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Posts for: pmackd
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Apr 21, 2019 22:24:42   #
There are a number of FX (full frame) Nikon 70-300 mm lenses and none of them are very sharp at 300mm; I'd even say soft. Both the newer DX 70-300 AF-P and the FX 70-300 AF-P are much sharper. However I used the FX version one before the AF-P one for a number of years on a D7100 and consistently got better results than what I see in these shots. FX lens on a DX camera is definitely not your problem. Here are some suggestions:
(1) did you focus on the bird's eye? -- essential!. (2) Did you sharpen effectively in PP? This makes a big difference with your lens at 300mm. (3) Have you done an AF-Fine tune on your lens at 300mm? Also essential if you are getting soft results. (4) Do you have a spare $150? If so, go buy the DX AF-P 70-300mm f4.5-6.3 lens online from Walmart or another dealer. You will get a gray market lens without a proper warranty but at that price it's still a deal. You can also look for a sale and buy the lens Nikon refurbished for about $150. Great lens for the money. When you get it do the AF Fine Tune; most samples don't require correction but some do.
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Mar 15, 2019 23:29:55   #
Too many photographers today are zoom crazy. On most travel, for cities, museums, landscape, and seascape you will miss very few good shots with a 5:1 zoom lens such as 24-120mm (FX) or 16 -80mm (DX). The huge exception is wildlife, where long zooms and long primes rule.
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Mar 13, 2019 00:42:28   #
The most important thing you need to know about layers, masking and other selective editing tools is that there is an enormous range of beautiful photography you can do without it. Concentrate on mastering exposure and global editing techniques first.
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Feb 24, 2019 22:59:08   #
If you don't mind pictures that any serious bird photographer would consider soft, and won't be shooting in dim light stick with the D1000. The Nikon 200-500mm is a very heavy lens to hand hold for any length of time. I would not put it on an entry level camera like the D3400. If you want tack sharp bird pictures of all but very small birds at far distance, the outfit I recommend is a D500 (or D7500) with the Nikon 300mm f4 PF + Nikon 14TCIII. Light enough to carry and use all day and plenty of reach. The economy version is a D7500 with the AF-P DX 70-300mm grey market or refurb for under $150. one of the best lens bargains ever)
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Feb 24, 2019 22:49:58   #
The only reason to move from D7200 to D500 is if you are a serious sports action/wildlife/bird photographer.
I love my D500 but get as much use out of a D7100.

The only reason for an amateur to go full frame is for lower noise performance in dim light. Portrait photographers using FF may benefit from ease in separating faces from out of focus backgrounds but everyone else loses since FF gives less depth of field at a given aperture.
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Feb 24, 2019 22:40:15   #
If you can spend $2000. easily get a D500. If $1000 is far more comfortable get a D7500 rather than D7200 if bird photography is important to you.

From the way you describe your interests you do not need full frame, the main advantage of which is photography in low light. Crop sensor is a better choice for 95% of amateurs.
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Feb 23, 2019 23:35:02   #
If you really want a sharp Nikon 70-300 where VR can be turned on and off for the D7200, you currently have only one choice: The FX AF-P VR version, which will set you back $600. new. I use both that one and the DX AF-P VR. According to my testing the lenses are about equally sharp. The FX lens is 1/2 a pound heavier and 1/3 stop faster at the long end. They are both great lenses. The FX version is better built, has a metal instead of plastic mount, and probably better sealing against breathing in dust when you zoom.
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Feb 23, 2019 23:20:53   #
Paradise Pirate wrote:
Recently listened to speach by Isaac Hadid from SouthernPhoto in Miami Beach (305)653-7355
They are factory authorized repair. He said they repair what is needed to get camera working.
Nikon itself will go through camera and you will end up with $400 to $500 bill. He will do what service you request and usually cheaper. Anyone else used their service?


What you say about Nikon is bunk. They are thorough but only fix what is necessary to fix. This is based on my own and friend's experience. Get a quote.
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Feb 23, 2019 23:18:03   #
dione961 wrote:
Thanks to all for such well-considered advice.

Regarding another camera, I already have the Nikon 1 AW1 with WP lenses: I started this adventure out with this astonishing little camera & it took most of the pics I've posted here. I was gifted the D7200 when a very encouraging & published Japanese photographer insisted I needed to upgrade for the Alaska stage. I use the AW1 whenever it's damp or when we are in the dinghy or hiking up creeks to booming waterfalls. It's spent 3 years in severe tropical heat & humidity, and been underwater or in pouring rain (I made a hood for it) many times & still shoots flawlessly after 3 years of significant abuse. But it has limits.

