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Posts for: photosarah
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Feb 21, 2015 17:47:01   #
Jackdoor wrote:
and if I'm any judge of people, you'll be just as keen in 2026!


Well, I surely hope you are right! If by then I am both keen and still able, I'll let you know!
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Feb 21, 2015 17:38:22   #
LFingar wrote:
It's sobering to visit the memorial and see the wall of names.
I was waiting before giving you a clue to where Bart is. He's hanging "round" in a nice warm place!


Could you lease explain to someone this side who "Bart" is? I see him(because someone said where he is) but what is the significance, please?
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Feb 21, 2015 17:10:02   #
burkphoto wrote:
:thumbup:

The whole JPEG vs RAW argument has generated thousands upon thousands of hours of endless debate on UHH and just about every other photo enthusiast site. Suffice it to say, it will never be "won", just understood. Both file types have highly appropriate uses.

A3? Might want to translate for us across the pond.


Hi, I quite agree with you, both have their good points. Just trying to assure someone that even the pros get wonderful results using what some would call "amateur settings": I wasn't trying to stir up an argument Jpeg versus RAW!

A3 is an English paper size for 16-1/2 x 11-3/4 inches (approx.) i.e. reasonably large photos. Sorry we don't speak the same language!! :lol: :lol:
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Feb 21, 2015 16:40:07   #
Akron1950 wrote:
I just got a Canon EOS Rebel T3i. Stepped up from a point and shoot. Now, I know there's a big difference between the two. I just need some pointers if anyone is willing to give them. I mostly like to shoot landscapes and functions at the Metro Parks here in town. I have been shooting on auto, and some on TV, witch I keep forgetting how to set everything up from sunny days to evening shots. When I'm told how to I get it, but then I forget! Is there some help for me out there??


Akron1950, we have a professional outfit here in the UK called Experience Seminars, who are all ex-employees of Canon. They run wonderful seminars on all aspects of photography, and their walls are covered with die-for A3 photos - and almost every single one is taken with Jpegs (rather than RAW) and using the P setting. These people know all the Canon cameras inside out, and are very familiar with using manual/AV/TV etc and all the funny little settings that you find in the Menu. But because they know their cameras so well, they can use Jpeg and P so that what they want to achieve is done in-camera and does not need a lot of PS. So nothing wrong with what people would consider "amateur settings" if you know your camera and can get it right first time. Just get to know your camera!
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Feb 21, 2015 16:30:13   #
Jackdoor wrote:
Probably overexposed enough that the sunspots aren't visible- they're still pretty bright, just a bit darker than the rest. Difficult to tell if focus is OK- the edge (astronomers call that the 'limb') of the sun isn't very sharp, but that may be the atmosphere- it's been pretty hazy here today. I'd suggest about 4 stops down- drop the ISO? I also wonder if the solar film might interfere with focusing. You might be better focusing on something distant, then switching off AF and being very careful not to move the focusing ring when putting the film back. Sorry- yet more experimenting!
Probably overexposed enough that the sunspots aren... (show quote)


Jackdoor, experimenting is fun - when there is sun! Originally, I did exactly as you suggest: I focused distantly, then moved to MF and taped the lens so that it would not shift. That was the focus that an earlier UHH member said was "out of focus", which is why I changed methods.
All this angst about this, and I bet you anything you like that on March 20th, being further north, the sun will not even appear and all this is for nothing! BUT, how wonderful if everything goes right..... The next solar eclipse in the northern hemisphere is not until 2026 and by then I shall be too old to care!
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Feb 21, 2015 16:24:06   #
wdross wrote:
Actually, exposed film will pass UV light which, with prolong exposure/viewing, can cause eye damage. Welders glass or sites selling solar visors that block UV are the only way to view a solar eclipse safely before or after totality. Do not use neutral density filters for the same reason - the filters will pass UV. Neutral density filters are acceptable for cameras only, not eyes. A site that will provide information and links is the NASA's eclipse site. I do not want to have any of our UHHs lose their eyesight due to misinformation and not be able to continue their photography. You must look at the information I have indicated if you believe I do not know what I am talking about. It is only your eyes at risk, not mine.
Actually, exposed film will pass UV light which, w... (show quote)


wdross Thank you for your concern for my eyes. I can assure you, I am much more concerned than you are! I have a pair of cardboard "spectacles" with the proper filter, and I have a handmade filter for my lens made from proper optical thin film (which gives a white image of the sun so I don't like it as much as the sun ends up looking like the moon) , plus a glass filter bought from Seymour Solar which gives a yellow/golden colour. I will make sure to use both as appropriate.
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Feb 21, 2015 16:08:54   #
mrtobin wrote:
"Ship tossing around in the North Sea"? How small of a boat will this be? If this is one of those huge cruse ships then I would not be concerned with ship movement.

