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Feb 12, 2024 08:15:03   #
scoundrel wrote:
Nope. The power waveform goes through zero twice each cycle, during which the output goes out or more likely dims because the phosphors coating the inside of the tube continue to glow for a short time while the UV from the fluorescent light is absent. This also causes a noticeable color shift cycle in the tube each half-cycle if the total output doesn't actually go dark each half-cycle.

Incandescent lights also dim and brighten twice each cycle, but brightness variation is not as noticeable because the filament's cooling rate is too slow to notice readily. Nevertheless, this variation can be detected with a photodiode circuit and an oscilloscope. You may have to switch your scope to AC to get rid of the large DC component to spot this variation though.

Have you actually tried this idea of having the airplane rev at 1800 rpm (30 revs per second)? You must take into account the number of blades each propeller assembly has as well, because if your particular airplane has three blades, you can have the pilot rev at a more modest 1200 rpm to get 60 blades per second. With an assembly with two blades, you can drop down to 900 rpm to get 30 blades per second. A prop with only one blade would make for a very unbalanced assembly. (Of course, it is possible to make a two-bladed prop with a single piece of metal. In fact, I would expect most two-bladed prop assemblies to be constructed in this way.)
Nope. The power waveform goes through zero twice e... (show quote)


Correct about 2 blades vs 3 blades. Yes it works as shown with video. One blade vs two is equal in this case. Use to check old tachs but pointless with electronic ones.

Here is an easy one. The iPhone always shoots at the same aperture but varies shutter speed with precision. Compare with same target at same time and maybe evaluate the exposures.




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Feb 11, 2024 19:17:16   #
scoundrel wrote:
I don't know whether this technique still works with more modern technologies, but in the days of old-fashioned picture tubes, each half-frame me was scanned 60 times a second, 263 odd-numbered scan lines for the first half-frame, 262 even-numbered lines for the second half, for a total of 525 lines for each frame, each line representing 1/15,750th of a second. For Europeans, that would be 50 half-frames a second at 625 lines for each full frame, giving 15,625 lines per second.

Turn the screen's contrast down to its minimum setting. Then shoot a picture of the screen for each shutter speed to be tested. Shoot at least three shots for each shutter speed to minimize the possibility of being unable to count the lines because part of the lines were uncountable because the shutter opened or closed while the beam was outside the visible picture area.

For shutter speeds faster than a nominal 1/50 or 1/60 second, it is just a matter of counting the visible lines and dividing by 15,750 or 15,625, as the case may be, to get how long, in seconds, the shutter was actually open. This will be easier to do with old-fashioned black-and-white sets than color ones, but I think it can be done with color sets too. For a nominal 1/400-second leaf shutter, which is about as fast as you can expect a leaf shutter to go, you can expect a nominal 39 to 40 scan lines to be visible.

For a nominal 1/25 or 1/30 seconds, you can expect the majority of the screen to be scanned twice, with a strip to be scanned either once or thrice, depending on whether the shutter is faster or slower than the full-frame rate. It is then a matter of counting the number of dim or bright lines to find out how fast or slow your shutter is, compared to the television's full-frame rate. The same idea applies to 1/50 or 1/60 second shutters, except it is difficult to count scan lines that aren't there if the actual shutter speed is faster than the half-frame rate. You can get close enough by measuring the gap in the picture with a pair of drafting dividers and transferring the measurement to an adjacent part of the picture that has the necessary lines. This won't be perfect, but it should be close enough.
I don't know whether this technique still works wi... (show quote)


I haven't tried this in many years but be aware that fluorescent tubes flicker at 60 hz. As for the other speeds, if that one is OK you can measure the density changes from there to other speeds. How? with a light meter and a white target on your monitor or some similar concept. There are light meter apps for smart phones. You camera has a light meter. You may even have or be able to borrow a real light meter.

If you are near a general aviation airport and can find a cooperative pilot, one whose panel is "glass" rather than old style, then have him/her run the prop at 1800 rpm. "You do the math". The prop should appear to stop at a multiple of your shutter interval.
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Feb 11, 2024 12:53:11   #
Second update:

The big and expensive option from Siri is attractive but I decided to try a minimalist approach. The suggestion of a large rubber foot gave me the idea that something that would give me a little bit of resistance to movement of the monopod might help. I did some internet searching and eventually found something with a larger bottom surface than the monopod and with a hole into which my monopod's existing "foot" or hoove would fit. I had to order two to get them to accept the order and because Amazon didn't carry it I had to pay for shipping. Here is what I ordered. I will probably post another update at some point. BTW, the Perry video was helpful.

