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Nov 22, 2019 04:24:57   #
rook2c4 wrote:
There are many cameras that are potentially good for street photography. From my experience, the ideal street photography camera should be one that is easy and comfortable to use without much fumbling through endless menus. When you see something interesting happening, you will want to be able to adjust your camera's settings as needed and capture the scene within no more than a few seconds. Exposure compensation is one of those things that should be easily accessible.


You seem to be making a case for the Fuji X-cameras.
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Nov 22, 2019 04:13:27   #
GregCromie wrote:
Hi guys and gals. I have been a Fujifilm shooter for many years now and my 'for fun' genre is street photography. I really enjoy the discreteness and minimal weight of this system. What do you think makes a good or great street photography camera? What lenses do you shoot with? Thanks. G


#1 ~ the 27mm (41eq) f/2.8 "pancake"

#2 ~ the 35mm (53eq) f/2 "Fujicron"
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Nov 18, 2019 18:38:52   #
Wingpilot wrote:
As I’ve been reading through this thread, I’ve been thinking about the reasons for carrying a small, compact (read, pocket sized) camera instead of a DSLR or MILC, or even a bridge camera for that matter. So what I’ve come up with is that there are a couple reasons that come to mind. When we go on a traveling vacation, cruise, etc., it’s all about the trip and having something to record it, so a compact, or even a bridge camera makes sense. But when the purpose for a trip is principally for photography, with the goal of photographing certain things and places, then a DSLR or MILC with the appropriate lenses really makes sense. So in the end, what’s come to mind is that the “right” camera is the one that suits the occasion. Obviously, if one has only one camera, then that’s the right one for all occasions. I feel fortunate that I am able to have a couple cameras, so I can tailor the camera for the occasion.
As I’ve been reading through this thread, I’ve bee... (show quote)


Excellent!
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Nov 17, 2019 16:32:34   #
jaycoffman wrote:
You make my point that, "it depends." If you want basic good shots to remind you of your trip the smart phone is very convenient and does take good pictures. But I still think my full frame camera shooting with a good 400mm lens in raw will get a better image of a cow (?) moose with her two young walking through the woods when I'm up on the road where there is way more light. Same as when I take pictures of friends in a field of flowers--I think I can do better with depth of fields than a smart phone. But that's what I'm looking for and those who are looking for other things should do what's best for them.

Probably my main theme is that we should all think about what we want photographically and then make our equipment decisions based on that (well, and what we have or can afford).
You make my point that, "it depends." If... (show quote)


To me, your posts (on this thread) have been the most lucid. Whenever I read these "best travel camera" topics on forums I wonder; what does "travel" mean? ~ what does "for travel and everyday use" mean? ~ and what are the images going to be of? ~
certainly a Nicanon full-frame with a 1500mm lens is not the best for street shooting in a small town in middle America (i.e.; not many moose in southern Illinois) ~ and certainly not "the best travel camera" for inside museums and restaurants. I think that many of us tend to reply, based on the assumption that all travelers are just like me, and they want to take pictures of exactly what I want to take pictures of.

You wrote my opinion in just two words; "it depends."
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Nov 17, 2019 02:34:50   #
GoofyNewfie wrote:
I love my Fuji X-E2.
APS-C sensor in a pretty small package.
Great lenses, though I personally have only 2, but since it's mirrorless, I can adapt a lot of other lenses to it.
Intuitive controls makes it so easy to use.
Took an X-E1 on my first trip to europe and upgraded to the X-E2 on last 2 trips.
My son used the X-E2 as second shooter for a wedding we did in France in September.
His images are hard to discern from the ones I shot with my D810.
I i love /i my url=https://photographylife.com/... (show quote)


My poor-boy's Leica wannabe, with the 35mm f/2 Fujicron ~ and even more comfortable with the 27mm pancake.
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Nov 5, 2019 23:11:16   #
Kuzano wrote:
PRICE DROP!!!

Fujifilm X-E1 price drop. Now priced and shipped via Paypal and USPS>.... $145 CONUS, as described. Down from $175.


I'm assuming you've sold this camera.
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Oct 27, 2019 23:53:48   #
Linda From Maine wrote:
On UHH it means there will be 15 pages of meaningless arguments within 24 hours and nobody will be a better photographer when it's over. Sorry, Phil 🤗

It's your image, do what you like to it:
https://digital-photography-school.com/its-your-image-do-what-you-like-to-it/

What's important in a photograph and what isn't:
https://photographylife.com/whats-important-in-a-photograph-and-what-isnt

.


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Oct 13, 2019 13:39:02   #
selmslie wrote:
Nasim Mansurov asks that question in his article in Photograph Life (link in next post) and he eventually get an explanation from Iliah Borg.