Dare I say it, I would not use a tripod. Set your av. and iso. so your tv. is 1/1000 of a sec.

I would be more concerned with your focus. The photo that you posted show no sun spots, it is not in focus.

Here is a photo taken with the same lens that you used but no tc. 1/000 of a sec., hand held, see the spots? Have fun on your cruise, don't go blind:)
"Ship tossing around in the North Sea"? ... (show quote)


mrtobin, thanks. Your image is superb. I have no idea how you got the spots on the sun, unless it just happened that there was sun activity on the day you took your photo. I took a photo today with my filter on the lens, the settings as shown. It was handheld. The sun in the UK is not very strong at this time of year and the photo was taken just after midday at 12.44pm. There are no spots, nor in the other two bracketed shots, i.e. no comp and +1. Do you think the ISO was too high? I used Back Button Focus, so that there was no pause when I depressed the shutter button, so it should have been in focus. I trust the camera's focus better than my eyes if I should use manual focus: even with glasses I am not sure that my sight is better than the camera's autofocus. I would be very interested in your comments. Many thanks

f/5.6 1/1000th sec ISO 400 and -1 compensation

(Download)

Same photo, cropped to enlarge

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Feb 21, 2015 13:37:20   #
twowindsbear wrote:
Why would you use 'cloudy' WB? Why not 'sunshine' WB?

Really curious

Have a great trip!


Thanks for the good wishes for the trip, twowindsbear. I used "cloudy" white balance as it makes the sun look more golden than using AWB. Not sure I actually like it, it looks a little OTT to me, I think I will probably just go back to AWB. But the cloudy WB is great for sunsets: it enhances the red/yellow tones amazingly.
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Feb 21, 2015 13:33:18   #
Kingmapix wrote:
Ask the captain of the ship to run his vessel slowly unto a soft sandy beach to steady the ship during the eclipse.


Might end up just like the Costa Concordia in Italy or the
cargo ship Hoegh Osaka which was lying on its side after being deliberately ran aground on the Bramble Bank in the Solent estuary, near Southampton. You may not have heard of that, since it probably didn't make many waves (sorry!) internationally, but if you Google the name, you will see that the Captain and the Pilot put it on the sandbank because it was listing badly just after leaving port.
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Feb 21, 2015 13:28:59   #
[quote=Meives]
photosarah wrote:
In 1991 I was on a cruise ship between Maui and the island of Hawaii. We had many hours of instructions before the event. One is, if the ship rocks, click when it is between up and down. Another is that bracketing is very important. Not to insure success, but the promenences are visable at one setting and the chroma in another. Google tips. Unless you have a milion dollar camera, take a few shots...then just enjoy it. I met people that have witnessed 10 and 15 totals. PS We were given vistors made from cardboard and two unexposed 35 mm slides to look at the partial eclipse. You can look strait at the total without protection. David PM me if you want to discuss it.
In 1991 I was on a cruise ship between Maui and th... (show quote)


Hi David, thanks so much for replying, and with some good advice. Sadly, no super-duper camera. Just a very nice Canon 5Dii and a 100-400mm lens. I have a pair of cardboard "spectacles" and a home-made filter to place over my lens which has worked just fine so far. And a Seymour Solar golden effect filter. Good advice re timing of shutter release. I am intending to use Back Button Focusing, so that there will be no time delay when I depress the shutter button with the camera attempting to refocus every time. I will PM you re bracketing, and any other advice you were given. Thank, Sarah
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Feb 21, 2015 13:22:56   #
Jackdoor wrote:
Hi Photosarah. I've photographed the sun-on film in the '90s- and taken photos from a cruise ship, just not at the same time. The Magellan weighs 40 thousand tons- it will pitch and roll to some extent in a heavy sea, but it won't be tossed about with rapid or sudden movements. Judging by your photo's settings, a tripod might well be more of a nuisance than a help, and it will transfer vibrations from the ship.
I'd suggest that you practice when on board, photographing any distant objects including sun and moon, and see what works best- with/without tripod, and with/without extender. Another thought- you might be better recruiting a volunteer to hold you steady while you hold the camera steady! (It's quite unlikely that the sea will be so bad, but who knows...)
As always, good luck, and don't forget to enjoy it with your eyes as well as through a lens!
Hi Photosarah. I've photographed the sun-on film i... (show quote)