The foot you see here was the only one I could find that would fit and still offer some bottom diameter. I would have liked a bigger bottom surface but so far have not found that.

When jumping in and out of the car, carrying the monopod, etc., this will be easier and lighter than the $75 Sirui product. Of course, a really good tabletop tripod as a bonus might still be the way to go.


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Feb 10, 2024 20:08:59   #
Those who say it makes no sense to them to add feet to a monopod will not be persuaded. I am OK with that.

However, the freedom of motion with a monopod that has a friction-adjustable ball joint at the bottom and then three feet beats a tripod's. That should be obvious.

Just to be clear, I'm not talking about the slimmer dimensions or the lower weight. I'm talking about being able to aid the camera while still having some support and some steadying forces.
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Feb 10, 2024 20:02:23   #
Robertl594 wrote:
It might be cheaper to buy the monopod that comes with the feet and the quick release head. The aluminum version is $89. The carbon fiber one is $179.

https://store.sirui.com/collections/am-compact-series-monopods/products/sirui-am-404fl-3-in-1-with-qr-system-monopod


I already have the carbon fiber monopod so the economics favor the attachment. But thanks for the suggestion.
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Feb 10, 2024 18:30:00   #
Thank you to all who tried to help. Here is an update.

1. My monopod, it turns out, does not have a common bolt thread on the point. Rather, it has, from Sirui, a proprietary kit that includes an adapter and a sturdy looking tripod that can double as a tabletop tripod. One of you showed pictures of the same thing but on a different model. So I if I want to add a 3 footed adapter I have to spend about twice as much money. The large, flat, circular foot looked interesting, too, but it would not work on my gear. That's a shame.

2. All who point out that a monopod with feet is not a tripod and should not be used that way are correct. Obvious, but true. I have a tripod - two or three, actually - but carrying them around and getting them in and out of the car and then quickly setting up is not what I want right now.

3. When shooting birds, even in good sunshine, I use F8 for DOF and, besides, that is all my reflex lens offers. For the obvious reasons, I use at least 1/000 shutter speed. That means that I'm at ISO 200 already. I am thus already in the corner of the envelope. I'm simply not as steady as I was when young. I use trees, railing, car windows, etc. when available. But the monopod could offer another method. Another stop of shutter speed would help but can introduce noise in the image. I've experimented with this and found that sharpness is reduced from 1/000 to 1/2000 for that reason.

4. My 500 mm reflex lens offers AF and is very sharp. But it doesn't have any image stabilization of its own. My camera, a Sony 𝜶6500 has in-body stabilization but that's much less effective than when the lens also has it. When I rented a Tamron 150-500 the net effect was greater stability. But I haven't made up my mind to spend $1400 quite yet.

4. When shooting with a monopod some axes of motion (such as vertical) are stopped or steadied but some aren't. For example, yaw (left-right motion) is not affected. With a foot such as a little tripod device and a friction-set ball, more of the possible motions are either eliminated or slowed. Pitch is another that can be better. Some of you agree and some of you don't. I lean toward increased resistance to camera motion. The physics and geometry are easy. Real life is sometimes more complicated. At an equivalent of 750 mm, even the tiniest motions are detrimental to sharpness.
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Feb 9, 2024 14:35:54   #
Longshadow wrote:

Adding feet does not turn it into a tripod of any worth.
I'd NOT leave a camera un-held on a monopod with feet anywhere. (I kinda thought that would be a given.)


Yes, for me it would be a given. But thanks for saying it. I would only use it like a foot-less monopod but hoping to get additional resistance to motion when using long lens (500mm) for birds.
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Feb 9, 2024 13:35:59   #
I have a SIRUI P-326 monopod and I'm quite happy with it. However, I'm thinking about adding a 3-feet attachment to the bottom end. Amazon has several at reasonable prices.

Does anyone have actual experience with:
A. adding feet to existing monopod?
B. a particular brand or model that was either notably good or notably bad?
C. experience with a monopod that has feet, even if it came with them, to suggest that this is a good or bad idea?
D. any "gotchas" to consider that are not immediately obvious?

No, I don't want to use a tripod.

Thanks in advance.
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Feb 6, 2024 13:54:40   #
Longshadow wrote:
Our one car is 2 MPH high, I don't worry about it or go 2 MPH faster.
I don't need to go as fast as I can, I'll still get there.
But for some it really is about saving TWO minutes......


