frankraney wrote:
This is an easy single shot. Try getting the baseball just coming off the bat without burst. Try getting a good shot all the time where there is action. Sports is almost always done in burst mode. How about a foot race. Try to get the ribbon just as it breaks.
There is a lot of times that burst mode is needed.
The impression I get is that he thinks “real photographers” are ( oops almost used “kind of like” here the forbidden word that is a simile we must be precise) western gun slingers and have the fastest finger in the west. But I am wondering how many times did the pour girl flip her hair for him to “get the shot”. Also you can draw the conclusion or infer from his diatribe that professional “real” photographers on professional grade cameras do not need burst mode, that is for amateurs. I agree with what he is implying that to take a great photo you do not need a $6,000 dollar camera I have taken some great photos with my phone, my old Kodak box camera, Nikon D100, etc., but they are just tools we use to creatively capture the subject we are wanting to show in the photo that is the art. So not everyone needs a camera that does 20-30fps but if what you are wanting to capture a small bird in flight, the person crossing the finish line, the bird just as his feet breaks the water to catch a fish then as he flaps his wings to lift that fish out of the water, the receiver reaching for the ball and it is just barley in his fingers, you select the best tool to get that shot. Out of the 14,000 photos (which I did not know there was a limit of the number of photos one takes) that total is from several cameras I took; iPhone, Canon G7 mark iii, A1 and a7riv, oh forgot GoPro. I used the best camera (tool) to photograph what the subject or situation was. I used my phone at dinner to capture my great nephew eating, and being together with my nephew and his wife at diner shots of all of us together, Canon for hiking(yes I did have the A7riv and tripod in my pack to set up once I got there), the luau great for movies, and around the table. GoPro under water, ATV rides. A7riv landscapes (yes I wanted 60 megapixels to capture the detail of the scenery and if I wanted to make a big print) I have several enlarged on metal that are over 6’ long so I need the megapixels to do that. A1 for birds, surfers, and what drives my wife nuts waves, yes I use burst mode to start taking the photo before the wave hits so I get the point where the water after it hits the rock is at is highest, is that cheating? So as the saying goes you don’t take a knife to a gun fight you select the best tool for the situation. So what is the bulk of the shots one may ask, we were there for a month (not just on Oahu, but Kauai, and the big island) the birds, surfers, waves, sunrises, sun sets, my great nephew, photos to merge into panoramas (ie you set up a tripod taking multiple(ie more than one or two) shots rotating the camera around an axis) this is where the 6’ prints come in, landscapes etc. In looking at what has the highest number of shots, the birds, surfers and waves. Which brings us to the point of my original post I am not going to cull the photos right then or that night /day on my laptop I want to download them to get them back home so I can put them up on my calibrated monitor in my studio to then review them properly. So how can I do that to lighten my load, I know the reply will be don’t take all that crap just take one camera. Does the light bulb go off yet, that is what I want to do! I want to take two cameras, two lenses, extra batteries, chargers, and an iPad (need for entertainment on the plane, shockingly some planes do not have screens in the seat backs) it clips to the back of the seat and can be plugged in to the usb port on the seat.
And yes I am going there; the composition and technique used in the photo is not very good; the better shot and classic shot has the girl 90 degrees from the camera (ie profile, but he could be wanting to see her expression and smile which is ok making it a fun casual shot) the top of the hair is cut off in the frame it would be more dramatic to see all the ends of her hair, a more dramatic shot the subject would be further away from the background so the background can be out of the depth of field blurring it so the subject closer to the camera would pop out and be in sharper focus than the back ground (ie 3d effect like in sports photography you do not see the fans in the stands) , this would also help to separate and define the hair more since the brick is so close the the same color as her hair, the window should be cropped out or the subject stand so it is not in the field of view the window has no artistic value or dramatic effect to the composition in fact it is a distraction in that with the angle of the masonry joints angled toward the girl, which is good it draws your eye toward the subject, but once you get to the girl your eye is then drawn past the girl to the window, now if something was going on in the window that would make the windows presence add to the dramatic effect of the composition say someone looking out, in this case it is just a window and blinds. Now the window does have a shade of blue picking up the color of her shirt, which once again using depth of field (f stop thing) and the window would be in the background and blurred becoming indistinguishable and just providing the splash of color there by becoming less of a distraction. The result is a very casual snap shot of a girl flipping her hair very easy to get and can be do on a phone even, nothing difficult to capture that anyone with any camera could get. Something I have done with an old film camera that only had one mode; as fast as I could push the shutter button and advance the film that was a long long time ago. But hey that is just my opinion and you know what they say about opinions…..everyone has one. I also apologize for any misuse of words, misspellings, punctuation, etc.