Hi Jackdoor, thanks for your reply. I certainly intend to practice on board, if the sun appears, and good advice to try with/out tripod. I doubt I shall be able to find a volunteer to steady me, as presumably most people will be busy looking at/taking photos/using a telescope, and I am on my own (husband doesn't like being on the sea and therefore is not coming with me). Thanks for your interest, I hope I shall have a few decent images to share after my return!
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Feb 21, 2015 13:18:49   #
the f/stops here wrote:
Photosarah, I believe in answering questions with an image attached. I hope you don't mind. Although these solar eclipse images were not capture while on a ship, they will give you information that might be helpful. I used an incanal solar filter on a Canon 400mm f/4 lens. I exposed at f/4 because depth of field (DoF) wasn't a concern. I think you'll be okay at a 60th of a second unless the seas are rough. You may have to increase your ISO but that is what's so wonderful about digital ... you can see your results with time to make changes! Use a good heavy duty tripod and head, use a shutter release, use a Hoodman hoodloupe or some other product to examine the results on your LCD display. Shoot in Manual so adjustments can be made easily and set your WB to daylight. I can't think of anything else except I wish I were with you! Best, J. Goffe
Photosarah, I believe in answering questions with ... (show quote)


Hi what a wonderful set of images! I shall be so happy if I can get anything half as good i.e. half as many, but all sharp! Thanks for the advice, I had not thought of taking a loupe with me. I have one over from the days of film and slide. Your lens is a better one than mine, which is a 100 - 400: prime lenses are always better! I suspect that I will indeed have to up the ISO and use a higher shutter speed, but I have 4 days on board when hopefully the sun might appear and I can practice. Thanks for replying and posting those terrific photos. Sarah (I wish you were with me too: it would be great if I had someone to advise or help. Sadly, I am on my own)
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Feb 19, 2015 20:09:38   #
I would also try leaving VR on. I seriously doubt you will be able to lock your ball head down. Even large ships have movement. I'm guessing you will likely instead use the tripod/monopod to hold the weight and still move the camera about to keep on the target.

That's something I had not thought about, that I probably will not be able to set tripod and head to lock onto the sun and that the camera would stay focused on target. Of course there will be movement, how silly of me not to have figured that. Thanks for the reminder. Yet another thing to think about!
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Feb 19, 2015 17:58:35   #
R.G. wrote:
Congratulations on catching that fleeting glimpse of UK sunshine! You probably needed that fast shutter speed :lol: .

My understanding id that the "Active" VR setting is for shooting from a moving vehicle and as such it provides stabilisation in the horizontal plane only - not what you'd be looking for shooting up at the sun.

I would say that if 1/500 sec is typical, the movement of the cruise liner will be too slow to have any significant effect on the exposure. In fact I'd say that would apply to bracketed shots as well. A cruise liner will be not just big but stabilised as well. And even if your camera's a bit slow with the bracketed exposures, you should be able to align them during the merging process (not that I'm anticipating that you'll need to). At 1/500 sec. the individual exposures should be perfectly sharp.

As far as ship vibration is concerned, I'd say that's more of a possibility, but you would be able to feel it if it was strong enough to have any sort of effect on the exposures. You'll probably be on an upper deck well away from the engines and generators, so the chances are there won't be any vibration to speak of - but as I said, you'll be able to check just by feeling for it.

The only problem I can foresee is that you'll be using a tripod on a hard deck, and there probably won't be anything that spiked feet could penetrate. Rubber feet will be better but still not as secure as you would want, so you'll have to watch out for yourself or other people bumping the tripod.

Best of luck with your trip. It sounds like real fun :thumbup: .
Congratulations on catching that fleeting glimpse ... (show quote)


It will be fun anyway, lots of good places to go ashore, but am really, really hoping for a clear start to the day without clouds. But the whole point of the trip is to get at least one decent photo of the eclipse, which might be very unlikely at 9.30 am in the northern hemisphere. My tripod has rubber feet, but is very stable and strong enough for camera plus long lens, so hopefully will cope with vibrations. Other people may be a problem, as I am sure the top deck will be jam-packed with people with far more sophisticated equipment than mine, like huge telescopes and so on, and with much more knowledge than I have too.
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Feb 19, 2015 17:52:36   #
melismus wrote:
,,,but maybe keep it on if tripod is on a pitching/rolling deck.


Thanks, I think a tripod would be an essential! I have been using one for the practice photos.
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