I have been avoiding the 70-300 for 2 reasons: I already have the Nikkor 55-300 VR - so close, yet so far from what I need so I'd be accumulating over-lapping gear; plus I find it hard to tell which of the 5 versions is being offered on various sites. The 18-400 is a little like this: I already have a Nikkor 18-140 VR and an 11-16 f/2.8 Tokina, but I'll read up more on it.

I will not be returning to the US so unless I buy through UHH used is more risky than new. At least with new (non-gray) I may have time to claim warranty & send for repair etc when I can.

After 4 months solid learning & research I was seriously considering the Tamron 100-400 f/4.5-6.3 Di VC USD. The aperture starts out at 4.5 & doesn't ratchet up as early as any of the comparable lenses; it's light; I already have filters to fit it & I can get it for $599 new with 12 mths warranty. It doesn't get slammed in any review I've found although it is rated slower for tracking speed sports than others. That seems OK as I'm not interested in shooting fast action sports (except the one-off Iditarod - but no lighting fast motor sports!!).

BUT - I will take another look at the 18-400, as then maybe I don't need to change lenses too often.

The thing is, I'm a novice with an outstanding camera: maybe with a few more years experience I will get better results without such heavy reliance on gear (& you guys!). But this voyage is full of one-off experiences - we will never come this way again. Plus I never expected anyone would be interested in my story or pics, it all just sort of grew & I was unprepared - so, for now, it seems like having the right gear will help.

Thanks all so much again. I will let you know how it all goes!
Thanks to all for such well-considered advice. br ... (show quote)




You say you already have a Nikon 55-300mm. I can tell you that the AF-P DX 70-300mm others have suggested is a much sharper lens at the long end, and sharper also than the 18-400. You can buy that 70 -300 for less than $150 grey market online, which is how I got mine and what I suggest. Bargain! Very snappy auto focus and VR (stabilization) In my experience shooting thousands of shots on my own rocking boat 300mm on a DX camera is near the limit you would be able to handle.
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Jan 22, 2019 16:10:16   #
Sky was cloudy with periods of rain throughout the evening in Alameda, CA but there were a few brief intervals of more or less clear sky. I would assume there was enough extra moisture in the air to affect the shots so tack sharp wasn't really possible. Used Nikon D500 with 300mm f4 PF lens and 1.4x Nikon TC only for second shot. First shot was ISO 125 f5 1/320 sec hand held, Blood moon shots ISO 200 f5.6 1.6 seconds on tripod with 2 second delay. Tilt screen used for viewing but no live view.

Next time (May 2021 and 2022) I would raise the ISO of the blood moon shot to 1000 or more and decrease the exposure time accordingly to minimize motion blur. And try some NR as noise would increase substantially.

This camera/lens combination autofocused just fine, probably because of the contrast on the left side of the moon.




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Jan 22, 2019 15:48:18   #
Howard5252 wrote:
I bought the fresnel lens to get a hand held 300mm lens. I planned to test it against what I had been using at 300mm - the 28~300 3.5~5.6 @ 300mm. I am at a stage where I tend to forget things; I forgot that I had attached a 1,4 telextender to the fresnel lens. OK so this test turned out to be the fresnel 300 with a 1.4 telextender (420mm) vs 28~300 @ 300mm.
I ran the test twice to be sure I was getting correct results.
The fresnel lens with a 1.4 telextender outperformed the 28~300 @ 300mm by quite a margin.
It surprised me.
All shots were at f8 camera setting / tripod mounted with appropriate tripod settings.
Since the 1.4 telextender does not seem to bother the fresnel lens, I intend to leave it on permanently. Now I can walk around with a 420mm and take hand held shots with it. I'm happy.
I bought the fresnel lens to get a hand held 300mm... (show quote)



It's well known that a modern 300mm prime will out perform any long range zoom at the long end. I've tested my 300mm f4 PF against Nikon's latest 70-300 AF-P lenses and it's noticeably sharper. When more reach is needed Nikon's 1.4x tele extenders will work great on the 300f4 PF, but when maximum reach is NOT needed you would be better off without it. If you test carefully you will see that shots with the TC are not quite as sharp as shots without can be.
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Jan 22, 2019 15:24:07   #
MikeL wrote:
I took up the hobby of astrophotography several years ago and over that time I have learned many things about star or moon pictures using a DSLR camera that I can share here. The problem of a tripod mounted camera that can't point straight up is only the first of many problems that have to be solved. Luckily that is the easy one. A ball mounted tripod head will allow the camera to point straight up. I use a MeFoto tripod that comes with a ball mount or a ball mount can be purchased separately for most tripods.