When I drive 6+ hours a day for four days in a row I want to know my speed accurately. There are speed traps, for example. It isn't about saving two minutes.

When I fly my airplane I want accurate airspeed and groundspeed and fuel consumption. Maybe you can guess why. If you don't care about it, that's fine. But other folks may have valid points of view, too.
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Feb 6, 2024 09:48:28   #
A reasonably accurate way to check exposure, in my experience is to start with a gray card if you have one or with a piece of white paper for which you know the reflectance (see the package it came in). If you use a gray card, determine in advance if it's 18% or 12% reflectance (or whatever)

Then, on a clear day in the mid-latitudes at mid-day, carefully take some test photos of the target. I know not everyone is in the mid-latitudes but life isn't perfect.

Why those test conditions? Because the EV should be close to 14.7 (Sunny 16 "rule").

Now view the image file in any of many available viewers or editors that can show a histogram. But, in my experience, the raw image histogram shows a lower exposure (left of center) as compared to the JPG. Be aware that there is no applicable standard for raw, only for JPG.

If you used a white target you need to compensate for the difference in reflectance (example: 92% vs 18%).

This is not really perfect and you have to take care to take your test exposure without angles that distort the reading. Since most cameras show "live" exposure, you can wiggle the target to know in advance how you are doing.

This is "old school" stuff but it's still correct.

With those test conditions you can compare your camera's or meter's readings to what you know they should be and you can also check the results on your computer.
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Feb 6, 2024 09:37:40   #
Longshadow wrote:


...snip..

I wonder how many people care that their car speedometer is off. Not precise.


I had two Hondas which both read about 4 or 5 mph high at highway speeds. My GMC Acadia and my Wrangler both read correctly. How do I know? Well I used to use a stopwatch on the highway where there were mile posts but now I just use my iPhone for which there are various apps.

Why bother? Because I want to be able to go as fast as is legal and not worry about a ticket. Duh!
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Feb 5, 2024 13:20:33   #
lyndacast wrote:
I have the chance to buy a Tamron 150-500 mm z lens for a full frame Nikon mirrorless camera. I have the z50 which is not full frame. I know that you can put fx lenses on dx bodies, but is the same true for full frame z lenses on a crop sensor body like the z50?


This may apply, hope it does. I rented that lens in the version for my Sony 𝜶6500 which is an APS-C camera. I can't image how the hood would be a factor since it goes on the front of the lens. That lens is really, really good. It compares very well against lenses costing much more.

If the mount fits your camera then the only difference from full frame will be the coverage. In other words, the lens is able to cover a "full frame" sensor but on a crop frame camera it will only show you the smaller, center portion. The crop frame also means that your photo will appear to have been taken with a 225-750.
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Feb 2, 2024 17:55:25   #
Orphoto wrote:
a6k -- Congratulations on offering advice to those who requested it 12 years ago. Well done!

Your snark is duly noted. Of course nobody today could possibly benefit, right?
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Feb 2, 2024 09:22:54   #
Screamin Scott wrote:
500mm Mirror lenses can be a cheap substitute for more expensive telephoto lenses. They do however have their limitations. They are a fixed aperture (normally F8), have low contrast, are difficult to focus accurately & have weird bokeh. That said, they are inexpensive & can capture shots that otherwise you may not have gotten. I have attached a sample shot of my son's dog. No post processing done here (you can see the weird bokeh in this sample)...Note that some mirror's are better than others (read-more expensive)
500mm Mirror lenses can be a cheap substitute for ... (show quote)

I have tried Spiratone 300, Sigma 500 and Minolta 500 AF. Recently I bought a Nikon 500. I wanted to see if it was better than the Minolta. It wasn’t. And the Minolta AF on my Sony a6500 using modified LA-EA4 is now perfect.

The mirror lens has all the well known drawbacks but I like it. Short and very light.

I rented a Tamron 150-500 and like it a lot. But the Minolta reflex is just as sharp. My test target is fine (noseeum) screen at >200’. The mirror lens has less DOF than a normal lens at same F8. The mirror lens also needs +1/3~1/2 stop compensation. This isn’t because of the translucent mirror in the adapter because the mirror is removed in the modification.

In good light for birds I use 1/1000 and auto ISO.
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Jan 30, 2024 12:47:05   #
I would REALLY like to have my old micro-prism focus screen in my Sony 𝜶6500. Even at its best setting, focus peaking is just not very precise. I had that micro-prism on my Nikon FM2. I had swapped out the split image for it and was then quite happy.
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