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Sep 23, 2011 03:03:28   #
Evandr wrote:
gessman wrote:

You go ahead and think on it but the challenge has been made and I like it, I think I know where I can get an empty whisky bottle and although I was supposed to choose the background I think the LDS Temple would make a stark contrast (yes, I am a devout Mormon). You will have to give me a few days to put it together because the Temple is in downtown Salt Lake City and that is about 40 miles away and I work 12 hour shifts most of next week but I love the idea of the statment it could make. The game is Afoot!!
br You go ahead and think on it but the challenge... (show quote)
Uh oh!
quote=gessman br You go ahead and think on it bu... (show quote)


Okay, I called the local liquor store and managed to get a few empty bottles of which this is one. Salt Lake City was too far away for the time I had left and I wanted to shoot the Kennecott Copper Mine from the back side anyhow (not many people know how to get to this plateau) so I decided to play around with my lens and show you what I want to do with the whiskey bottle and the Temple.

Mind you that in this picture the mine is below the bottle so I had to hand-hold it and shoot slightly down whereas when shooting in the direction of the temple the bottle will be near or sitting on the ground as will the camera and I will be shooting slightly up.

The front to back focus is from about 8 inches to infinity. I focused manually to 3 feet with a 17-35mm f/2.8 wide angle lens set at 17mm and f/22, ISO 800 for 1/80th sec. The compression of the bottle is quite evident. The bottle is almost the size of a full 5th but here it looks like a shooter. Also notice how it seems to droop on the left side. I was holding it about 12 inches in front of the lens.

Now I am anxious to go to town, I am thinking of getting an empty cigarette carton, a bottle of prescription pills, a hash pipe, (Where I will get that I don't Know) and maybe a few joints (filled with "real" grass, the kind you find in everybody's front yard), and arranging it in such a way with the Temple in the background that a caption could be used - What a contrast - Everybody worships something.

The Whiskey Bottle - I just noticed that the brand and I have the same first name. This is not done in HDR,


Here is a good example of an HDR picture that is better than any others I took, the clarity is amazing, I can see the windows on the bus when I zoom in and you can barley see the two busses from here. I combined 3 shots with a .5EV difference on each


I used Topaz Adjust in Xara in post production on this shot of the Kennecott Copper Mine with Salt Lake City in the background next to the Wasatch mountains, this was taken just a few minutes after sunset

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Sep 22, 2011 14:29:54   #
gessman wrote:
evandr wrote:
gessman wrote:
evandr wrote:
gessman wrote:

Okay. Having been there I don't know what your immediate surroundings are or if you have to travel to "get there." I'd like to see a picture of that house with the hootch bottles in the far-ground with a camera, p&s or whatever, in the near-ground if that's doable, either early morning or late evening whichever offers the best lighting. I'd also like to see a shot down on the camera with a far background of the scene, getting the lake and possibly the mountains if they're close enough for that lens.
br Okay. Having been there I don't know what you... (show quote)



I guess you're not understanding the challenge. If I put the focusing distance at 3' with an apreture of f22 and ISO 100 and then place my camera 5 inches off of the ground with my lense set at 17mm my depth of field will be from 10 inches to infinity. I will have two subjects, one near the camera lens very near to the ground (if not on the ground) and one in the distant background. I will select the distant background depending on what you choose as the object of interest on the ground near the lens. Don't worry about framing the shot, framing the shot is the challenge I must meet; just send me on a scavenger hunt looking for something of your choosing to use as the subject of interest near the lens and then, if I can find what you ask for then I will proceed to seek the best view I can to frame the shot in an interesting manner; that will most likely mean moving the object from where I find it to another location and setting up the whole shot. I would consider it a fun and interesting challenge.
quote=gessman br Okay. Having been there I don'... (show quote)


Well, you may have picked out the wrong guy for this. I've never participated in a scavenger hunt and don't know much about how that works. My mind just isn't going where you want it to. It is at this point that I would say, "show me an example, or surprise me with something you like."

