PSP is a Canon plugin for Photoshop or Lightroom Classic. (a few others I think as well) What it does is make it easy to print and use a color profile so that you aren't letting the printer handle the colors. Many people have trouble setting up Windows and Photoshop so that Photoshop handles the colors rather than the printer handling the color (which is what you want). PSP gives you choices in pull down menus so that you can select the correct paper for accurate colors. You can easily (easier than in Photoshop) add paper icc profiles so that when using 3rd party paper you have a pull down menu to choose from. Simply put, it's just easier than hassling with all the uncertain choices offered when printing directly from Photoshop/Windows.

Dear Bioteacher,

Again follow the advice & common sense of the great Hedgehogger members ,you'll never go wrong. Since I have a home in the area all I can say is,do not buy gas in Lincoln,it has the highest gas prices in the area. All you have to do is check the prices for yourself, unless you love the oil companies or if your car is electric ! Have a great and safe trip and take many nice pictures. Pax

PS

When you get back home let me know if I'm right about the prises ! Thanks

There's lots of possible causes. However, since you have not provided an actual image, the best any of us can do is guess.

What camera mode are you using (P / A / T / M)?
What WB mode are you using?
What metering mode are you using?
What ISO setting are you using, AUTO-ISO or always something specific?

These four camera setting questions will deliver wildly different responses to a sunrise / sunset situation. Shooting in RAW with an advanced editor will allow you to adjust both the K temp and tint to create most any result desired, almost without regard for what the camera decided to capture. You can split-tone too, changing (swapping) individual colors.

What have you done in LR with the import? If you AUTO-TONE or just AUTO-WB inside LR, Adobe will 'zig' from whatever 'zag' decisions the camera made. Both are thinking the WB 'temp' should be closer to about 5200K (daylight) when you probably want something very 'warm' in the 7000K area.

Take control of the situation, both in the camera and especially in LR. If you want some ideas on how to capture and edit in LR, the best method is to give an original JPEG, either from your RAW+JPEG capture or using DPPv4 to spit out a quick JPEG. The goal is to get the original EXIF that Adobe suppresses, but DPP keeps in creating the JPEG. The JPEG is the method to share an example to stay under the 20MB attachment limitation of this site.