this to the Agora Awards “Best Photo of the Year”. That $25K prize is mighty tempting.


I like this version much better! Go for that prize!
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Jul 16, 2021 18:28:03   #
Linda’s shot of the field beneath a flow of water from an irrigation device reminded me that there’s thousands of ways to capture water that we haven’t even talked about and would form topics from now till Christmas and beyond. Water that falls out of the sky is a commodity some of us have too much of and some have too little, but it is of interest anyway. I’ve tried taking photos of rain without much luck and grabbed this unplanned shot with my phone this morning, and noticed I’d caught not only the distant sheets of rain and the clouds that spawned them, but also the raindrops right off the edge of my porch. The benefit of endless depth of field I guess.
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Jul 16, 2021 18:12:23   #
[quote=Linda From Maine]

Love that irrigation shot Linda, and you are reminding us that water is not just a body of. It’s everywhere - in the sky, on the plants, in the sink, in a glass. There are endless ways to capture it.

The webbed footed guys are cute too. Water in other forms and places…


(Download)
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Jul 16, 2021 18:09:09   #
ebrunner wrote:
While the topic is water, the subject of this photo is the life guard stand on its side. This indicates that I'm here early in morning and the beach is still closed for swimming. If you are looking for untouched sand, the Jersey shore in the summer is the wrong place to look. The thousands of footprints give us an indication that there is going to be activity here very soon after that sun comes over the eastern horizon. The water in the scene is only a small band of ocean between the beach and the sky. Here I did not worry about shutter speed at all and was more interested in creating an early morning feel for the photo. Would you have used similar processing or gone in a different direction?
While the topic is water, the subject of this phot... (show quote)


Love the image and the processing but it does feel a big too tight with the vignette, as Mark noted. Pull back a bit so that the vignette doesn’t eat into the subject, and you’ve got a really nice and unusual beach image.
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Jul 15, 2021 10:50:01   #
fergmark wrote:
Your words "In this recent shot" got my attention. These dam bird photos so captivate me. The juxtaposition of these elements create such an otherworldly arena. The contrast between the stoic concrete forms, powerfully compositional, and the water, from tumultuous to relative calm, would be a lot to work with all by themselves, but graced with the delicacy and elegance of the egrets, apparently unaffected by the surround, make these a unique visual experience. Thats about as well as I am able to articulate my thoughts. I used google earth some years back to understand better this place. Its a wondrous place.
Your words "In this recent shot" got my ... (show quote)


Glad you enjoy them. I've certainly enjoyed sharing them with folks here and far away like you! An Aussie acquaintance has even photographed the dam via a flight simulator program he uses! It's my most fun local photo spot. It is perfectly hideous to the naked eye but the camera can isolate small scenarios within the whole mess and hold onto them. Thus is the magic of photography in particular and art in general. And yes you are right, the charm is in the contrast between the main elements - changing water, stationery concrete, delicate birds who are rarely still for long, varying light. I can get "stuck" down there for hours watching them.
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Jul 14, 2021 18:22:37   #
My dam bird series is about a mix of very specific elements: birds, light, water, and ugly rough geometric concrete. There is nothing else, ever, in these photos. But the elements included can change. Different birds may arrive, the light changes, and the water may be calm or fierce. I prefer the wilder water, and shoot with a fast shutter to catch the water and the birds in place. In this recent shot, I have the relatively smooth water the birds fish in, and the tumult coming from the dam gates behind them.


(Download)
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Jul 14, 2021 18:17:00   #
ebrunner wrote:
I know that I posted this photo before; but it does fit into the topic and I'd like to include it. The important part of this photo is how I got it. I was sitting in our motel room that was right by the lake. I knew that the sun had just set; but was not really interested in going out shooting. (I was going to try star trails). When I did look out the window to check the conditions, I noticed that there was a really nice scene developing in front of me right across the street from our hotel. I quickly grabbed a camera and a tripod and headed right outside the model. This photo was the result. Again, just the light without the lake might not have been anything noteworthy; but with the water, it became one of my favorite shots of this year.