Let's see if we can get some other folks to chime in here. I'm just a "stick in the mud" apparently. Fact is, that between all the time I'm spending on this forum, wanting to be out shooting, but afraid I'm going to miss something in here of value, and my feet swelling from sitting here, I'm a little scattered at the moment. Perhaps at another time I wouldn't feel as distracted and could focus on "the game."
quote=evandr quote=gessman br Okay. Having bee... (show quote)


OK, let me make it easy for you; pick something totally off the wall as a subject, make it about the size of a gallon container or smaller, A rock, a smashed can, some toy at the dollar store, an old ball, a used candle, a cow pie - the sky is the limit. Make it something that you imagin that I could never make a nice shot out of. As I said before the only thing I request is that you refrain from dead animals or rotting meat. Give it some thought for a few days, ask your wife, you need not answer right away.
quote=gessman quote=evandr quote=gessman br Ok... (show quote)



Okay, next time you're in Salt Lake, I'd like to see a shot of an empty whiskey bottle and the spire of "The Tabernacle" in the background with very few people in the picture, perhaps early in the morning or late in the evening so there'll be lights. If you think that's inappropriate then perhaps the state capitol as the backdrop. Aw, nevermind. I'll come up with something else. Let me think a little.
quote=evandr quote=gessman quote=evandr quote=... (show quote)


You go ahead and think on it but the challenge has been made and I like it, I think I know where I can get an empty whisky bottle and although I was supposed to choose the background I think the LDS Temple would make a stark contrast (yes, I am a devout Mormon). You will have to give me a few days to put it together because the Temple is in downtown Salt Lake City and that is about 40 miles away and I work 12 hour shifts most of next week but I love the idea of the statment it could make. The game is Afoot!!
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Sep 22, 2011 13:48:29   #
gessman wrote:
evandr wrote:
gessman wrote:

Okay. Having been there I don't know what your immediate surroundings are or if you have to travel to "get there." I'd like to see a picture of that house with the hootch bottles in the far-ground with a camera, p&s or whatever, in the near-ground if that's doable, either early morning or late evening whichever offers the best lighting. I'd also like to see a shot down on the camera with a far background of the scene, getting the lake and possibly the mountains if they're close enough for that lens.
br Okay. Having been there I don't know what you... (show quote)


I guess you're not understanding the challenge. If I put the focusing distance at 3' with an apreture of f22 and ISO 100 and then place my camera 5 inches off of the ground with my lense set at 17mm my depth of field will be from 10 inches to infinity. I will have two subjects, one near the camera lens very near to the ground (if not on the ground) and one in the distant background. I will select the distant background depending on what you choose as the object of interest on the ground near the lens. Don't worry about framing the shot, framing the shot is the challenge I must meet; just send me on a scavenger hunt looking for something of your choosing to use as the subject of interest near the lens and then, if I can find what you ask for then I will proceed to seek the best view I can to frame the shot in an interesting manner; that will most likely mean moving the object from where I find it to another location and setting up the whole shot. I would consider it a fun and interesting challenge.
quote=gessman br Okay. Having been there I don'... (show quote)


Well, you may have picked out the wrong guy for this. I've never participated in a scavenger hunt and don't know much about how that works. My mind just isn't going where you want it to. It is at this point that I would say, "show me an example, or surprise me with something you like."

Let's see if we can get some other folks to chime in here. I'm just a "stick in the mud" apparently. Fact is, that between all the time I'm spending on this forum, wanting to be out shooting, but afraid I'm going to miss something in here of value, and my feet swelling from sitting here, I'm a little scattered at the moment. Perhaps at another time I wouldn't feel as distracted and could focus on "the game."
quote=evandr quote=gessman br Okay. Having bee... (show quote)


OK, let me make it easy for you; pick something totally off the wall as a subject, make it about the size of a gallon container or smaller, A rock, a smashed can, some toy at the dollar store, an old ball, a used candle, a cow pie - the sky is the limit. Make it something that you imagin that I could never make a nice shot out of. As I said before the only thing I request is that you refrain from dead animals or rotting meat. Give it some thought for a few days, ask your wife, you need not answer right away.
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Sep 22, 2011 13:22:31   #
gessman wrote:

Okay. Having been there I don't know what your immediate surroundings are or if you have to travel to "get there." I'd like to see a picture of that house with the hootch bottles in the far-ground with a camera, p&s or whatever, in the near-ground if that's doable, either early morning or late evening whichever offers the best lighting. I'd also like to see a shot down on the camera with a far background of the scene, getting the lake and possibly the mountains if they're close enough for that lens.
br Okay. Having been there I don't know what you... (show quote)


I guess you're not understanding the challenge. If I put the focusing distance at 3' with an apreture of f22 and ISO 100 and then place my camera 5 inches off of the ground with my lense set at 17mm my depth of field will be from 10 inches to infinity. I will have two subjects, one near the camera lens very near to the ground (if not on the ground) and one in the distant background. I will select the distant background depending on what you choose as the object of interest on the ground near the lens. Don't worry about framing the shot, framing the shot is the challenge I must meet; just send me on a scavenger hunt looking for something of your choosing to use as the subject of interest near the lens and then, if I can find what you ask for then I will proceed to seek the best view I can to frame the shot in an interesting manner; that will most likely mean moving the object from where I find it to another location and setting up the whole shot. I would consider it a fun and interesting challenge.
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Sep 22, 2011 10:49:29   #
gessman wrote:
Evandr, I can probably come up with something but about that bread box - our oldest son married a Mormon girl from Collinston and there were 13 people in her family. I reckon they'd need a small barn for a bread box. That's not what you're talking about is it. How about some sage. Y'all do have some sage out your way don't you. That ought to work and add a little color in the process. Or maybe a yucca plant. Heck, I've never been to the upper part of Utah. I don't know what you folks have laying around on the ground or what your chances are of having a pretty background. Or, how a bout a catsup bottle sitting somewhere around where there's an interesting background, sort of a "busy" or cluttered background. I don't know if you want to do this indoors or out. Help me out a little. How about across the hood of your car diagonally so the car can be identified and toward some trees or mountains in the distance, if you have them. Without knowing what you've got around you there, it's a little to think of very much to do.
Evandr, I can probably come up with something but ... (show quote)


OK, we have mountains, the Great Salt Lake, buildings, canyons, deserts and all sorts of things just like you might suspect; I will decide that. What I want from you is something small that can go in the forground. I once saw a picture of a small starfish on the shores of the ocean with a large island in the background shot with the camera about 5 inches from the ground just behind the starfish using an 18mm view. In the picture, pixel for pixel, the starfish was larger than the island and both were in perfect focus; I even saw an excellent picture of a dead and rotting rockfish in the foreground, LOL.

The challenge for me is to find an artistic way to shoot whatever you tell me to using the method I just described. Heck, you can suggest a flatened old pop can or a rock that is painted gold if you want, the ketchup bottle would work - you decide but think of something not mentioned yet. Have a little mercy and avoid suggesting dead things but it is up to you.
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Sep 22, 2011 01:21:41   #
gessman wrote:
evandr wrote:
gessman wrote:
anotherview wrote:
gessman: Thanks for kind words. For balance I must add that some of the visual attraction of these photos results from careful post-processing -- stating the obvious. Upfront, I try for an interesting subject and a good exposure.


There's nothing like a good wide angle shot.


So True! I too love a good wide angle shot; it never ceases to amaze me how the mind’s eye can look at a wide angle photo and tune out the fact that the shot is a compressed scene.

I love shooting wide angles close to the ground with a foreground subject expanding into a background subject having sharp front to back focus. I just got my new Nikkor 17-35mm f2.8D last week so I have nothing show worthy yet, I am still learning, but I have seen it done and the results are amazing. I'll post something for your consideration as soon as I get something I especially like.
quote=gessman quote=anotherview gessman: Thanks... (show quote)


I've been wondering what you've been up to. Missed you. You've been sitting around smackin' your lips over that new lens. Makes me a little jealous. I haven't gotten anything new in so long, I've forgotten what it's like. We'll be looking for some of those new images.
quote=evandr quote=gessman quote=anotherview ge... (show quote)


Hey, give me a challenge, pick something relatively small as a forground image (something smaller than a bread box and please do not suggest a bread box) and I will try to find it and set up a shot with a background. It might be fun! :)
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Sep 22, 2011 01:10:44   #
gessman wrote:
anotherview wrote:
gessman: Thanks for kind words. For balance I must add that some of the visual attraction of these photos results from careful post-processing -- stating the obvious. Upfront, I try for an interesting subject and a good exposure.


