denis.fr wrote:
Bonjour, je vais au Carnaval depuis une quinzaine d'années, voici mes conseils:
1/ si possible, logez près de San Marco ou pont du Rialto, entre les deux est parfait.
2/ peu d'utilisation de longues focales, sauf du haut du Campanile ou de Dan Giorgio.
3/ pied pour photos de nuit
4/ beaucoup d'intérieurs avec des lumières diverses (attention à la balance des blancs)
5/ mon objectif favori : Nikon 24/70 2,8 ou Sigma Art 24/105 bien réglé il est top !
6/ J'ai acheté un 1.4 Sigma 20 mm l'an dernier pour limiter mes isos et augmenter ma dynamique : ce que j'ai gagné par rapport au 24/105, je l'ai perdu en recadrant assez sévèrement car l'angle de champ est vraiment large ! je ne fais que peu de paysages, plutôt des portraits et costumes + les canaux, églises, etc... et puis si mon 24 ne couvre pas le sujet, je fais l'assemblage de plusieurs photos avec Image Composite Editor qui est offert avec Windows 10 et qui fonctionne très bien.
7/ pour info, je tire environ 1300 photos lors du Carnaval, et je fais un tirage papier des 300 à 350 meilleures en 13x19 (pour bien en profiter), que je mets en album (fait chez un artisan Vénitien)
8/ etc... c'est le paradis des photographes, on se croisera peut-être au Florian, c'est le lieu de rencontre des costumés pour un chocolat chaud et le soir avant le départ pour les soirées...
Pour me reconnaître : Nikon D 850 et 24/105 sigma art, ou Z 6 ou 7 avec 24/70 2.8 S si mes finances me le permettent ! Amicalement, Denis
Bonjour, je vais au Carnaval depuis une quinzaine ... (
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OH, where is my translator software when I need it.
OnDSnap wrote:
With the D6 coming in 2020 there's going to be many D5's (US) available I would imagine, mine included.... maybe.
The D6 is being kept well under wraps. Something MIGHT be up, like maybe a mirrorless, mirror hybrid or something like the Sony A99II with a translucent mirror, allowing it to act as a mirrorless with the advantages of mirrorless only with a mirror.
Life is interesting.
Indylp wrote:
I know someone that has a used D-5 and a no VR 24-70 2.8 for sale for 3995.00
Serial number starts with "6" pointing to a European model and the lens does not have "US" at the start
both according to my unskilled research, points to grey market items.
The guy had purchased them for a girlfriend who was going to start shooting weddings but they broke up and he wants rid of them
So questions are....
Am I correct about these being grey marked items ??
and it seems to me this is a heck of a buy grey market or not....
I shoot sports several times a year for AP and this would be perfect for me.
please help with advice
Thank you
Larry
I know someone that has a used D-5 and a no VR 24-... (
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Yours is a Gray market, I would stay away.
I got mine off ebay, new, 0 shutter count, battery, camera only, no charger, US version, $3200. Got to keep looking, the deals are out there.
dancraw85 wrote:
Hello my name is Dan. My question is how are the newer shooters shooting without tripods? To bring up the ambient light in a church i would have to shoot at 1/8 th of a second 5.6 aperature. I dont see tripods anymore! I used fugi nhg which i loved. How are these digital cowboys handholding everything? The images they take are tacksharp? Old Mamiya 645 guy needs to know.
thanks
Dan
Hello my name is Dan. My question is how are the n... (
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My D5 can capture easily 12500 ISO with no noise, also at 25000 ISO with noise I can eliminate easily in post.
What do you think of 1/250 sec. at f5.6 in a dark church. And the result looks like it's daylight.
ISO has come a long way baby and it will not stop any time soon.
And Why are you shooting at f8? With today's wonderful 70-200 2.8 lenses you can easily shoot wide open with great results.
scubadoc wrote:
Back in the day when Kodak announced the first digital camera, there was a move to produce camera backs for film cameras that placed a sensor in the place of the film plane. I think Hasselblad may have produced some extremely expensive versions. Whatever happened to this idea? I would still love to use my decades old Canon New F1-N as well as my beloved EOS 3.
You answered your own question, and I quote you, "extremely expensive versions".
Steven Sasson invented the world's first digital camera while working at Eastman Kodak in 1975. It weighed around 8 pounds (3.6kg) and shot a mere 0.01MP. It's crazy to think how far we've come since those early days. We've gone from 30 images on a delicate cassette to thousands on something as small as a fingernail.
Want to see it,
https://www.google.com/search?rlz=1C1CHBF_enUS869US869&q=first+digital+camera+kodak+1975&tbm=isch&source=univ&sa=X&ved=2ahUKEwjN5tfy7a_lAhUQi6wKHY-ZDekQsAR6BAgEEAE&biw=1476&bih=706
dyximan wrote:
I am Planning a trip this Feb for Carnival in Venice and?
1st any suggestions on what else to do, where to stay events to attend etc.
2nd I have a Nikon D500 witch I like and will use for around town shots and landscape type photos, but think it might be a bit much for any of the indoor events Balls People street photography day and night events aswell etc.
