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Posts for: Apaflo
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Oct 8, 2018 09:33:17   #
Just a nap away from home. He clearly has a home.
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Oct 8, 2018 08:17:07   #
rmalarz wrote:
Your UniWB setting does not affect the raw file.
I have visible proof that it does.
--Bob

Great, but that is physically changing only the file, not the RAW data. The RAW data is saved before anything at all is, or can be, done with any white balance calculations. The WB is derived from the bitmap data demosaiced from the RAW data. And when those calculations are made they are applied only to the bitmap (JPEG data) and then all of it is saved in the RAW file.

Hence if you are looking for something like a size or checksum change for the RAW file, that will happen, but it is not caused by a RAW data change.
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Oct 7, 2018 16:35:11   #
Voss wrote:
Thanks, AZNikon. You got me thinking. With a change to the title, this might almost work.

That pole added greatly to the environment. It shows what the world is! I would not edit it out!
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Oct 5, 2018 12:21:27   #
Calumtdon wrote:
New to the forum. I would appreciate any input regarding my upcoming trip to Alaska and appropriate lens for my Nikon D7000. It probably goes without saying that I want to be able to get wildlife close ups with the proper lens that’s not to weighty. Relatively new to photography.

Thanks

Start a separate thread, and be very specific about the details of your trip. Just saying a trip to Alaska probably means you will travel 1000 miles in Alaska and will still be 500 miles from where I live. This is NOT a small place!
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Oct 1, 2018 05:54:21   #
SteveR wrote:
Years ago when I carried two golf magazines, one of them ran a poll about what golfers enjoyed more, golf or sex. Golf won in a very close contest. I'd like to see the outcome of that poll with photography.

Golf would win by an even higher margin.
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Sep 29, 2018 10:18:50   #
Nice portrait.

But while very nice it is not Street Photography.
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Sep 22, 2018 16:41:17   #
TriX wrote:
As I said, depends on the lens and TC combination. Here are Canon’s MTF charts for the 100-400L MK2 with and without the 1.4x Canon MK3 TC. As you can see, there is negligible loss of sharpness. In fact, some of Canon’s long primes come with a TC included with the lens.

Even on a cropped sensor, never mind a FF sensor, those charts show a significant increase in aberrations such as astigmatism when using the TC.

Look for where the graph lines are lower, further apart or more wavey with the TC.
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Sep 20, 2018 15:26:09   #
speters wrote:
Sorry, never heard that one, but learned the opposite ever since I was a little kid!

Low dose aspirin has been a standard treatment for virtually every cardiac problem for at least the past 30 years.

Anyone 50 years of age or older should be checked out by a cardiologist, and then follow whatever is prescribed. There is a very good reason for that too. Ever notice that people who drop dead from a "massive heart attack" are always those who had no history of heart problems and no warning that a heart attack was likely? That happens because a cardiologist can virtually always prevent the surprise heart attack. (Low dose aspirin, or perhaps Plavix, is one reason.)

Not seeing a cardiologist can mean sudden death. Seeing a cardiologist can mean a significantly longer life.
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Sep 20, 2018 03:55:34   #
Rathyatra wrote:
Ha! Ha! - a real exercise in self preservation lol!

Ya gotta beat the gready bastards!
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Sep 20, 2018 00:46:09   #
zzzynick wrote:
... By choice, I in live in a small town, no main street, nothing really to here to shoot that would classify as street photography,
but that doesn't hinder my ability to know what is good and what isn't.

Another demonstration that you have very little understanding of what Street Photography is! It does not require a main street, or even a town. So if if that isn't what hinders you, what is it?
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Sep 19, 2018 18:50:07   #
Rathyatra wrote:
Don't be the co-worker lol!

In places where polar bears are common, there are a couple of common ways to protect yourself that always start with "never go out alone".

At a minimum make sure your buddy wears big heavy boots with lots of socks. You wear one layer of thermal socks and either running shoes or tennis shoes. You just need to out run your buddy.

The second method, litterally called the "buddy system", is for more serious situations. If you aren't all that physically able or if your hiking partner is, do this. Just don't ever breath a hint! Buy a small .22 caliber pistol and always hide it in your back pocket. If approached by a bear, pull out the pistol and shoot your buddy in the knee cap before making your escape at the best pace you can.
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Sep 19, 2018 17:44:31   #
Stephan G wrote:
... I suggest that you look at the various entries in "Street Photography" on You Tube and decide for yourself what it means to you. ...

That appears to be exactly how you have decided to define Street Photography... the lowest common denominator amongst the least knowledgeable.

Instead read the most credible and most authorative sources. Start with the first edition of "Bystander: a history of Street Photography" by Colin Westerbeck and Joel Meyerowitz. Then read the second edition.

Be less concerned about who you might disagree with and more more concerned with who you do agree with!
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Sep 19, 2018 13:56:34   #
zzzynick wrote:
Great shots.
Stick with color. More and more street artist are going to color. It is how we see life.
There are only a handful of photographers in the world, who can repeatedly produce successful of b&W shots.
Unfortunaltey, none of them are on this site.

But in fact we have several photographers repeatedly posting very successful BW Street shots.

I can't see your point. And there is no sense at all in fabricating false "facts".
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Sep 19, 2018 13:28:35   #
truckster wrote:
It's a bit trying ... I have one I'm thinking about ... People or Street? Anyway, nice capture either way.

Post it! We like to discuss what makes Street Photography, including what doesn't quite fit. Either way it is always interesting and informative.
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Sep 19, 2018 13:21:18   #
Stephan G wrote:
Without making it sound like a pun, there is a difference between the types of photographs. It is what intent the focus is placed. The similarity is in the processing of the image. That is the same whether you are doing Still Life, Architectural, Glamor, Nudes, Street, and so on....photography. It is in the result where the distinctions arise.

Street photography does have a cousin in stagecraft. More precisely, "Staging" or "Blocking". We try to work the environs to move the eye to the "subject". It is done by vignetting a story. Every bit of photography rules are applied, and even broken, to have the 'subject' of the story to be limned.

In my high school English class, I had a teacher who would assign us books to read. The school provided the paperbacks. He would place them on our desks just prior the class arrival. When we got seated, we were required to read the first two paragraphs in the book. The rest of the period, we had to write what the rest of the book was about. After a while, it was awesome as to how close we would get. The point is that if are observant, we pick up a lot more clues than we might think.

My personal difficulty is that there too many stories going on when I am shooting on the street.
Without making it sound like a pun, there is a dif... (show quote)

Wonderful, except this article also does not support what you previously stated, and tends to suggest you may not understand Street Photography.

"Shooting on the street" is not what produces Street Photography, at least not if by "street" you mean a road.

Notice how BW is more common than color, and that is no accident. In Street shots we hardly ever see a detailed view of a person's face and often see obscured profiles or just a person's back side. Again, not an accident.

Those objects just are not the subject.

It is exactly the opposite effect of the staging you described.
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