There's nothing like a good wide angle shot.


So True! I too love a good wide angle shot; it never ceases to amaze me how the mind’s eye can look at a wide angle photo and tune out the fact that the shot is a compressed scene.

I love shooting wide angles close to the ground with a foreground subject expanding into a background subject having sharp front to back focus. I just got my new Nikkor 17-35mm f2.8D last week so I have nothing show worthy yet, I am still learning, but I have seen it done and the results are amazing. I'll post something for your consideration as soon as I get something I especially like.
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Sep 22, 2011 01:00:03   #
anotherview wrote:
Agree with this assessment of third-party lenses. Some lenses, however, like the new Sigma 17-50mm, f/2.8 equate with a similar Canon lens, for practical purposes. We users benefit from the competitive offerings among lenses.


Hello anotherview, thanks for your input. If I may however suggest that when referencing a particular post that you use the "quote/reply" so that we can link your comment to the post that caused you to make it. I do not know which assessment you are refering to.

Thanks
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Sep 21, 2011 19:37:15   #
anotherview wrote:
New here. Like the responsive interaction. Agree that the better gear generally offers an edge in image quality, although often subtle. Repeating myself, I've found knowing my gear and using it with competence after a learning curve allows me to take better pictures. Budding photographers want shortcuts. Some exist, like workshops, classroom instruction, and getting firsthand advice from an experienced photographer. I taught myself. Looking back, though, I'd follow my own advice, in order to advance faster. In the end, doing photography requires practice because a skill. This fact means shooting many pictures while learning from one's mistakes.
New here. Like the responsive interaction. Agree... (show quote)

I could not agree with you more :thumbup:
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Sep 21, 2011 19:35:53   #
B Was Here wrote:
evandr wrote:
Cameras will come and cameras will go but good glass will serve you well for generations if taken care of. I am of the mind that getting the best and growing into it will be the most satisfying, efficient and cost effective method in the long run.

I understand that many times a person's budget does not allow for a $1400 to $2000 lens but brands like Sigma, Tameron, and others are up and coming and should be looked into. I think Nikkor is shooting itself in the foot with their competition by pricing themselves so high because it will not be long before the only real difference is the bragging rights. I'm going pro so Nikon lenses are the only ones I currently buy ($$ouch$$) but my lenses usefulness will outlast me. I have heard excellent reviews on other brands so I will not downplay them and would not hesitate to recommend that a person look seriously at them. For me if you buy cheap you will learn cheap and upgrading will require you to unlearn a few things and bad habits are hard to break.

My advice for someone not looking to go pro but wants to take excellent pictures is to first decide what you want to take pictures of the most and get a good lens for that purpose. Keep the zoom range narrow, I personally do not like lenses that cover the 18mm - 300mm range but for someone who wants a single good lens for a lifetime of general shooting this may be the lens for you (provided you bite the bullet and get the best one on the market) but I know of no working professionals who routinely use one.

The best general purpose lens out there is the 50mm f/1.4 because the human eye (loosely speaking) is a 50mm lens, there have been very well known pros before the digital age that never used anything else but a 50mm lens.

If you're serious about photography, even as a hobbyist or the family snapshooter who wants to be a cut above, save, save, save and get the best lenses, you will not regret it because they will perform well and hold their resale values far better than a cheap lens.
Cameras will come and cameras will go but good gla... (show quote)

This is true but since he's on a 600d with a 1.6x crop a 28 or a 35mm would be closer to a 50mm equivalent field of view. With a 50 mm it would be closer to 80 mm on a crop camera like the 600d.
quote=evandr Cameras will come and cameras will g... (show quote)


You are correct, on a DX camera a good 35mm lens would probably be more satisfying as a first or only lens, however, field of view considerations aside, even on a DX camera the image from a 50mm would still more closely approximate what the human eye would see if it were looking through a clear 1.6x rectangle in a pair of black glasses; anything below 50mm will introduce comparative distortion via compression even though such distortion may not register (as it would with a picture taken with a fisheye lens) in the eye-brain connection.