(an interesting note is that this photo scored very poorly in a competition held by our club. The judge felt that the details in the bottom of the frame are distracting. I left them in because I think they add interest to the photo? What do you think?)
Erich
I know that I posted this photo before; but it doe... (show quote)


A lovely muted post-sunset image, proving once again that leaving after the sun disappears is leaving too soon.
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Jul 14, 2021 18:15:16   #
ebrunner wrote:
In this photo, taken very early in the morning, part of the lake is still frozen. The reflections are muted because of the available light; but they are clearly defined. Can anyone tell me if the cloud above the mountain is what meteorologists call a lenticular cloud? I'm not sure.
Erich


It has the shape of a lenticular cloud but I'm not sure, most I've seen pictures of have more volume. We don't get them here and I've never been lucky enough to run into one! It is still an interesting formation, and it lends well to the composition. I like this a lot, and especially those bushes framing the water as if holding it up. Lovely.
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Jul 13, 2021 21:32:00   #
R.G. wrote:
"...my favorite little cypress and tupelo swamp".... There's an expression you don't hear every day .

I'm finding it hard to put my finger on what makes reflections so effective in a photo. After all you're just seeing more of the same stuff but upside down. Without actually trying it I can tell that if you tried lifting the shadows in the reflections to bring out more detail it would detract from the overall effect. Perhaps that's part of the effectiveness. The reflections are a darkened, glossy version of what's reflected which allows them to be a bit more dramatic. Plus we're seeing the reflected stuff but with less bright harshness. If the whole scene was dark and glossy it would probably be too much but if it's just the reflections, it's an opportunity to include that element of subdued lighting while keeping the brighter version to maintain the overall balance....

....or something like that .
"...my favorite little cypress and tupelo swa... (show quote)


In the swamps, the canopy prevents the reflection from being very bright, except for what's in the patchy light that shoots in through the gaps. I have had fun with such shots converting them to monochrome where the bright patches seem to float on top like small clouds. I've even turned the photos upside down, which gets some interesting comments.
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Jul 13, 2021 21:28:41   #
fergmark wrote:
I'm glad to hear you were finally able to return to this place. I well remember an enchanting photo that I believe you had posted, with wooden walk along the right hand side. Never the less, this view appears to be largely intact. The dappled lighting gives this image a cheerfulness.


This is taken from that wooden walkway, looking left/north. It is the only intact view left. The rest is either full of crashed trees, or the new form the swamp is taking - the tupelos are overwhelming the older cypress trees, so the canopy is much leafier, and the younger trees are thick and bushy instead of spare and thin.
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Jul 13, 2021 21:25:14   #
rmalarz wrote:
Graphic View II, 210mm Schneider-Kreuznach Symmar S, Hoya 85B filter, Ilford FP4+, ISO 125, f/45, 1 sec.
--Bob


Good to see that a water image does not require color to imply movement. Well done.
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Jul 13, 2021 21:23:52   #
fergmark wrote:
Some of my thoughts about this. I am glad to see this effort you are making to provide an area of interest for exploration and discussion. However this sort of thing is so far off the beaten track, I don't see how it will take hold. I know that is a fairly pessimistic view, but so many people here on uhh are obsessed with camera gear and processing gadgetry, they don't seem to have much interest beyond those rather superficial infatuations. The actual subject you have chosen, is literally as deep and wide as the ocean. A very high percentage of my own photography is focused around water, so within the category of water are dozens of sub categories. A few shots here that fall into a couple of those. Water is just magical. What you are able to see in it because of photography, is simply astonishing.
Some of my thoughts about this. I am glad to see ... (show quote)


These are very nice. Some of them are, IMHO, abstracts of water, which is a fascinating subtopic we could go much deeper into.

That second shot with the floating leaves is just exceptional. I hope it is printed and framed. If not, you should remedy that.
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Jul 13, 2021 21:21:30   #
Triplets wrote:
All 3 images shot on a Nikon D750 using a Nikon 24-120 f/4 lens.

1. Old Stone Church, West Boylston, MA. I wanted bright colors and calm water to produce a mirrored reflection. ISO 100, f/16, 1/25 sec

2. Fan Pier, Boston, MA. I liked the misty look of the lights reflecting off the smooth water. ISO 100, f/16, 76 sec

3. Stream along the Kancamagus Highway in New Hampshire. I liked how the only movement in this image is water. ISO 100, f/16, 8 sec, 6-stop ND filter


All are lovely. The Boston shot is a great example of shooting still water with a slow shutter for an artistic effect. Very nice.
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