I am thinking about a small P&S/Bridge/4/3/Mirrorless, with good low light capabilities and 20MP or so, And would like some suggestions, on both the event and possible cameras/ budget 2000 for the camera.
Thank you in advance for your help and suggestions.I will want to make prints when I get home up to 16x20
I am Planning a trip this Feb for Carnival in Veni... (
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Venice is one of the cities in the world that has become too congested with PEOPLE. It is very difficult to get around, not like back in the day. With Carnival they will drop off a couple thousand at a time into the city alone with several other cruise lines on a daily basis. Gondola rides are still nice IF they take you on some narrow back canals.
I look for the back canals, the narrow side streets, I like to ride the Water Taxi, (cheap and you get to see a lot of the city and be about normal Venetians going about their daily commute). Note all of the specialty boats, private taxis, police, fire, water, sewer, freight, etc. etc.
My favorite camera again is my pocket Sony HX90, now the HX99, it has a 24-750 mm Zeiss lens, with pop up viewfinder, that I have in a belt pouch so it is always ready to shoot. Be aware of what is around you, when riding the water taxi I noticed a bride and groom in a gondola, I raised my HX90, zoomed out for all it was worth and got the shot below. Also be aware of all of the love locks on the bridges and the churches are also worth a visit.
The Villages wrote:
As I read through the daily digests from day-to-day, there seems to be a stream of questions regarding the camera's workings. I think it is agreed that the cameras of today are becoming (or have become) small hand held computers. To my mind, their complexity takes away from the true art of photography. Seems like we often spend more time fooling around with trying to figure out the workings of the camera then in taking the best photograph we can. Maybe I'm just a "good old days" kind of guy.
Your thoughts.
As I read through the daily digests from day-to-da... (
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If you like the "GOOD OLD DAYS", then go you would love NO SEAT BELTS, No anti-lock breaks, no pollution devices, rear wheel drive, no navigation, no cell phones (only land line phones in your home), no apps on your phone, no labels telling you what is in a product, etc. etc. etc.
Thanks but no thanks.
Ched49 wrote:
The poster states they both shoot Nikon, since they are familiar with Nikon's feature set, wouldn't it be better if they stick with Nikon rather than change brands?
Basically ALL camera's are the same. All have controls for shutter speed, aperture, ISO. These three form the basis of all photography.
That said I have been a Nikon guy most of my adult life. And I believe that the mirrorless camera's are the way to go, especially for this young lady who is going into professional photography. Mirrorless has many advantages over DSLR.
I also believe that Sony has the advantage in mirrorless at this time. Sony has Zeiss lenses that are auto focus for their camera's and a line of G lenses that are outstanding.
Yes, for her to stay with Nikon would be easy, but since the basic controls of a camera are universal, I believe it is time for her to switch to a camera company that is the leader in mirrorless auto focus systems.
Screamin Scott wrote:
Don't get overly hung up on DxO test results as they are done on an optical bench with the camera firmly secured. Almost impossible to replicate that in "real world" shooting. Plus small differences in numerical results may be almost imperceptible to the naked eye...The technique is what will give you the results you desire in many cases. Beware also as the "sharpest" lens may not excel in other areas of measurement....
I agree, DxO scores are nice, but it has always been and will continue to be the photographer that makes the difference.
xptom wrote:
I am considering one of the European Viking Cruises. I have limited mobility and have to use a walker. Is there one (or several) of the cruises you would recommend that would be worth while for good photography.
Which of the pre/post additions would also be feasible.
So, far we have gone on the Rhine and Danube. We are doing Paris, and Spain next year. All afford photographic opportunities for a decent photographer. A good photographer can make any scene interesting. On the Rhine there is an afternoon of sailing while looking out over the French and German river sides. You can just site there and shoot, buses take you every where but there is some walking involved, we like to leave the bus behind and walk to pre viewed interesting locations. We do not always go with the group.
Below is a shot taken on that afternoon with a pocket Sony HX90.
trapper1 wrote:
I am looking into buying a telephoto lens for my Nikon D5600 and it appears that there is a bewildering array of choices between Nikon and aftermarket lens of that nature. I am concerned about being able to hand-hold the longer of two types, 200mm and 300mm. Both will need to have VR but aside from that , how much steadier is it to use a 200 mm than a 300mm for casual shots?
Try this one on for size, and it won't break the bank.
The difference between the 200 and 300 for casual shots is that you will have to shoot at a higher shutter speed with the 300 to get good results.
The minimum shutter speed to hand hold any lens used to be 1/focal length of the lens.
So, a 200 mm would be a minimum of 1/200 sec. and for the 300mm it would be 1/300 sec. Now with VR that is no longer the case as you are SUPPOSED to be able to shoot slower than these mentioned minimums. But for me, I still go by the old rule and have not been disappointed yet.
https://www.bhphotovideo.com/c/product/1365789-REG/nikon_20062b_af_p_dx_nikkor_70_300mm.html?sts=pi&pim=Y