That is what makes what the eye-brain connection sees better than any lens-camera picture will ever be capable of - the ability to "tune out" some degree of compression, as well as blending grain in a blown-up or telephoto image, so that it does not register with the person looking at the photograph.
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Sep 21, 2011 11:30:34   #
Cameras will come and cameras will go but good glass will serve you well for generations if taken care of. I am of the mind that getting the best and growing into it will be the most satisfying, efficient and cost effective method in the long run.

I understand that many times a person's budget does not allow for a $1400 to $2000 lens but brands like Sigma, Tameron, and others are up and coming and should be looked into. I think Nikkor is shooting itself in the foot with their competition by pricing themselves so high because it will not be long before the only real difference is the bragging rights. I'm going pro so Nikon lenses are the only ones I currently buy ($$ouch$$) but my lenses usefulness will outlast me. I have heard excellent reviews on other brands so I will not downplay them and would not hesitate to recommend that a person look seriously at them. For me if you buy cheap you will learn cheap and upgrading will require you to unlearn a few things and bad habits are hard to break.

My advice for someone not looking to go pro but wants to take excellent pictures is to first decide what you want to take pictures of the most and get a good lens for that purpose. Keep the zoom range narrow, I personally do not like lenses that cover the 18mm - 300mm range but for someone who wants a single good lens for a lifetime of general shooting this may be the lens for you (provided you bite the bullet and get the best one on the market) but I know of no working professionals who routinely use one.

The best general purpose lens out there is the 50mm f/1.4 because the human eye (loosely speaking) is a 50mm lens, there have been very well known pros before the digital age that never used anything else but a 50mm lens.

If you're serious about photography, even as a hobbyist or the family snapshooter who wants to be a cut above, save, save, save and get the best lenses, you will not regret it because they will perform well and hold their resale values far better than a cheap lens.
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Sep 17, 2011 10:46:55   #
Diane wrote:
I currently have a nikon D3000. Thinking of getting a D300s. Will the nikon lenses I have for the 3000 fit the 300. Trying to figure out what I need and what I can afford. Thanks!


The lens will fit but the question is will the circuitry still work. Things like Auto Focus, aperture (G) and the such. They should but I would check with the manufacturer.
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Sep 16, 2011 00:43:14   #
sinatraman wrote:
actually it sounds like something from Lord of the Rings. " Then ahmgee lead the dwarven army to mordor to confront saron and help frodo escape". I belive ahmgee was acompined by lol and aok with their cousins vip and asap.


Uhh...What? LOL and Aok, whatever...Biz-Zap, and Boinnnngggggg!! that went straight over my head and yes, I've seen and own the Lord of the Rings Trilogy - great movie :D
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Sep 15, 2011 22:46:07   #
sinatraman wrote:
really who is this omg that everyone is yelling to liks some pagan god? :lol: Congrads your photos look wonderfull



When I see that I prefer to think of it as Oh My Gosh! Nice work Tilde!
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Sep 15, 2011 20:29:32   #
tilde531 wrote:
Jer236 wrote:
I've felt that Picasa is the better choice of the free photo editing software available. Its a snap to become acquainted with and learn well enough to get some early benefits from it. I'd bet most of us would struggle for months with Photoshop before getting results like this. Tell me how viewing these would indicate to you that they weren't edited by using any versions of Photoshop?


That is SUCH a compliment!!

I can't!!

*laughs like a crazy-person*

GIMP was making me crazy and people kept talking about PS and I was really feeling really kinda crappy('cause unless they make it COMPLETELY free, I simply can't afford, even if I COULD figure it out! No wonder they give classes on it! )

I can't wait to "fix" the other couple thousand on my hard-drive... this is SO exciting!

Thank you for the encouragement!
quote=Jer236 I've felt that Picasa is the better... (show quote)


Good for you Tilde, you have discovered that you have more talent than you thought and that there are tools out there that are a right fit for you - that's great, now, go play and you will get better and better as you go, this I promis! :thumbup:
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