Buried in the EXIF data in the section pertaining to RAF is a factor labeled "Raw Exposure Bias" that explains a shift in the raw histogram for Fuji X-Trans sensors. Borg provided the following information:

ISO Factor
200 0.72
400 0.72
800 0.72
1600 0.72
3200 1.38
6400 2.38

These values are in the EXIF information (truncated to 1 decimal digit) and they start to change at ISO 2000.

Besides the initial confusion that this provided, there is a consequence:

1. Up to ISO 1600, the camera's JPEG histogram is pretty much the same as the raw histogram. If you see blinkies, both the JPEG and raw data are already blown out.
2. Starting with ISO 2000, the blinkies and the histogram still represent the JPEG but the raw histogram starts moving to the left.

Although #1 is useful information, I can see no practical advantage to #2. It makes no more sense than Fuji's Dynamic Range setting that allows you to shift the raw histogram to the left by one stop starting at ISO 400 and two stops at ISO 800 and above.
Nasim Mansurov asks that question in his article i... (show quote)


"It makes no more sense than Fuji's Dynamic Range setting that allows you to shift the raw histogram to the left by one stop starting at ISO 400 and two stops at ISO 800 and above."

Thank you for posting this, Scotty. I've often wondered what I'm to do this this "feature" (and I've read a few who suggest ignoring it).
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Oct 10, 2019 12:02:46   #
repleo wrote:
The OP was not asking for a 'walk around lens'. She was asking for a good lens for head shots and half body shots for her hairstyling / coloring business and provided a link to the type of shots she wants to take. Looking at her Facebook page, I would say her current lens is serving her quite well, (although there were quite a few top of heads cropped off). As I suggested in my earlier post, her shots might benefit more from learning some lighting techniques than from spending big money on fancier lenses.

I should add that her clientele is somewhat of a glamour photographers dream !!
The OP was not asking for a 'walk around lens'. S... (show quote)


"The OP was not asking for a 'walk around lens'."
I found it quite interesting to see how many experts, here, missing that fact.
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Oct 10, 2019 11:58:46   #
joer wrote:
Mostly what one hears from photographers, i.e., pro, enthusiast and neophytes, is that the equipment doesn't matter; its the photographer.

Then one has to ask, how many cameras, lenses, flashes, accessories, etc., do you have? Or what cameras or equipment do you lust after?

I think the evidence suggests that gear does matter, although it may not be most important. A skilled lumberjack with an axe will not compete with a man/woman who knows how to use a chain saw.


Of course we don't. If we did we'd practice what we preach and keep using our 50-year-old cameras.
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Oct 9, 2019 17:31:31   #
CatMarley wrote:
The qmenu button on the fx1 and 2 is about 30mm from the thumb rest bump. You would have to have a thumb an inch and a half wide to accidentally activate the q menu. I have yet to see a human with such a thumb, but can't rule it out. I don't want an XT-3 because I hate touch screens.


I'm thoroughly enjoying this conversation, as it reminds me of how well the X-E2 fits my right mit ~ and, if this is the camera you're talking about, you are so very correct on the excellent placement of the Q-button (I used it all the time, vs. menu diving).

When the X-E3 came out, I went to a local camera show and fondled one. Was very disappointed that it does not fit my hand as well as the X-E1&2. My! I think I'm talking myself out of a case of GAS!

One more thing about the X-E2 controls: I'm very fond of the separate A-FL and A-EL buttons, with optional methods of operation. I have meaty and fumbly thumbs and have never experienced a mistaken button press with this camera (in my memory).
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Oct 9, 2019 17:15:17   #
CatMarley wrote:
The FX-2 has no touch screen, and it is as simple as my old FM if I want it to be. All important controls are external as dials or simple switches. and their settings can be seen at a glance. If you menu dive, things can become as complicated as you like, or you can stay out of them and just have a simple useful camera.


Do you mean X-E2, Cat?
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Oct 9, 2019 17:08:00   #
desert-view wrote:
I've been using the Zeiss 18-70 on both my 6500 and 6000 for about 2 years. It is worth every cent, because it yields the sharpest, brightest image. It is especially good indoors with a bounce flash. You would love it.


Having trouble finding the E-mount Zeiss 18-70 in my search engines. (?)
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Oct 9, 2019 14:36:55   #
Colorbylacy wrote:
Hi!!! I am a hairstylist in the central FL area. I have been using my Sony A6000 for a while with the kit lens. It’s FINALLY time to update that lens but I’m unsure what to buy! You can see what I usually photograph @colorbylacy... usually back of head, side profiles etc etc... I’d say most images are from waist up and rarely on a plain wall. So I’d love so recommendations!!!!


For head, or head and shoulder, candids, I use a Sony 50mm f/1.8, or the Sony 35mm f/1.8, and am quite satisfied with the results ~ at least, satisfied enough not to yearn for one of the more expensive Zeiss iterations.
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Oct 7, 2019 17:25:10   #
GWR100 wrote:
" Bonsoir Madam"---- Montignac, Dordogne, France


Dunno what the words mean, but I REALLY like this pic!
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