The second problem is that the stars and moon etc are all moving due to the earths rotation. Depending on the focal length of your lens, you are limited as to how long an exposure you can make without getting into star trail (blurring) issues. This problem can be solved by using an astro tracking setup that rotates the camera about the polar axis in the opposite direction to the earths rotation. I use the Optron SkyTracker but there are others. Using this device and properly polar aligning it, the moon will essentially stay in one place so that you can take much longer exposures. This isn't normally needed for the moon since it is so bright. 1/500 exposures work fine for a full moon but during a lunar eclipse the other day, I had to use 1.3 second exposures at ISO200, f6.7 with a 300mm lens to capture the red color. These would have been blurred pictures if mounted on a stationary tripod. I'll include a picture of my setup below. I've added a few 3D printed parts to make things a bit better but they aren't needed for a basic setup.

I like to take a series of pictures of events like the lunar eclipse so that I can have individual pictures or make them into a movie. Luckily, my Panasonic GX7 has a time lapse mode where I can tell it to take pictures repeatedly at a given interval. So for the lunar eclipse I took about 1200 pictures at a 6 second interval and over a 2 hour period. This way, I could stay inside where it was warm while my camera did all the work. I should add that my GX7 has a tiltable LCD screen and also a tiltable viewfinder that makes pointing the camera straight up super simple. The GX7 has been replaced with the GX9 which has the same features. Great little camera.

I'll include a link to my moon video here:

https://www.facebook.com/mike.leemhuis/videos/10216829080815261/UzpfSTExMTA5Njc3NDQ6MzA2MDYxMTI5NDk5NDE0OjEwOjA6MTU0OTAwNzk5OTo2MTM2OTk0NTMzNzY0MDc3Njg3/

The final thing I'll mention is that you must use manual focus to get a good sharp picture of stars or the moon during an eclipse. There just isn't enough light typically for a camera to autofocus properly.

I hope this helps.

Mike
I took up the hobby of astrophotography several ye... (show quote)


I have to disagree, mildly. First of all my "total" eclipse shot taken at 420mm with 1.6 second exposure at f5.6 ISO200, posted earlier is only slightly blurred. Hardly noticeable if you aren't looking for blur. But next time (2021 or 2022) I'll raise the ISO to maybe 1000 and decrease exposure correspondingly. Secondly, a state of the art autofocus system such as is found on a Nikon D500, D5, or D850 will focus easily on the eclipsed moon so manual focus is not necessary. Even the D7100 I used last time in 2015 autofocused.
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Jan 22, 2019 00:50:32   #
(1) With my D500 and 300m f4 PF + 1.4x TC there was no problem spot autofocusing on the "totally" eclipsed moon. That's because there was plenty of contrast at the left hand edge of the disc.
(2) For the totally eclipsed moon when deciding on a combination of shutter speed, ISO, and fstop, as well as focal length for the lens one must take into consideration the effect of increased noise at high ISO versus motion blur. At 1.6 seconds f5.6, ISO 200 my exposure time was at least several times too long -- motion blur is visible though not that easy to see even with a heavy crop. But there's a lot of noise even at ISO 200, so I don't think I could go much faster than about 1/10 second and come out ahead, even with good noise reduction. Next time (May 2021 and May 2022) I'll try a variety of combinations of the variables and probably use a longer focal length lens as well.
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Jan 20, 2019 02:14:31   #
brontodon wrote:
It's my favorite travel lens. As others have said here, it's a little short on the telephoto end, but it provides a great balance of weight, sharpness, and zoom range. If I need to travel light, I use my 18-55, but the 18-140 is a bit faster at focal lengths longer than 18mm, and of course it has the greater reach.

I'd say its greatest weakness is distortion. You can see how the steps at the bottom of my attached photo appear curved. It's easy enough to fix in post, but it's still a weakness.
It's my favorite travel lens. As others have said... (show quote)


Most distortion should be fixed if you enable AUTO DISTORTION in the camera menu. All wide range zoom lenses have barrel and pincushion distortion at the extremes of their range so I'm not sure "weakness" is quite the right word.
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Jan 20, 2019 02:10:40   #
The 18-140 is an excellent lens. Above 100mm sharpness begins to be lost, especially above 120mm. It was my workhorse DX walkaround lens until I got the 16 - 80 and the AF-P 70-300 DX.
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